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The Arctic National Wildlife Refuge is a touchstone for all people, one of the few remaining ecosystems on our planet unaltered by human impact, where true wilderness can still be experienced. But now the refuge is showing signs of global warming: immense McCall Glacier, measured to have lost more than thirty feet in depth in the last forty years; the northward march of the dwarf willow, moving at a pace not seen in 8,000 years; the alarming decline of the muskox, forced to forage where their calves are vulnerable to predators. And the refuge is further threatened by oil development, which would forever unravel the delicate pattern of nature found here.
Award-winning photographer SUBHANKAR BANERJEE devoted two years of his life to documenting the land, its wild species, and its Native peoples. With Inupiat guide Robert Thompson, Banerjee traveled 4,000 miles through the refuge on foot and by raft, kayak, and snowmobile during all four seasons. With more than 200 breathtaking color images, Arctic National Wildlife Refuge: Seasons of Life and Land makes this case: Leaving the refuge intact in all its mysterious beauty is vital to the survival of this unique ecosystem.
Banerjees photos are paired with six essays and a foreword by former president JIMMY CARTER.
In his essay, PETER MATTHIESSEN paints in living color the glorious profundity of life encountered on an expedition at the refuge. FRAN MAUER examines the full range of Arctic and sub-Arctic ecosystems found here. WILLIAM MEADOWS recounts the Wilderness Societys role in creating the refuge and helping to protect it for over forty years. DEBBIE MILLER profiles native Gwichin and Inupiat families, by choice tied to the land for survival despite the pressures they face. GEORGE SCHALLER recounts the first expedition that led to the creation of the refuge. DAVID ALLEN SIBLEY experiences the wonder of the Arctic coastal plain aflutter with nesting birds from all six continents. Each comes to the same conclusion: The refuge is an abundant and critical habitat that would be irreversibly destroyed if exploited for oil.
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One thinks of the Arctic as all white. It is not, even in winter. The snow covered ground makes moose, grizzly, musk oxen, porcupine, willows, and many birds stand out. The ptarmigan changes plumage twice a year to blend into the two Arctic seasons. The sky can be brilliantly blue during the day, and green or red with the Aurora Borealis at night.
The summer brings a greater variety of color to the land and draws the migrating birds through our parts of the country to their nesting area in the Refuge. The Porcupine caribou herd is drawn to the Coastal Plain to give birth and to fatten up for the coming long winter. The pictures and essays tell the story of the people, polar and grizzly bears, the caribou, the musk oxen, a variety of smaller animals, and the large number of bird species that live all, or part of, their lives there.
The book has excellent maps. Some illustrate the migration paths of birds from North and South America, Asia, even Africa. Others show: caribou and bowhead whale migration routes; where the people live; and the major geological features.
Banerjee's pictures range from the broad expanse of mountains and rivers to the color and detail of the lichen on the rocks. I've learned much. One would have to spend many months in the Refuge to see what is in this book.
I went to the exhibit at the Smithsonian last week. Despite the political pressure to keep the pictures and the captions hidden from the public, the exhibit is inspirational and uplifting. Too bad the Smithsonian doesn't even have a sign to the exhibit, you have to search for it down in the basement. Get even with those who would keep you from seeing this book--buy it and decide for yourself if this place is worth protecting.
The treatment of Banerjee's photos was so troublesome that Congress held hearings on the matter. But no news report could compare to the feeling of being there, near the elevator.
I took the book home with me, trying to understand whether or not the poor installation was due to poor material or to poor museum administration. Banerjee's photos, and the stories and writings around the photos, are greatly compelling. The story of how hard he worked to get those photos, and of how in the process, he became a better photographer, stood out to me. I highly recommend the book, but I hope I have helped some enthusiasts know just how controversial the notion of natural beauty can be, and how the Smithsonian does play politics. Apparently, reading Banerjee's book can be considered an act of protest.
I just came home from a dinner with Peter Mattiessen at the University of Tulsa, at which he spoke... Read more