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34 of 39 people found the following review helpful:
5.0 out of 5 stars
It's good to be the King!, October 4, 2008
While some guys go through their mid-life crisis by indulging themselves with a fast, two-door convertible, Todd has had no apparent crisis. In his 40s, Todd simply announced to his fans that he'd found his second wind by releasing an album of the same name. Todd has done it again. In a career that is full of twists and turns, he has taken the logical next turn. Having recently turned 60, Todd Rundgren's new album Arena could alternately have been called Third Wind. At 60, some musicians are content with having found a niche and continuing along that path for the remainder of their career, but not Todd. His fascination with music and its many intricacies is quite obvious to anyone who knows Todd's varied musical catalog. Those of us fortunate enough to have been following his career for many years, have seen Todd evolve and move forward in ways that would make any other musician's head spin. The ultimate irony here is that the new album finds Todd taking a musical step backward while simultaneously moving forward. And the idea works like a charm!
In the late `60s, Todd's band The Nazz had him front and center as a guitar wielding army of one. Showering the musical landscape with guitar licks straight out of the British invasion with a touch of American-based Paul Butterfield Blues Band, teenager Todd made it look easy. Since then his career has included pop music (Something/Anything?, Hermit Of Mink Hollow, Nearly Human, Second Wind), synthesizer rock (Initiation, Todd), guitar extravaganzas (Todd Rundgren's Utopia, Adventures In Utopia), identical recreations of classic Hendrix, Beatles, Bob Dylan and Beach Boys songs (Faithful) and rap (No World Order, The Individualist). However, it would be difficult to generalize these albums into the afore-mentioned categories simply because each has a smattering of other music styles scattered around for good measure. Suffice to say, Todd has shown that he can master any music genre he chooses to delve into, much to the joy of his diehard fan base and much to the confusion of the general population who just don't "get it". We, the lucky few who get it, are rewarded with musical gems at every turn, while at the same time we are left scratching our collectives heads and wondering why the rest of the world just doesn't get it. Here's hoping that this new album will change all of that.
Todd celebrated his 60th birthday by writing, recording and, of course, producing this new album of original music that pulls together the music styles of Jeff Beck, AC/DC, Robin Trower, Queen, Jimi Hendrix, and ZZ Top, with a little bit of Burt Bacharach and Sade thrown in to balance things out. The result is a masterpiece, a journey through rock's finest moments as interpreted by Todd. Catchy guitar hooks and excellent solos abound everywhere on this album. It's amazing how many cool guitar riffs there are on this album. Some musicians would have to wait to release a "best of" album to collect this many brilliant songs. For Todd this is simply par for the course. Infectious melodies draw listeners in and keep us paying attention to every nuance. The catchiest in the bunch is easily "Courage", a song that recalls the album Faithful (Todd's 1976 solo album) and many songs from the pop side of the Utopia catalog. Beautiful harmonies and a guitar solo that could have fallen right out of "I Saw The Light" (from Something/Anything?) or "Love Of The Common Man" (from Faithful). Another new song that stands out is "Weakness" which alternates between two different styles, one employing a nicely distorted guitar sound and the other featuring lush background harmonies and a vocal that reminds me of "The Last Ride" (from his 1974 solo album named Todd).
There are several songs on Arena in which the source inspiration is painfully obvious. One is "Strike", a nod to AC/DC, complete with the signature vocal style that band is best known for. Another song is "Bardo", which recalls Robin Trower's song Bridge Of Sighs.....only Bardo is even better! And then there's the ZZ top inspired "Pissin'" with its twangy guitar riff and Texas-style vocal. This entire album is full of music that brings us back to a place we all know well and yet also takes us somewhere we've never been. Nicely done!
But let us not forget the lyrics. Todd has always had a way with words and although this album does emulate the styles of other bands, it's in the lyrics where Todd reminds us that it is still Todd and not someone else at the controls here. His ability to turn a phrase and make the listener perk up is unrivaled. No one even comes close. There is the soul searching in "Courage" ("Humbly pretending to be brave and strong, inside I'm wondering, what if I'm wrong"), or "Mad" ("Crowded world, how can I find peace of mind, with so many small agendas pushing at me all the time"). There is the call to arms in "Manup" ("Listen to me my friend, what you will not defend, somebody else will end up takin'"), or "Strike" ("Time to strike while the iron is hot") from the AC/DC sound-alike song. I bet AC/DC is smacking their foreheads wondering how they missed using a perfect phrase like that in one of their songs.
