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The Architecture of Alienation: The Political Economy of Professional Education [Hardcover]

David Clarke (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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About the Author

David Clarke (1942-2005) was professor emeritus at Southern Illinois University. He is the author or editor of numerous books, including The Architecture of Alienation: The Political Economy of Professional Education, published by Transaction. In addition he was the former editor of the journal Knowledge, Technology, & Policy.


Product Details

  • Hardcover: 203 pages
  • Publisher: Transaction Publishers (January 1, 1994)
  • Language: English
  • ISBN-10: 1560001577
  • ISBN-13: 978-1560001577
  • Product Dimensions: 9.2 x 6 x 1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #412,278 in Books (See Top 100 in Books)

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Fascinating, November 4, 1997
By A Customer
This review is from: The Architecture of Alienation: The Political Economy of Professional Education (Hardcover)
Interestingly, while 70 years elapsed between the public promulgation of The Communist Manifesto in 1847 and the Bolshevik Revolution in Russia in 1917, The National Science Foundation Act of 1950 was passed only five years after the transmittal of Science: The Endless Frontier to President Truman. While reviewer Stephen P. Dresch hesitates to speculate on the significance of the more rapid institutionalization of the scientistic ideology, his more daring colleague Kenneth R. Janson has noted (in personal communication with Dresch) that "on an appropriately logged scale of compound growth of innovation, these gestations are equivalent [,and] indeed one could parameterize the process with just these data." Thus, Dresch offers, Janson's Law of Accelerating Institutional Realization of Ideological Potential: "The period required for institutional embodiment of a newly enunciated ideology is contracting over time (from seventy years in 1847 and five years in 1945) at a compound annual rate of 2.657 percent." This law implies that the time required for institutionalization of a newly enunciated ideology is halved every 25 years and 270 days; thus, an ideology propounded in the year 2000 will achieve institutional embodiment in one year and fifty days, and institutional realization will occur only one day after enunciation of an ideology on the 312th day of the year 2223. One can only speculate (indeed, hope) that the period required for the dissolution of an institutionalized ideology may be contracting at a comparable rate.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars coherent critique of literate professions & formal schooling, July 27, 1996
By A Customer
This review is from: The Architecture of Alienation: The Political Economy of Professional Education (Hardcover)

In this "gathering of fugitives"<A HREF="#n1">[1]</A><A NAME="t1"></A> David Clarke offers what might be
viewed, superficially, as an eclectic set of critiques focused primarily on
architectural education and practice. However, a discerning layman perusing
these essays will slowly (and, for most, disconcertingly) recognize that
Clarke's critique is not disjoint and eclectic but consistent and coherent and
in its essentials applies to virtually the full panoply of the contemporary
"literate professions"<A HREF="#n2">[2]</A><A NAME="t2"></A> and their related programs of higher schooling.<A HREF="#n3">[3]</A><A NAME="t3"></A>

While I hardly qualify for (or aspire to) status as a disciple of J&uuml;rgen
Habermas, I have long been impressed by Habermas's distinction, in <STRONG>Toward a
Rational Society</STRONG>,<A HREF="#n4">[4]</A><A NAME="t4"></A> between "theory" and "practice." Historically, Habermas
argues, "theory" was concerned with the "immutable essence of things," while
the conduct of practical affairs was "pragmatically practiced according to
traditional patterns of skill." The chasm between theory and practice was
indeed bridged, but only in an indirect manner: Theory "obtain[ed] practical
validity only by molding the manner of life of men engaged in theory." The
capacity to comprehend (and engage in) theory, to engage in the search for the
"immutable essence of things," provided an ethical orientation to practical
action and thus represented a sociocultural qualification required of those
whose practical actions would have consequences for others. Knowledge of
theory provided the moral sanction for practical action, while practical action
itself relied primarily on pragmatic, instrumental, technical qualifications
which were quite unrelated to theory.

The contemporary conception of the relationship between theory and
practice is quite different. Theoretical knowledge as the prerequisite for the
ethical exercise of practical power has been superceded by theoretical
knowledge itself as practical power. Habermas characterizes this as "the
overhasty subordination of theoretical work to the ad hoc requisites of
practice." A principal consequence of this "overhasty subordination" is that
theoretical knowledge can have practical consequence without having moral force
or relevance.<A HREF="#n5">[5]</A><A NAME="t5"></A> At the risk of oversimplification, this issue impresses me as
at the heart of Clarke's critiques of professional education and practice.

