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Arab Cinema: History and Cultural Identity [Paperback]

Viola Shafik (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Arab Cinema: History and Cultural Identity Arab Cinema: History and Cultural Identity 4.0 out of 5 stars (1)
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Book Description

September 1, 1998
Combining detailed narrative history -- economic, ideological, and esthetic -- with thought-provoking analysis, this study provides extensive coverage of cinema in the Arab world.

Arab Cinema traces the industry's development from colonial times to the present. It analyzes its ambiguous relationship with commercial Western cinema, and the effect of Egyptian market dominance in the region. Covering not only Egyptian but also North African, Syrian, Palestinian, Iraqi, and Lebanese cinema, it traces the influence on the medium of local and regional art forms and modes of thought, both classical and popular, and shows how indigenous and external factors have combined in a dynamic process of "cultural repackaging."

Illustrated throughout with stills from the movies, and backed up by comprehensive documentation, Shafik's study breaks new ground, and will become an indispensable point of reference for all those interested in world cinema.


Editorial Reviews

Review

"Shafik discusses the history, genres, and esthetics of Arab film. She is very good at analyzing its antecedents in Arab literary, theatrical, storytelling, and musical traditions. She gives broad coverage to typical genres and is particularly good on realism and the cinema d auteur. Although Shafik focuses on Egyptian films, which comprise well more than half of all Arab films made, she discusses the films of the other Arab nations as well, delineating the differences and similarities among them. The author devotes the preponderance of the book to the films themselves, but she is also thorough in her analysis of the conditions political, religious, economic that determine what films are made, how they are made, and where they are seen. The book was first published in 1998; for this edition, Shafik updates the history, discussing in detail some of the seminal films of the last decade. Intelligent, perceptive, and elegantly written, this volume deserves a broad readership. SUMMING UP: Highly recommended. All readers, all levels." --CHOICE, Current Reviews for Academic Libraries --This text refers to an alternate Paperback edition.

About the Author

Viola Shafik is a freelance film scholar and filmmaker. She is the author of Popular Egyptian Cinema: Gender, Class, and Nation (AUC Press, 2007) and Arab Cinema: History and Cultural Identity (AUC Press, 1998; revised edition, 2007.)

Product Details

  • Paperback: 263 pages
  • Publisher: American University in Cairo Press (September 1, 1998)
  • Language: English
  • ISBN-10: 9774244753
  • ISBN-13: 978-9774244759
  • Product Dimensions: 9 x 5.6 x 0.7 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,342,807 in Books (See Top 100 in Books)

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4.0 out of 5 stars A very brief review of Arab Cinema: History and Cultural Identity, October 19, 2011
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Great introduction to how Arab culture shapes Middle Eastern cinema. However, if you do not know much about Arabic culture, this may not be the best place to start. It can be overwhelming but is an important book to have for anyone who wants to learn more about the history of Pan Arab cinema.
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Inside This Book (learn more)
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First Sentence:
The Arab world is not, as is often perceived, a monolith, but is made up of different communities, peoples, states, and governmental and societal forms. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
cinéma algérien, national film organization, cinémas arabes, cinéma égyptien, cinémas africains, nouba des femmes, auteur films, verbal comedy, realist films, charcoal maker, conventional drama, realist cinema, feature film production
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Youssef Chahine, Salah Abu Seif, Taufik Salih, Nouri Bouzid, Ahmed Badrakhan, Muhammad Karim, Merzak Allouache, Muhammad Bakr, Umm Kulthum, World War, Assia Djebar, Ferid Boughedir, Henri Barakat, Saudi Arabia, Yusuf Wahbi, Mohamed Lakhdar Hamina, Nacer Khemir, Naguib Mahfouz, North Africa, Samir Zikra, South Wind, Chadi Abdessalam, Golden Horseshoes, Hamid Benani, Hussein Kamal
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