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We Are All Completely Beside Ourselves Hardcover


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Product Details

  • Hardcover: 320 pages
  • Publisher: A Marian Wood Book/Putnam; F First Edition edition (May 30, 2013)
  • Language: English
  • ISBN-10: 0399162097
  • ISBN-13: 978-0399162091
  • Product Dimensions: 8.5 x 5.8 x 1.1 inches
  • Shipping Weight: 11.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (380 customer reviews)
  • Amazon Best Sellers Rank: #8,438 in Books (See Top 100 in Books)

Editorial Reviews

From Booklist

*Starred Review* As a girl in Indiana, Rosemary, Fowler’s breathtakingly droll 22-year-old narrator, felt that she and Fern were not only sisters but also twins. So she was devastated when Fern disappeared. Then her older brother, Lowell, also vanished. Rosemary is now prolonging her college studies in California, unsure of what to make of her life. Enter tempestuous and sexy Harlow, a very dangerous friend who forces Rosemary to confront her past. We then learn that Rosemary’s father is a psychology professor, her mother a nonpracticing scientist, and Fern a chimpanzee. Fowler, author of the best-selling The Jane Austen Book Club (2004), vigorously and astutely explores the profound consequences of this unusual family configuration in sustained flashbacks. Smart and frolicsome Fern believes she is human, while Rosemary, unconsciously mirroring Fern, is instantly tagged “monkey girl” at school. Fern, Rosemary, and Lowell all end up traumatized after they are abruptly separated. As Rosemary—lonely, unmoored, and caustically funny—ponders the mutability of memories, the similarities and differences between the minds of humans and chimps, and the treatment of research animals, Fowler slowly and dramatically reveals Fern and Lowell’s heartbreaking yet instructive fates. Piquant humor, refulgent language, a canny plot rooted in real-life experiences, an irresistible narrator, threshing insights, and tender emotions—Fowler has outdone herself in this deeply inquisitive, cage-rattling novel. --Donna Seaman

Review

Praise for WE ARE ALL COMPLETELY BESIDE OURSELVES
 
“You may find yourself on a beach or by a pool or just with some surplus time . . . Use it to read this goddamn book.”—Gawker
 
“Elegantly and humorously orchestrated . . . Knitting together Rosemary’s at times poignant, at times hilarious scraps of uncovered memories, Fowler creates a fantastical tale of raw, animalistic love.”—O, The Oprah Magazine
 
“A novel so readably juicy and surreptitiously smart, it deserves all the attention it can get . . . [Its] fresh diction and madcap plot bend the tone toward comedy, but it never mislays its solemn raison d’être. Monkeyshines aside, this is a story of Everyfamily in which loss engraves relationships, truth is a soulful stalker and coming-of-age means facing down the mirror, recognizing the shape-shifting notion of self.”—Barbara Kingsolver, The New York Times Book Review
 
“If you think such blurring of the categories between animals and humans is sentimental bunk or worse, blasphemy, Fowler's subversive novel dares you to think again.”—Maureen Corrigan, NPR’s “Fresh Air”
 
“All sorts of fascinating questions arise from her story: what is freedom, what is captivity, what is animal, and what is human. By the time you get to the last section of the novel, which is absolutely sublime, I have to tell you, you will feel as though Rosemary and Fern are your own siblings. And you, too, may be, as I was, completely beside yourself with a mixture of misery and joy.”—Alan Cheuse, National Public Radio’s “All Things Considered”
 
“A boldly exploratory evocation of a cross-species relationship . . .Fowler has thoroughly researched her fascinating subject.”—Joyce Carol Oates, The New York Review of Books
 
“Fowler knows how to make her story funny and sad and disturbing and revelatory by erecting a space in which her reader is allowed to feel all of that for herself.”—Salon
 
“[The novel] lies somewhere between psychological thriller, scientific theory and coming-of-age story, a seemingly untenable combination. But Fowler, through wit and mastery of her craft, handles the complexity effortlessly.”—USA Today
 
“Halfway through Karen Joy Fowler's enthralling novel "We Are All Completely Beside Ourselves," I was sort of beside myself, too, with that electric thrill of discovering a great book. I wanted to stay up all night to finish it, but I also wanted to stop and call all my book-loving friends immediately and blurt, "You have to read this book!"”—The Cleveland Plain-Dealer
 
“Readers raved about all [three] of these books, but the narrative immediacy of Fowler’s won the day…by all accounts a deeply affecting read”ELLE, The ELLE Readers’ Prize, July 2013

“Fowler’s interests here are in what sets humans apart from their fellow primates. Cognitive, language and memory skills all come into playful question. But the heart of the novel — and it has a big, warm, loudly beating heart throughout — is in its gradually pieced-together tale of family togetherness, disruption and reconciliation. We Are All Completely Beside Ourselves is Fowler at her best, mixing cerebral and emotional appeal together in an utterly captivating manner.”—The Seattle Times 

