We Are Young (feat. Janelle Monáe)

Fun. | Format: MP3 Music
From the Album We Are Young (feat. Janelle Monáe)

Product Details

• Original Release Date: September 20, 2011
• Release Date: September 20, 2011
• Label: Fueled By Ramen
• Copyright: 2011 Fueled By Ramen, LLC for the United States and WEA International Inc. for the world outside of the United States.
• Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
• Duration: 4:10 minutes
• Genres:
  • Alternative Rock
• ASIN: B005LAZP18
• Average Customer Review: 4.5 out of 5 stars  See all reviews (148 customer reviews)
• Amazon Best Sellers Rank: #75 Paid in MP3 Songs (See Top 100 Paid in MP3 Songs)
  • #11 in MP3 Downloads > MP3 Songs > Alternative Rock

Most Helpful Customer Reviews

20 of 23 people found the following review helpful

5.0 out of 5 stars A Masterpiece? January 12, 2012

By D. Goodheart

Where did it come from? That tune just kept going through my head. At first I couldn't place it. Then I remembered a recommendation on the Rhapsody web site that I had listened to just once. I finally tracked it down and it turned out to be We Are Young by Fun. I went back and listened, and listened and listened. At that time I did not know that the Glee cast had covered it. Just as well. This is a superior version by the composers themselves

To put it mildly, this is a truly captivating and complex piece of pop music. Another reviewer has depicted the story of the song, and it seems mostly on track. However, FUN has purposely created some obscurity in the lyrics, so it is hard to pin down a clear narrative. If you look at the video on the wearefun.com website, a violent bar room brawl occurs as the band plays on. In any case, the overwhelming message of the music is upbeat and unmistakably hopeful, evidenced as well by the two refrains that weave in and out of each other, "We are young, so let's set the world on fire" and "Carry me home tonight."

The music is what caught my attention from the beginning: the rapid drum beat gives way to the solo voice of the Nate Ruess but stays in the background, then a soft intermittent piano chord eventually takes over from the drums, followed by a shift to a strong wall-of-sound effect belting out the melody and introducing the dominant drum beat. In the acoustic version this melody is clearly a duet with Janelle Monáe; in the full band version it is not clear if anyone is joining Nate Ruess. The repeated refrains comprise the majority of the song broken up by a return to the introductory theme; then the whole thing climaxes with a strong melodic shift compounded by the voice of Janelle Monáe providing a counterpoint at the climax. Finally the song returns to the main melody and ends similar to where it started: the solo voice of Nate Ruess with only piano backing winding down and bringing the piece to an open-ended conclusion.

But it is the catchy melody that creates the real power of this song. I can listen to it again and again and not get tired of it, and will hum it to myself for hours on end. Is the song a masterpiece? Time will tell, but in the meantime do enjoy FUN. It is a truly artful group and deserves all the attention that this song is beginning to bring.

21 of 27 people found the following review helpful

5.0 out of 5 stars So much Fun. January 2, 2012

By Rachel_grace

The song starts with a beating drum reminiscent of a beating heart anticipating some sort of dark event. The drums continue in a repetitive rhythm underneath as the crooning voice of Nate Ruess begins telling the story of his abusive relationship. His story weaves in and out of the verses about his "lover" that he has "scarred" and presumably verbally and physically abused. None of the other characters in this shady story are remotely characterized compared to the girl. The lyrics do so by creatively avoiding specifying characters; for example, the use of metonymy when "sunglasses" take the main character's spot at the bar leaves an air of generality that is used to always draw back to the main girl. At the end of the first verse, which slowly introduces a drum and piano into the mix, the music abruptly stops with the exception of Ruess's voice and piano chords.
With a burst of bass, piano, and drums, the song climaxes into a thrilling and mesmerizing chorus. The main line claims that "tonight we are young" so "let's set the world on fire" and "burn brighter than the sun." It is hard to remember the dark story being told in the verses since it is difficult to not sing and nod along to the encouraging chorus. The bass line carries the chorus along, while the piano and drum supplement the bass with chords and beats that all add together to create a music powerhouse for Nate to sing to.
A second pause leads into the second verse that resembles the first verse's sound but with a stronger musical undercurrent. The lyrics shift back the couple "find[ing] new ways to fall apart" but it is less depressing because it continues on the enchanting sound of the chorus. A second playing of the chorus reiterates the point that the evil in their relationship is easily overlooked by the excuse that they are "young" and only want to live as much as they can while they can. This is exactly what the song does as well. It covers the malicious undertone with captivating music and a promising chorus, not to mention Nate Ruess's exceptional sound.
The song then shifts into Janelle Monae, likely representing the female character. She continually requests that someone "just carry [her] home tonight." Albeit her voice is lovely, it is tinged with defeat as gives in to her abusive partner one more time. Ruess chimes back in entreating someone to "carry [him] home tonight" as well. The chorus of male and female voices chanting "Na na na na" beneath the main voices unifies their message of desperation of not going home alone as well as keeping a youthful, almost naďve energy coursing through the song. Perhaps their relationship is beautiful in its own broken way. Or is it just a never-ending cycle of unhappiness?
The chorus is repeated one last time, and "We Are Young" dwindles to a close echoing the start of the song. Once again, clear and resonating, it is just piano chords and Ruess's voice to lull the listener into a state of contentment about being "carr[ied] home tonight."

Check out my blog for more reviews and analyses: http://rachelthereviewer.blogspot.com/

2 of 2 people found the following review helpful

5.0 out of 5 stars Nice song March 5, 2012

By LonelyPoet

This is a nice song. It features sounds from the 70s very well. I love the flow of this song and the lyrics are awesome too. I hope more people makes these kinda songs than the clumsy electronic sounds that are sold to youngsters as popular music.