This is an album that should be spinning in everyone's CD player. Anyone who has ever liked rock anthems and classic guitar-driven rock music should immediately proceed to checkout and add this to their collection. This is yet another brilliant album by an icon in the music business. And what makes it yet more amazing is that there's no band playing here, it's Todd on all of the instruments, as he has done before on other albums. The difference here (as was on the previous Todd album Liars) is that this album was recorded entirely in Reason, a computer-based recording program. The sound on this album is outstanding, especially the guitars. On some tracks it's obvious the drums are programmed but they sound fine and fit in the context of the track quite well. On other tracks the programmed drums sound more real than a live drummer. His vocals excellent as always and the backing vocal harmonies are superb. Todd has captured the feel and essence of Arena rock, while in the process making us want to jump out of our seats and sing along. After you buy this CD, you might want to complete the experience by going to see Todd and his band on tour. You'll be glad you did.
For more information and tour dates, check out:
http://www.myspace.com/toddrundgrenmusic
and
http://www.trconnection.com/
For an excellent Todd interview (done by Jesse Gress) about the album Arena, pick up the October 2008 issue of Guitar Player magazine. The interview includes guitar tabs done by Jesse for several of the songs on Arena.
For information about Jesse Gress, check out:
http://www.jessegress.com/
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
The Incredible Genius of Mr. TR1, October 3, 2008
Straight from an old Todd fan (my first Todd concert was with the original Utopia back in 1973) - buy this CD! It is incredible in the sense that few care to, or are capable of making music of this quality anymore. Todd has remained true to the musical spirit that inspired us all back in those days and continues to do so today. He is pushing 60 years old and still sounds as fresh and alive as he did when he first took us to Utopia. So don't you ever learn? Apparently the masses don't. As we watch rock and roll die the doors are once again opened to the "Arena". So take it in and enjoy! I don't like comparing one CD (album) to another because each of Todd's work offers something very different from the last. All worth hearing again and again. "Liars" was one of the most brilliant of all his work and really put the truth on the map in his own difinitive lyrics. It was also sonically perfect, futuristic and rich in sound. "Arena" is somewhat a return to the Todd era post "Initiation". The kind of stuff that brought us that updated and streamlined Utopia ala "RA", "OOPs Wrong Planet", "Adventures in Utopia", "Swing To The Right", "Oblivion" and "POV". But as always it offers something new that you can't quite put your finger on. That is what has kept me listening as a fan all these years. His guitar work also stands out on this CD and it is great to hear him cutting lose on the strings a little more often. There is only one Todd. So if you have half a brain you won't hesitate to lay down your ten bucks for this great music.
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21 of 25 people found the following review helpful:
4.0 out of 5 stars
The most rockin' Todd ever?, September 30, 2008
That's up to every one of you but I make an arguement for yes. I was lucky enough to hear the songs live before I heard the recorded versions so I knew what to expect to a degree. This disc does not disappoint.
In virtually every song, you hear references to other songs. Some are subtle, some not. Some sound like Todd songs of past, some not. It's a mixed bag. Start with "Mad" for instance and try not to be reminded of Buffalo Grass from One Long Year. "Afraid" has a little Temporary Sanity-like interlude that's hard to ignore. "Mercenery" reminds me of Fascist Christ although I'm not exactly sure why while "Gun" has a ZZ Top kinda thing going.
Things shift gears a bit with "Courage." One of the more subtle songs on the disc but also one of the best. "Weakness" is a mind-blower. Incredibly intense bluesey intro with a Hawking-like chorus that just melts you. Then you get to "Strike." Imagine AC/DC backing up Todd playing one of their songs. That's "Strike" in all of it's fist-pumping glory. "Pissin" is fun although it might take some time to grow on you as it did me. "Today" is the closest sounding song to anything on Liars and in my opinion, the discs best tune. It's a call to action that gets you motivated. "Bardo" is basically Bridge of Sighs 2008. "Mountaintop" is the sports anthem that Todd would like to replace Bang The Drum. "Panic" is the most technically challenging song on the disc according to Todd and in my opinion, the one that sounds closest to a Utopia tune. I could see that song being on Swing to the Right or POV and wouldn't know any better. "Manup" wraps the disc up in nice, straight-forward rock & roll fashion.
At 60, Todd won't generate many/any new fans with this disc. Die-hards like me will probably love it. Middle-of-the-roaders might take to it over time. Regardless of who it appeals to, it's an outstanding disc start to finish. And by the way, see the tour!!! These songs are great live which is really what Todd was going for from the start. At least on the first legs, he played the disc in it's entirity, in order. And I'll see all of you Pittsburghers on 10/10.
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