“Rosemary’s voice is achingly memorable, and Fowler’s intelligent discourse on science vs. compassion reshapes the traditional family novel into something more universally relevant. The Cookes are unlike other families and like them at the same time, and through Rosemary’s unique perspective Fowler forces us to confront some tough truths. This brave, bold, shattering novel reminds us what it means to be human, in the best and worst sense.”—The Miami Herald
 
“Beneath the basic plotline lies a story as fantastic, terrible and beautiful as any Grimms' fairy tale.… Throughout the book, Fowler's brilliant wordcraft intertwines tragedy and levity in a masterful crazy quilt of innocence, loss, renewal and bittersweet hope.”—Santa Cruz Sentinel
 
 “Rosemary’s voice—vulnerable, angry, shockingly honest—is so compelling and the cast of characters, including Fern, irresistible.  A fantastic novel: technically and intellectually complex, while emotionally gripping.”—Kirkus Reviews (starred review)
 
“Piquant humor, refulgent language, a canny plot rooted in real-life experiences, an irresistible narrator, threshing insights, and tender emotions—Fowler has outdone herself in this deeply inquisitive, cage-rattling novel.”—Booklist (starred review)
 
“A strong, unsettling novel . . . Fowler explores the depths of human emotions and delivers a tragic love story that captures our hearts.”—Library Journal (starred review)
 
“Rosemary’s experience [is] a fascinating basis for insight into memory, the mind, and human development . . . Fowler’s great accomplishment is not just that she takes the standard story of a family and makes it larger, but that the new space she’s created demands exploration.”—Publishers Weekly
 
"In this curious, wonderfully intelligent novel, Karen Joy Fowler brings to life a most unusual family.  Wonderful Fern, wonderful Rosemary!  Through them we feel what it means to be a human animal."Andrea Barrett, author of Servants of the Map and Ship Fever
 
“Karen Joy Fowler has written the book she's always had in her to write.  With all the quiet strangeness of her amazing Sarah Canary, and all the breezy wit and skill of her beloved Jane Austen Book Club, and a new, urgent gravity, she has told the story of an American family. An unusual family—but aren't all families unusual?  A very American, an only-in-America family—and yet an everywhere family, whose children, parents, siblings, love one another very much, and damage one another badly.  Does the love survive the damage?  Will human beings survive the damage they do to the world they love so much?  This is a strong, deep, sweet novel.”—Ursula K. Le Guin, author of Lavinia, The Unreal and the Real, and the Earthsea Cycle
 
We Are All Completely Beside Ourselves is a dark cautionary tale hanging out, incognito-style, in what at first seems a traditional family narrative. It is anything but. This novel is deliciously jaunty in tone and disturbing in material. Karen Joy Fowler tells the story of how one animal—the animal of man—can simultaneously destroy and expand our notion of what is possible.”—Alice Sebold, New York Times-bestselling author of The Lovely Bones and The Almost Moon
 
“You know how people say something is incredible or unbelievable when they mean it's excellent? Well, Karen Joy Fowler's new book is excellent: utterly believable and completely credible - a funny, moving, entertaining novel that is also an important and unblinking review of a shameful chapter in the history of science.”—Dr. Mary Doria Russell, biological anthropologist and author of The Sparrow and Doc

“It’s been years since I’ve felt so passionate about a book. When I finished at 3 a.m., I wept, then I woke up the next morning, reread the ending, and cried all over again.” Ruth Ozeki, author of My Year of Meats and A Tale for the Time Being
 
"This unforgettable novel is a dark and beautiful journey into the heart of a family,   an exploration of the meanings of memory, a study of what it means to be 'human.'  In the end the book doesn't just break your heart; it takes your heart and won't give it back."—Dan Chaon, author of Await Your Reply and Stay Awake
 
“It really is impossible to do justice here in a blurb. This is a funny, stingingly smart, and heartbreaking book. Among other things, it's about love, family, loss, and secrets; the acquisition and the loss of language. It's also about two sisters, Rosemary and Fern, who are unlike any other sisters you've ever met before.”—Kelly Link, author of Stranger Things Happen and Pretty Monsters

Customer Reviews

This book went to my top shelf after I finished the last page.
Rita Arens
In spite of her characters' annoyances, Fowler's written a very interesting story.
Seeceee
This is a well written, incredibly interesting story with a few surprises.
Jane E. Becker

Most Helpful Customer Reviews

138 of 150 people found the following review helpful By H. A Truett VINE VOICE on May 14, 2013
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I was sick on Mother's Day this year. So I stayed in bed... with this book. I read for 8 straight hours and had to make myself stop before my eyes exploded. I finished it the very next day. Now, I'm in book mourning. You know that feeling, when you finish an amazing novel and are certain no other book can ever be so good as the one you just closed the cover on? That's where I am.

Fowler breaks all of the rules in this book. And she does so beautifully. It takes a true master of the craft to manipulate language and story as she has done. She manages to weave all sorts of scientific information into the narrative without me ever feeling I somehow landed in a text book.

Rosemary is immediately likable. I could relate to her, despite growing up without a chimp-sister. Her need to hide who she is rings true for so many people. She didn't sugarcoat her brother, either. Lowell is painted as the loyal loving brother he was, but also clearly angry and unstable.