Most succinctly, what Clarke describes is a profession, architecture,
which has become progressively more insulated from and independent of its
sociocultural context. Having, by whatever means, succeeded in severing any
organic links to the broader culture, it is left to its own devices. If there
exist imperatives which contemporary architecture cannot evade, these are
entirely internal to the profession, i.e., there exist no external, non- or
extraarchitectural laws, standards or constraints to which architectural
imperatives must conform.

What is not frequently recognized, however, is that the internal
imperatives made possible by the "emancipation" of a profession, in this case
architecture, are fundamentally arbitrary. In the absence of an external
referent, any imperative is possible, and the choice of one over another (e.g.,
of one "school" of architecture over another) is correspondingly arbitrary.
Architectural education, in consequence, becomes simply a process of
inculcation of (or indoctrination into) one set or another of these arbitrary,
decontextualized imperatives.

Thus, Clarke argues, convincingly and disturbingly, that the imperatives
of contemporary architecture are impervious even to physical laws: A "design"
can exemplify the internal imperatives of a school of architecture even if it
cannot be built, if it cannot stand even if built, and if it cannot be lived or
worked in even if it is built and stands.

These issues are more directly addressed in Clarke's <STRONG>Arguments in Favor of
Sharpshooting</STRONG>.<A HREF="#n6">[6]</A><A NAME="t6"></A> The first two pages of that volume set the tone with a
devastating opening salvo in which Clarke focuses his sights on Robert
Venturi's house for his mother ["designed [...] to contain global rather than
local meaning (oversolved)[,] [...] [t]hat error [...] compounded by using very
cheap materials and construction (undersolved), the enormity of it all
supposedly made inoffensive by a patina of wit. But the problems don't cancel,
being in different categories, and instead accumulate. Mrs. Venturi has been
as silent as one would hope a mother would be on such an issue [...]] and on
Mies van der Rohe's house "for a hapless doctor named Farnsworth in Plano,
Illinois" ["much the same thing in reverse, without the wit, [...] it ended up
in court."]. Clarke summarizes his indictments in captions to illustrations of
these two quintessential examples of contemporary architecture:

<BLOCKQUOTE> Architecture as angst: aged widow Vanna Venturi's 1962 house by her
son. Cardboard zips and zaps reflect 20th century existential
miasma, including tortured stairs, for a woman likely seeking peace,
quiet, and no stairs at all.</BLOCKQUOTE>

<BLOCKQUOTE> Architecture as scientific reduction: Mies van der Rohe's glassy box
with no screens or air conditioning in the land of brutal winters and
torrid summers and many, many mosquitos. Client Farnsworth sued.</BLOCKQUOTE>

In this volume, Clarke's first essay, "Investment vs. Consumption Spending
in U.S. Architectural Education," provides more than adequate evidence of the
fundamental ignorance of a practitioner whose education has not extended beyond
that of the "professional architect"; his second essay, "French Revolutions:
Architecture and the Government," suggests that the situation in France is, if
possible, even worse.

Stated somewhat differently, Clarke's study of architecture comes to
conclusions very similar to those which I am reaching with reference to
contemporary science. Operationally and symbolically, for the United States
the Second World War marked a major change in the social, political and
governmental perception of fundamental science.<A HREF="#n7">[7]</A><A NAME="t7"></A> From a highly decentralized
and invisible activity, of at best secondary and indirect interest and concern
to government, fundamental science emerged as a major force in its own right,
one which, it was argued, could (and should) be channeled by government to
achieve specific social (i.e., governmental) objectives. Ideologically, this
fundamental change in the perception of science was forcefully enunciated by
Vannevar Bush in <STRONG>Science: The Endless Frontier</STRONG>,<A HREF="#n8">[8]</A><A NAME="t8"></A> which might be characterized
as contemporary scientism's counterpart to <STRONG>The Communist Manifesto</STRONG><A HREF="#n9">[9]</A><A NAME="t9"></A> of Marx and
Engels.<A HREF="#n10">[10]</A><A NAME="t10"></A>

Thus, in an unfinished essay<A HREF="#n11">[11]</A><A NAME="t11"></A> I argue that there is a direct parallel
between the perceived roles of "<EM>communists</EM>," as articulated

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