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| 1. Hungarian Rhapsody, for piano No. 15 in A minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15) | |||
| 2. Pieces (3) for piano, Op. 52: Énigme, No. 2 | |||
| 3. Pieces (2) for piano, Op. 57: Caresse dansée, No. 2 | |||
| 4. Piano Sonata No. 10 ('Trill'), Op. 70 | |||
| 5. Morceaux de fantaisie (5), for piano, Op. 3: Fragments in A flat major for piano, Op. posth. | |||
| 6. Etudes-Tableaux, for piano, Op. 39 | |||
| 7. Etude-Tableau, for piano in C minor, Op. Post. | |||
| 8. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 1 | |||
| 9. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 2 | |||
| 10. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 3 | |||
| 11. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 4 | |||
| 12. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 5 | |||
| 13. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 6 | |||
| 14. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 7 | |||
| 15. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 8 | |||
| 16. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 9. Novelette | |||
| 17. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 10. Präludium | |||
| 18. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 11. Marsch | |||
| 19. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 12. Abendmusik | |||
| 20. Bunte Blätter (14) (Colored Leaves) for piano, Op. 99: No. 13. Scherzo | |||
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Masterful Recital,
By Frederic Sala (Detroit, USA) - See all my reviews
This review is from: Arcadi Volodos Live at Carnegie Hall (Audio CD)
Arcadi Volodos is one of the great pianists of our era. In this album, his Carnegie Hall Debut, he presents a wonderful selection of pieces through which we can discover what he is as a pianist. The disc contains the tumultuous Liszt-Horowitz Hungarian Rhapsody nr. 15 (Racokzy March), a selection of short works by Rachmaninoff, several Scriabin pieces including the Sonata nr. 10, and the Schumman "Bunten Blatter (Leaves of Different Colors)The Schumman is rarely heard and masterful. It concludes with the powerful Gewindenmarschen, which is followed by the formidable Liszt/Mendelson/Horowitz "Wedding March Variations". Volodos plays through these pieces with a stunning technical perfection and honest, not exaggerated, emotion. While some claim he has no feeling, it is the opposite, he can conjure many feelings without exaggerated playing. My only complaint is where are the rest of the pieces? The programme was actually 2 hours long, and concluded with a wonderful transcription Glinka transcription by Volodos.
14 of 15 people found the following review helpful:
5.0 out of 5 stars
Interesting repertoire,
By Norman Duffy (Amsterdam) - See all my reviews
This review is from: Arcadi Volodos Live at Carnegie Hall (Audio CD)
I felt tempted to write this short piece after reading some of the other comments about this disc. Someone of the oversized temperament like this guy is probably always going to fire different reactions in different people.Undoubtedly the repertoire choices here are audacious but to not be able to get beyond that in order to expand one's knowledge and experience is a great shame. This is particularly the case when the performances are of a quality such as they are here. I can understand that Scriabin is a bit of an unknown quantity to many but I also think that he will only remain unknown to those who do not want to know. This is a superb recital and the centrepiece is the Schumann - how obscure is that?
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Volodos is at Home in Late Romantic Virtuoso Repertoire...,
By Al Magliano (Nesconset, NY USA) - See all my reviews
This review is from: Arcadi Volodos Live at Carnegie Hall (Audio CD)
Arcadi Volodos has easily become one of my favorites after listening to this phenomenal debut CD. I dare anyone to listen to the first track (the diabolical Horowitz version of Liszt's fifteenth Hungarian Rhapsody) and not listen to the album in its entirety. The Scriabin is exotic and poetically introspective, the Rachmaninov is rich and nostalgic, and the Liszt is a triumph of virtuosity. My only reservation is Volodos' decision to record Bunte Blatter when so many other more successful piano-cycles exist in the Schumann catalogue (imagine an artist of this kind of versatility tackling Carnaval or Kreisleriana). I would also like to suggest Volodos' CD of virtuoso piano transcriptions and his Rach 3. He is a brilliant artist with the rare ability to combine keyboard pyrotechnics, a full-bodied tonal palette, and an inimitable sense of style. This CD is highly recommended.
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