Customer Reviews

Fish Tank (2009) ( Aquário ) [ NON-USA FORMAT, Blu-Ray, Reg.B Import - United Kingdom ]

5 star:		(16)
4 star:		(9)
3 star:		(2)
2 star:		(2)
1 star:		(2)

 

 

Tilbury Town railroad station, Tilbury, Essex, England - a common event unfolds on the train platform. A young woman is arguing with her boyfriend. But what seems like a natural occurrence to the naked eye is a turning point in nineteen-year-old Katie Jarvis's life, as an Oscar®-winning director, Andrea Arnold, was watching the argument unfold from across the train platform. And thus begins the story of Fish Tank, a gritty and gripping 2009 drama, set in England, directed by Andrea Arnold. Katie Jarvis, the volatile and angry girlfriend on the platform, stars as Mia Williams, a fifteen-year-old binge drinking high-school dropout, living in a small tenement with her single mother Joanne, played by the British Independent Film Award nominee Kierston Waering, and her younger sister Tyler, played by Rebecca Griffiths. Mia is an expelled student, a volatile adolescent, and a passionate street dancer. After a day of picking fights with fellow street-dancing females, illegally purchasing alcohol from street dealers, avoiding a conference with a secondary school representative and trying to rescue a white horse from a seemingly abandoned lot, the teenager returns home to find that her mother has brought home a young man, Connor, played by Hunger's Michael Fassbender. Connor is a seemingly nice man, who takes Mia, Joanne and Tyler on a family drive to go fishing at a secluded pond. But Connor is sheltered beneath a shell that hides the man's true colors, as his eyes are not focused on Mia's drinking, smoking, abusive mother - they are focused on Mia.

The style in which Fish Tank is filmed resembles that of Christian Mungiu's 4 luni, 3 sãptãmâni ºi 2 zile (known in English by 4 months, 3 weeks and 2 days), in that what is being filmed is almost a documentary. The camera shakes when Mia is attacked by three tough boys when trying to rescue the white horse. The camera shakes when Mia chases after Connor's car after he walks out on her mother, and as Mia flees from the clutches of the three thugs in the lot. A handheld camera is used for scenes when Mia is in the abandoned apartment, practicing her hip-hop dancing to Ja Rule and Nas. The brilliant and engaging "new" camera style enables the audience to engage more sufficiently in Mia's life as she lives it.

Rarely do I ever close my eyes in films, and rarely do I have to reach over and hold the hand of whomever is sitting next to me in the theatre, whether it be my mother, father, sister, or that woman sitting next to me who keeps chatting with her girlfriend, but Fish Tank and Katie Jarvis's exhilarating, awe-inspiring, heartbreaking performance made me do both. Her role pins you to your seat from the very first scene to the very last moments, which has been seen once before this year in a young newcomer's performance in a motion picture - Gabourey "Gabby" Sidibe in Precious: Based on the Novel "Push" by Sapphire. In fact, Fish Tank has been referred to as Britain's Precious, two motion pictures with hauntingly similar yet eerily different plotlines - a high-school dropout, living in a bad area, with an abusive parent and troubled lives. Like Sidibe, the debutante Katie Jarvis outshines and upstages veteran actors such as Michael Fassbender and Kierston Waering, and offers an authentic and breathtaking role in an unfortunately relatable part.

Fish Tank: Directed by Andrea Arnold. Starring Katie Jarvis, Michael Fassbender, Kierston Waering, Rebecca Griffiths and Harry Treadaway.

This film is a rare gem that follows none of the conventional movie tropes. The characters are 3-dimensional; dialog rings true; the story progresses without artifice or resolution or plot holes; and nobody looks or acts like a movie star. [perfect neon white teeth are thankfully absent, which I always find terribly distracting. If there were a nuclear war today, all that would survive would be roaches, and movie star teeth.] The acting is beautifully understated, and there are no histrionics. For example, the relationship between the eldest daughter and the mother is elucidated with small, realistic actions and words. And because of the authenticity of the film, I could give myself over to the film maker and get emotionally involved in the characters.

