Arlington Park [Large Print] [Hardcover]

Rachel Cusk (Author)

Book Description

Publication Date: April 2007

Traduit de l’anglais par Justine de Mazères.Les femmes d’Arlington Park, une banlieue résidentielle en Angleterre, ont tout pour être heureuses. Mais leurs vies trop bien réglées cachent frustrations, jalousies et déceptions. On entre dans leur cuisine, on les suit au supermarché, dans une cabine d’essayage. On pénètre leur conscience et leurs pensées. Rachel Cusk raconte vingt-quatre heures de la vie de ces femmes. Avec une tendresse et une lucidité dévastatrice.« Sur le thème de l’aliénation domestique et conjugale, Rachel Cusk a concocté un cocktail explosif de lucidité, d’humour féroce et de féminisme rageur. Résultat : Arlington Park est la meilleure surprise de cette rentrée littéraire. » — André Clavel, L’Express« C’est à Virginia Woolf […] qu’on pense en lisant Arlington Park, tant […] est subtil […] son art de s’insinuer dans les états d’âme changeants de ses personnages et, bien au-delà de l’aimable satire sociale, de capter chez chacune le désarroi, la solitude infinie, la folie qui rôde. » — Télérama

--This text refers to the Paperback edition.

Editorial Reviews

Amazon.com Review

Set in a moderately posh suburb of London, acclaimed British novelist Rachel Cusk's Arlington Park is a captivating exploration of how the simple act of living can become an excruciating exercise in self-deprivation, hypocrisy, and desperation. Set over the course of a single day, the novel follows a group of young mothers who feel both anger at the husbands who seemingly imprisoned them in a world of minivans and coffee klatches, and resignation about the fates they seem destined to fulfill.

While Arlington Park may deal in toddlers and tater tots, it is certainly not another generic Mommy Lit clone. Cusk is a skilled writer, and in her hands, a dreary lunch at the mall food court is transformed into "lost property, but for people." As the day progresses, we watch as Juliet chops her hair off in a small, if meaningless act of rebellion, Amanda stifles a burning desire to scream at a neighbor's kid for ruining her white sofa, Maisie blames her parents for not loving her enough while throwing her daughter's lunchbox at the kitchen wall, and Christine stuffs chicken breasts while silently cursing her husband for spending too much time getting ready for a dinner party. In each scene, the oppressiveness is almost unbearable, prompting readers to practically beg these women to flee as far and as fast as is humanely possible.

Of course, in driving her readers to the edge of frustration and outrage, Cusk succeeds in creating a novel that penetrates deeper than most. Still, after turning the last page, you might find yourself reaching for a little Mommy Lit candy to take the edge off. --Gisele Toueg --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Starred Review. In this devastating ensemble novel, Whitbread Award–winner Cusk (Saving Agnes) exposes the roiling inner lives and not-so-quiet desperation of young mothers in the well-to-do London suburb Arlington Park. The book's single day begins with an epic rainstorm that wakes part-time private-school English teacher Juliet Randall, who spent the previous evening at a wealthier neighbor's home and was told, in front of husband Benedict, "You want to be careful.... You can start to sound strident at your age." As Amanda Clapp strains to maintain her house's empty perfection, a multi-kid play date gets out of control. Maisie Carrington feels "imprisoned for life" by her frosty, upper-crust childhood, and can barely contain her violent feelings toward her own daughters. Christine Lanham, a newcomer to the class distinction her marriage has brought her, abhors the hypocrisy that surrounds her, but knows she will never leave her family. The story line coils around each woman's home until it gathers the group for a drunken dinner party, where husbands express pleasure with their privilege while fretting that something feels amiss, and children, exhausted by their mothers' alternating neglect and desperate love, sleep like the dead—leaving the women holding hot coals of their silent insights. Their plight is an old story, but Cusk makes it incisively vivid. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 375 pages
• Publisher: Thorndike Press (April 2007)
• Language: English
• ISBN-10: 0786294493
• ISBN-13: 978-0786294497
• Product Dimensions: 8.4 x 5.9 x 1.2 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 3.0 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #9,254,562 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