Possibly my favorite aspect of this novel: Memory. Rose is honest about her memories and her uncertainty of their truth. The way her parents remember her childhood and the way she remembers it are world's apart, but both are correct.

There are longer more in-depth reviews posted, and I am sure they did a beautiful job of dissecting and recommending this novel. I am still in a place of book euphoria. All I can really say is, this story is amazing. Order your copy right now.
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35 of 40 people found the following review helpful By A. Parker on May 30, 2013
Format: Kindle Edition Verified Purchase
"We Are All Completely Beside Ourselves" is one of the most unusual, engaging and genuinely moving novels that has come around in a long, long time. Think "Shipping News" meets "Poisonwood Bible," and shaded with Karen Joy Fowler's unique voice and talent, and you have an idea of the literate and storytelling power of this book.

There's an inherent dilemma in talking about Fowler's new novel: it's built around a secret. Or, more accurately, a reveal. And though knowing the twist in advance doesn't diminish the story, it won't be disclosed here: no spoiler alert.

On the surface, the novel is about the Cookes of Bloomington, Indiana (where Fowler spent the first 11 years of her life). This unconventional, dysfunctional family consists of a pedantic psychologist father who specializes in animal behavior, an emotionally fragile mother and three children: Lowell, Rosemary and Fern.

One daughter mysteriously vanishes, the other changes from a prodigiously talkative child to a silent adult; the brother runs away. And beneath the basic plotline lies a story as fantastic, terrible and beautiful as any Grimm's fairy tale.

Reading Fowler's novel is like looking at a photo album as someone else turns the pages, back and forth and often several at a time. The all-too-human Cooke family comes into focus through this fluid, time-tripping technique, unearthing memories and mysteries along the way. Jealousy glitters as a recurring theme, along with fairness, unconditional love, animal rights and the power of language.

Rosemary, the relentlessly direct voice of the novel, explains up front that she's starting her story in the middle: it's 1996, and she's a 22-year-old student at the University of California, Davis.
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47 of 56 people found the following review helpful By Brendan Moody TOP 1000 REVIEWERVINE VOICE on May 1, 2013
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
There's a twist in Karen Joy Fowler's new novel, but you probably already know about it. The cover copy gives it away, and I imagine most reviews will too. This one certainly will, in the next paragraph, because you can't really discuss the book without doing so. But if by some miracle you don't know already, you might want to read WE ARE ALL COMPLETELY BESIDE OURSELVES before you find out. If so, let me just say that it's definitely a novel I recommend, funny and well-observed and briskly paced. The ending may be a little too upbeat and consoling, but Fowler arranges things carefully so the consolation doesn't cloy and the whiff of middlebrow sentimentality never becomes more than a whiff. There are a lot of books out there about middle-class dysfunction, and despite its novel conceit this one doesn't break new thematic ground, but its small insights and crisp prose make it worth reading all the same.

Rosemary Cooke's life changed forever when she was five and her sister Fern disappeared. In the aftermath of that loss, the family splintered, and older brother Lowell eventually ran away from home. So far so typical-- it might be the ORDINARY PEOPLE of the early 21st century- but here's the thing: Fern was a chimpanzee, brought into the Cooke home as part of a scientific experiment. The fact that she was no less a sister to Rosemary, and her absence no less devastating, suggests the central issue of WE ARE ALL COMPLETELY BESIDE OURSELVES, namely the thinness of the differences between human beings and animals, and the moral consequences of that thinness for animal experimentation. That makes the book sound heavy, but it isn't.
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Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Karen Fowler writes Science Fiction stories. Great ones. She's won the prestigious Nebula Award, not once but twice. Now no doubt you are wondering, so what? If you know anything about Fowler's tear-provoking, often hilarious, brilliantly realized new novel, "We are All Completely Beside Ourselves," then surely you know that it isn't a work of science fiction. If you've suffered the misfortune of reading most reviews, then you know this novel's great reveal. Spoiler alert here: I will give you no spoilers. If, as I suspect, it was the choice of some narrow minded, imagination-impaired PR-type in the publisher's marketing department to go ahead and splash right on the cover what by rights should be this summer's most delicious literary reveal, well I won't abed his sin by repetition. Yes, that tidbit is the backbone of a great plot. Yet at its heart, Fowler's novel isn't one of plot, it is a work of character.

So why mention those great sci-fi stories? Likely it is this author's practiced sci-fi pen that helps here in understanding no plot can overcome the need for great characters. Starships, robots, alternate dimensions, and the most cleverly crafted aliens are no substitute for a character's essential humanity. All Fowler's characters in this novel, from the narrator on down, exhibit just the sort of humanity which will make you laugh and weep.

I worry that saying much more will reveal too much.

One thing worthy of note is the excellence of Fowler's narrator Rosemary, as living, breathing a character as I've seen recently on the page. Without mentioning titles or authors, reviewers recently heaped much praise on a novel that was written in a prose of extraordinary grace.
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