In most movies, everything is cranked up to the maximum and shoehorned into a contrived plot that strictly follows conventions so as not to upset the audience. Music, emotions, conflicts, events...everything is calculated to manipulate the viewer and bash them over the heard. Stories follow predictable lines with easily identifiable character archetypes. They are written to please audiences. Infact many releases go through a process of test screening to determine which ending is the best one at pleasing audiences, for example the travesty that was I Am Legend. And, of course, frames are populated only by capital 'a' Actors. And as a result, they have all the metaphorical nutrition and satiety of a bag of Doritoes. Of course I like me a bag of cool ranch every now and again, but they don't satisfy like real food.

Fish Tank also avoids what I call the James Joyce syndrome, wherein a work is buried in a mass of symbolism and metaphor, and you have to have a pHd in codebreaking to understand what is being communicated. I am not saying that those types of works are worthless etc, or that it is not worthwhile in watching and thinking about films Darren Aronofsky's The Fountain. But, for me, I cannot get emotionally involved with the characters or engrossed in the story when it is heavily abstracted and symbolic. Moreover, I don't have the educational background in literature and film to be able to do that kind of analysis.

Imo, this is one of the best character driven movies I've seen. I really cannot find fault with anything the director/writer has done in Fish Tank.

As far as the criterion edition goes, it is fantastic. The movie was shot on 35mm film and the blu ray transfer retains much of that wonderful film look. The video portion is an h264/AVC stream that averages 37 Mbps, and so suffers from no visible compression artifacting or degradation. The audio is 5.1 dts-hd. The majority of the audio is dialog or music that is being played on a portable player etc within the story, so most of the audio is in the centre channel. This also lends to the realism as there are no unnatural 5.1 audio effects. All in all a wonderful job by the Criterion people.

In many ways, I expected to like Andrea Arnold's "Fish Tank"--another working class British drama exploring a disaffected and rebellious teen. But the film rather exceeded my expectations in all ways. It can be an incredibly hard edged presentation but it is also surprisingly hopeful--and this balance is impeccably wrought. Front and center is lead Katie Jarvis and the picture sinks or swims on your investment in this young, tough, unpleasant, wild, and lawless creation. You might instantly be turned off by the in-you-face Jarvis, but "Fish Tank" is deftly able to peel away her hardened exterior to reveal the tortured soul yearning for love and acceptance. Don't be mistaken, however, that this is going to be a heart warming story of redemption once you see some softer shadings. No, this incredibly real story maintains an integrity throughout and doesn't attempt to provide quick psychological or sociological answers leading to happily ever after.

Jarvis, as I said, takes center stage throughout. Independent and confrontational, Jarvis lives with her mother and younger sister. As you might expect, there is a constant battle at home where her mother seeks refuge in alcohol and attempts to relieve her loneliness through random sexual encounters. The bulk of the story begins when momma's new beau (Michael Fassbender) enters the picture. Initially wary of the sexy new stranger, Jarvis becomes increasingly intrigued as he seems to be more than a one night stand. Alternately hostile and accepting, it is supremely difficult for her to let her guard down. But her racing and conflicted emotions propel her closer to Fassbender. It is an astute portrayal (perhaps one of the better representations of warring emotions of late) that has Jarvis infatuated with her mom's suitor. She is sexually attracted to him, sees him in a paternal light, and sees him as a respectful friend and equal. He stirs up so much uncertainty, however, it does cause Jarvis to reexamine how she's leading her life.

The film doesn't shy away from some rather unpleasant plot developments. When Jarvis feels betrayed, in fact, the film possess the power to shock as she is pushed beyond all reasonable boundaries. This is truly a magnetic performance of fire and honesty and I expect we'll be seeing much more of Katie Jarvis. I have sung the praises of Michael Fassbender in several other films (and I like the way his career is going--balancing small indies with big blockbusters), but he is absolutely crucial here. So captivating and winning, with a quiet despair just under the surface, it's easy to see how he could bewitch the standoffish Jarvis. A picture of enormous power, "Fish Tank" is a truly unique and great entry into the ever growing alienated teen genre. Smart and successful, an easy recommendation. KGHarris, 3/11.

