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Ariel [Mass Market Paperback]

Lawrence Block (Author)
2.9 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

October 29, 1996
Ariel Jardell, an adopted 12-year-old girl, is possessed, her mother thinks, by jealousy and by forces far more bizarre. An unnerving tale woven together with a fascinating, terrifying child at the center of each twist and turn it takes, this book gives new definition to the old conflict of good versus evil, sane versus insane.


Editorial Reviews

Review

“Block is one of the best!” —The Washington Post

--This text refers to the Kindle Edition edition.

Product Details

  • Mass Market Paperback: 281 pages
  • Publisher: Carroll & Graf (October 29, 1996)
  • Language: English
  • ISBN-10: 0786703857
  • ISBN-13: 978-0786703852
  • Product Dimensions: 6.9 x 4.2 x 0.8 inches
  • Shipping Weight: 5 ounces
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #217,970 in Books (See Top 100 in Books)

More About the Author

Lawrence Block (b. 1938) is the recipient of a Grand Master Award from the Mystery Writers of America and an internationally renowned bestselling author. His prolific career spans over one hundred books, including four bestselling series as well as dozens of short stories, articles, and books on writing. He has won four Edgar and Shamus Awards, two Falcon Awards from the Maltese Falcon Society of Japan, the Nero and Philip Marlowe Awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Cartier Diamond Dagger from the Crime Writers Association of the United Kingdom. In France, he has been awarded the title Grand Maitre du Roman Noir and has twice received the Societe 813 trophy.

Born in Buffalo, New York, Block attended Antioch College in Yellow Springs, Ohio. Leaving school before graduation, he moved to New York City, a locale that features prominently in most of his works. His earliest published writing appeared in the 1950s, frequently under pseudonyms, and many of these novels are now considered classics of the pulp fiction genre. During his early writing years, Block also worked in the mailroom of a publishing house and reviewed the submission slush pile for a literary agency. He has cited the latter experience as a valuable lesson for a beginning writer.

Block's first short story, "You Can't Lose," was published in 1957 in Manhunt, the first of dozens of short stories and articles that he would publish over the years in publications including American Heritage, Redbook, Playboy, Cosmopolitan, GQ, and the New York Times. His short fiction has been featured and reprinted in over eleven collections including Enough Rope (2002), which is comprised of eighty-four of his short stories.

In 1966, Block introduced the insomniac protagonist Evan Tanner in the novel The Thief Who Couldn't Sleep. Block's diverse heroes also include the urbane and witty bookseller--and thief-on-the-side--Bernie Rhodenbarr; the gritty recovering alcoholic and private investigator Matthew Scudder; and Chip Harrison, the comical assistant to a private investigator with a Nero Wolfe fixation who appears in No Score, Chip Harrison Scores Again, Make Out with Murder, and The Topless Tulip Caper. Block has also written several short stories and novels featuring Keller, a professional hit man. Block's work is praised for his richly imagined and varied characters and frequent use of humor.

A father of three daughters, Block lives in New York City with his second wife, Lynne. When he isn't touring or attending mystery conventions, he and Lynne are frequent travelers, as members of the Travelers' Century Club for nearly a decade now, and have visited about 150 countries.

 

Customer Reviews

9 Reviews
5 star:
 (1)
4 star:
 (2)
3 star:
 (2)
2 star:
 (3)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
2.9 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 13 people found the following review helpful:
5.0 out of 5 stars An understated, underrated psychological thriller., September 17, 1999
By A Customer
This review is from: Ariel (Mass Market Paperback)
Originally marketed as "occult horror", Ariel is neither. It's a story of the madness that lies just under the surface, and what it takes to bring it out; the need to give evil a face and a name. Who better to scapegoat for unexplainable tragedies than the one who is Different? Ariel is adopted, and looks slightly unusual. Her unstable mother never fails to assume the worst, almost deliberately misreading the girl's ordinary teenage perceptiveness and need for privacy. By the book's end, almost everyone believes that Ariel is a monster -- including Ariel herself.

Great characterizations, wonderful descriptions -- I want to live in Ariel's house. I could wish for a sequel, or just for more books like it.

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10 of 11 people found the following review helpful:
2.0 out of 5 stars Lawrence Block's attempt to channel Shirley Jackson, November 15, 1997
This review is from: Ariel (Mass Market Paperback)
From time to time, it is important for an author to stretch, to try writing something very different from what he or she is best known for. ARIEL is mystery writer Lawrence Block's experiment with the sort of feverish, madness-tinged horror for which Shirley Jackson became famous, and if he doesn't quite pull it off, one at least has to appreciate the bravery of the attempt. Block is one of the best prose craftsmen working today, but he is at his worst here, switching perspectives wildly, invoking too-familiar ghost story devices without the deftness required to make them seem fresh, peopling the story with unpleasant characters, and ending the book on a sour and very unsatisfying note. To be fair, Block has picked a tough genre -- most of the time, Shirley Jackson wasn't able to pull it off either. Chalk it up as one of Block's (extremely) rare failures, and move on. (For a Block horror success, try the truly terrifying Matt Scudder thriller A TICKET TO THE BONEYARD.)
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7 of 7 people found the following review helpful:
4.0 out of 5 stars bemused and befuddled over this book, July 13, 2001
By 
This review is from: Ariel (Mass Market Paperback)
ARIEL is great, and repersents Block as a novelist in rare form, and yet trying to strike out a new path as well. This, in the end, is what makes ARIEL both enjoying and frustrating. There are too many tales being told...the adolescent coming of age (which is done amazingly well between Erksine and ARIEL) the madness/occult/supernatural tease (it never is really clear what happened) and the 'grown ups story' of Roberta and David and Jeff/ Jeff's own family. All of these stories could've been made into a novel, but because they are all here it's sort of a literary mess. In this book we are told what some of the characters are thinking but not all of the time. In this sense, the narrative is at fualt because its at times omnipresent, and at others centered solely on ARIEL and her diary. It's an uneven book and yet I am so drawn to it, I have to say its a great book at the same time. Except for the electra complex scenes toward the end...I felt I was being hit over the head with that point. I think too that the book should've been fleshed out, but Block, being the amazing mystery writer that he is, is still writing with the urgency of a mystery. Still, read ARIEL and decide for yourself..it's still a great and provoking read, definitely worth it...you really can't go wrong with Block.
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Inside This Book (learn more)
First Sentence:
WAS there a noise that woke her? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
fish mobile, crib death
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Grace Molineaux, Jeffrey Channing, Funeral Game, Jeff Channing, Graham Littlefield, Aunt Rhody, Legare Street, Charleston Heights, Erskine Wold, Etta Jellin, Meeting Street, Fontenoy Drive, Old Charleston, Pied Piper, Bed Death, Caleb Oliver Jardell, David Jardell, Days Inn, Linda Goodenow, Lizzie Borden
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