15 of 18 people found the following review helpful:

2.0 out of 5 stars One long kvetch, February 13, 2007

By 

Mary Francoise (United States) - See all my reviews

This review is from: Arlington Park: A Novel (Hardcover)

Or whinge, as the British would say. These irritable housewives, who could be combined into two or even one character(s), seem to have never loved either their husbands or their kids. In love's place is a simmering rage whose source is murky. They seem to have chosen this suburban life for themselves and yet blame the rest of the family for it. Some might see feminists. I saw self-absorbed shrews.

Not nearly as enjoyable as Cusk's previous work, THE LUCKY ONES. The women in ARLINGTON PARK are lucky their husbands put up with them.

14 of 17 people found the following review helpful:

2.0 out of 5 stars Bewildering, February 23, 2007

By 

Kate Smart "Private" (Private) - See all my reviews

This review is from: Arlington Park: A Novel (Hardcover)

Where is Rachel Cusk's editor? Once again, she has written a book that leaves the reader exasperated. Instead of developing a story around the lives of one or two women, she instead features so many characters that they literally blur into one. I have never read a story where all the characters seem so alike; every one of these women is miserable, disillusioned, fed-up with motherhood, and disdainful of her husband. It was like one woman by 10 different names.

I don't know what Rachel Cusk is trying to say; I honestly felt bewildered by it all. It is very difficult to continue reading a book when you cannot stand a single character; these women were repulsive to me - thoughtless, insensitive, unloving. It's one thing to be drained by motherhood and domesticity; that isn't the issue. These women read as though they would have been despicable regardless; as single women, married women, mothers; it doesn't matter. They just aren't nice people.

It makes me wonder if Rachel Cusk is clinically depressed; the photo she chose for the back jacket is shockingly bad: lank greasy hair, dull facial expression. She's a talented writer - I hope she gets a really good editor.

16 of 20 people found the following review helpful:

2.0 out of 5 stars Bitterness Disguised as Feminism, February 25, 2007

By 

Lostgirl - See all my reviews

This review is from: Arlington Park: A Novel (Hardcover)

The first chapter of Arlington Park describes the night a rainstorm came to an upper-middle class British suburb; "All night the rain fell on Arlington Park....The rain fell on the tortuous medieval streets....It fell on the hospital...It fell on multi-storey car parks...." Very nice for atmosphere but shamelessly lifted from the opening of Charles Dickens' Bleak House. The rest of the novel continues in this vain with Rachel Cusk borrowing from the ideas of other writers before her and giving them little or no credit.

Her idea, to explore the internal lives of several women on this particular day is good except the women she creates are all bitter, cold, loveless people who have it all and still complain. We first meet Juliet, a school teacher with a husband, two children, a nice house and yet she inexplicably feels she's been "murdered" by her husband. Why? He doesn't stop her from working. He pitches in with the kids. How does he murder her? We never know. Yet this angry worldview is something that Juliet feels duty-bound to pass onto her students. Other characters are even less sympathetic; Amanda is a compulsively neat housewife who tells her preschool age son to "shut up" when he asks questions and when she does give him an explanation we're told "she wanted to hammer him over the head with it". Later, when another child gets magic marker on her sofa her reaction is equally violent: "'I could kill you!' she whispered. 'I could kill you!' She threw him back down on the cushions" How on earth are we supposed to sympathize with this woman? Or other "protagonists" are equally unlikeable. Each is discontent and expects the world to bend over backwards to accomodate her.

I'm giving this book 2 stars for some nice prose here and there. When she's not lifting her phrasing from other writers Rachel Cusk crafts her prose nicely. Still this book isn't enoyable or particularly enlightening.