15-year old Mia lives with her single Mom and foul-mouthed little sister in some seamy housing project in the UK. Alienated from most aspects of life, she knocks heads with girls her own age. She has a tempestuous relationship with her Mom. She has no boyfriend. School is not going well. Her sole outlet and solace is dancing. She uses a vacant tenement to practice her hip-hop dance moves and routines with her iPod blaring. Life is bleak.

Life starts to change when her Mom takes a lover, the charming Irish Connor. Connor befriends Mia, compliments her, shows kindness and encourages her to pursue her dancing dream. Mia spots a local ad seeking "adult female dancers" and sends in a home-made audition film. Her relationship with her mother's boyfriend takes a sharp turn, setting in motion a surprising sequence of events.

Eventually, Mia packs her bags and decides to move out. On her way out of the flat, she spots her mother dancing, undulating to Nas and "Life's a Bitch." Her mother barely registers the fact that Mia is moving out.
Mia starts dancing with her mother. The little sister joins in, dancing in time with the others. The pet pit-bull Tennant lies on the floor, rapt in attention, looking puzzled. Great scene!

This story kept my attention for a full two hours. It is gritty and powerful. In the final scene, a heart-shaped nylon helium balloon floats ascends high above the grimy public housing project as Mia and her new boyfriend motor off to Cardiff.

FISH TANK blew me away. Maybe the best film I've seen in 2011.

Tip: Watch it with subtitles on; the Brit accents are so thick it may be otherwise hard to understand the dialogue.

**1/2. FISH TANK earned a lot of awards so I can't refrain myself from thinking that the overall quality of today cinema is rather low. Not that FISH TANK is bad but, hey!, the story is far from being original, the life of the British underclass sinister as usual and the director of photography seems to suffer from Parkinson's disease at times. Nonetheless, the film can be recommended to curious movie lovers.

This film made a brief appearance in theaters a couple years ago and only made $200K in the U.S. Why? Well maybe it's the subject matter or maybe no one can understand these blue collar Brits! Anyway, the movie finally arrived thanks to a new Criterion edition. They almost always do an excellent job with their product, but what's with the 4:3 aspect ratio? Was this movie shot this way for British TV or something? I had to turn on the subtitles to understand these Cockneys as well. They are for the hearing impaired however, telling us every little dog bark or car passing as well as translating the language. I'm all for that but there is no English only subtitle option. Now that's out of the way...I have no idea what the title refers to. I don't recall any fish tanks in the movie. Katie Jarvis gives a break out performance playing a 15 year old (she was actually 18) girl living in a tenement apartment complex in Essex. She's a young tough who takes no crap and usually dishes out her own. Obviously it doesn't help if you're the shy type with these teens. She takes a fancy to her still young mum's (Kierston Wareing) new boyfriend (Michael Fassbender, 32 by the way). He flirts a little but is clearly more interested in mum. One night that changes when mum passes out drunk. Yeah, a little creepy now. In any case young Mia (Jarvis) becomes upset when Fassbender's character bolts. She tracks him down only to find out he has a family of his own. More tension ensues as Mia kidnaps his young daughter. We don't know what's going to happen. The elements of the story are unsettling but there is no denying the quality of the film and its director Andrea Arnold. Since this film surfaced, Fassbender has gone on to make several mainstream films and is one to keep an eye on.

15-year-old Mia (Katie Jarvis) lives on an "estate" on the outskirts of London. If estate sounds fancy, it actually is the British equivalent of the projects. A tall, drab, run-down apartment building. She lives there with her mother Joanne and younger sister Tyler. Skinny and carrying some heavy acne, Mia spends her days wandering around the neighborhood and sneaking into an empty apartment so she can listen to music and work on her dancing. She's moody, foul-mouthed to the extreme, and deeply misses a kind presence in her life. Her mom makes no secret of the fact that her two children are nothing but a bother and interference in her social life. Mia apparently has no interest in school and quite frankly, doesn't seem to have much to offer the world.

