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Architecture and Suburbia: From English Villa to American Dream House, 1690-2000

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Archer puts suburbia into historical context, going back to before it was even known as this. Its beginnings were in the "nascent bourgeoisie...philosophical, economic, and political circumstances" of late seventeenth century England. Especially, the "new architectural type [of] the compact bourgeois villa" came to be seen as an ideal residence by the nascent bourgeois public. This architecture type allowed for a "new settlement pattern" different from the traditional ones of dense urban development and sprawling manors--namely, suburbia with its homes surrounded by lawns clustered in country-like areas. Along with laying out the cultural and philosophical origins of suburbia, including the developing concept of the self, Archer presents both sides of the assessment of suburbia. In modern-day America, where the majority of the population now live in suburbia, there has for many decades been an ongoing debate over whether suburbia is the acme of the American dream of prosperity and upward mobility or an illusion entailing the stifling of individuality and cultivation of materialism. Archer's book is substantive enough to be a text in college courses on suburban studies, while also being accessible and engaging enough as a timely work of cultural studies for the general reader. The author is a professor of cultural studies and comparative literature at the U. of Minnesota. With material ranging from Enlightenment English philosophy to portrayals of suburbia in recent movies, from architectural plans of the "compact bourgeois villa" to inventions such as lawnmowers and economic changes such as new banking practices associated with suburbia, the work demonstrates how fertile this subject is while bringing it into focus and drawing the avenues for further exploration of it.