This is the basic set up for the much -praised film from up-and-coming filmmaker Andrea Arnold. Shot in a hand-held style on a shoe-string budget, FISH TANK is interested in exploring the life (and inner-life) of this one specific teenager. She comes from poverty and neglect. She's not experienced much affection in her life. She's angry but also has impulses that draw her to beauty, whether towards a horse kept in a nearby deserted lot or for the simple pleasures of a drive into the country. Our initial reaction to Mia, whom we meet as the camera follows her wandering around the estate (Arnold spends A LOT of time literally following the jogging-suit-wearing Mia as she walks around), is not positive. "What a horrible brat!" is the first reaction, followed by a feeling that this young lady is a hopeless waste of anyone's time and energy.

Then her mother meets a guy, Connor (Michael Fassbender). Connor is handsome, charming, has a decent job and makes mom happy, which makes mom nicer. Connor also provides Mia with some much needed positive attention. He compliments her dancing. He takes the family to the country and shows them beautiful sights. We are shown how his simple attention awakens something in Mia. He is awakening hope. He is reminding Mia that gentle human contact is desirable. And he also appears to be stirring a physical response from Mia. The viewer can see that what Mia NEEDS is a father figure...but she is mistaking that need as a need for physical attention...for sex, perhaps.

The tension of this film (which is actually pretty palpable at times) is in the wondering where the relationship between these two is headed. Will they find their ways into appropriate roles? Or will the chemistry between them pollute what started out so well? And suddenly, we are rooting for Mia...because we see how the right choices could really turn things around.

The story-telling style, as I said, is to pretty much just follow Mia around, whether she is doing important things or mundane things. Young Katie Jarvis is a natural and even though she seems to be a typical sullen teenager, she lets us see enough on her face to understand that her inner-life is a bit richer and more complex than her exterior. It's one of the most convincing portrayals of a teenager I've seen. However, Director Arnold does spend just a bit too much time photographing Mia walking. Of two hour running time, I think we spend 20 minutes just watching Mia stroll around. That's 10 minutes too much. The filmmaker is perhaps just a bit too much in love with her naturalistic filming style and forgets that she's also making a piece of entertainment.

All the acting is good. Fassbender, before he became a rising star, is virile and charming. All the minor performers come across well. This is a tiny little story, but told with great conviction and commitment...resulting in a surprisingly gripping movie.

The Criterion Blu-ray is excellent as always. The filming uses natural light, and the blu ray captures that well, for better and worse. The bonus materials are decent but uninspired. However, the essay included in the booklet is great...it puts the film into perspective into the larger genre of "exploring British lower-class life via naturalistic filming" that folks like Ken Loach made so resonant. But it also deeply explores the film and illuminates what makes it unique and what makes it work so well.

This is a good movie if you know what to expect going in. This movie is very edgy, to the point of being somewhat disturbing. However, based on my experience, it is probably an extremely accurate portrayal of the bleak existence of lower income society in northern European countries (and a lot of the rest of the world.) Worth a watch, just be prepared. It will go places you probably aren't expecting. Definitely not a "date night" movie.

"I make films to prove that we are not living in the best of possible worlds"
(Luis Buñuel)

Andrea Arnold made a couaregous and even challenging film respect the hopelessness projects of a voiceless youth who intends to search a beacon in the dark to give meaning to their lives.

A mother -dismissed about the world and inmersed in an eternal mist of alcohol and frivolity- and her two daughters. The eldest (Katie Jarvis) prone to break all the rules, fighting against everything she considers deprived of freedom (The obsessive idea of freeing the mare) endowed with a marvelous quality - dance spirit - willing to prove the whole world she has talent to spare and even more to tantalize her lover's mother , carves in relief a desoltae scene in the heart of a soulless city.

The finale sequence would seem to send us to that escape to anywhere of The four hundred blows' protagonist.

Touching, disturbing, taering and compelling film that must be seen.

At first glance, this seems like a slow movie and a slim plot revolving around an angry girl; it is so much more. Give it a try, and it will suck you in. The leads deserve all the praise heaped on them.