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Armor Mass Market Paperback – December 4, 1984

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Armor + The Forever War + Starship Troopers
Price for all three: $24.64

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Product Details

  • Mass Market Paperback: 432 pages
  • Publisher: DAW; First Editiion edition (December 4, 1984)
  • Language: English
  • ISBN-10: 0886773687
  • ISBN-13: 978-0886773687
  • Product Dimensions: 4.3 x 1 x 6.8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (425 customer reviews)
  • Amazon Best Sellers Rank: #46,243 in Books (See Top 100 in Books)

Editorial Reviews


Gripping, forceful and compelling....a tour-de-force. --Kliatt --This text refers to the MP3 CD edition.

About the Author

JOHN STEAKLEY has written four short stories, three films, and two novels, including Vampires, which was the basis for a John Carpenter film. Besides being a writer, he has been a stock-car racer, a semipro football player, a private detective, an actor, and a car salesman. He lives in McKinney, Texas. --This text refers to the MP3 CD edition.

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Customer Reviews

Damn good book, buy it, read it, like it, end of story.
Miguel Hernandez
This book is different from most stories in that the main conflict is within the main character.
The Honey Badger
It is one of the best military science fiction novels that I have read.
Bonnie Barbara Burke

Most Helpful Customer Reviews

114 of 117 people found the following review helpful By E. Vaughn on May 15, 2005
Format: Mass Market Paperback
Of the two dozen or so sci-fi titles I've read over the last two years (while enjoying the longest advanced training the Army offers) John Steakly's Armor has been certainly my favorite. At first I expected the book to be a meld of Starship Troopers and The Forever War, but the introduction of Steakly's second major character, Jack Crow, turned the story completely around -- and into a tale that transcends its dystopian future setting.

As a reader you may be at first a little confused about the change of perspective in Armor. Half of the novel is written in the third person following the story of Felix, our power-armored soldier, and the other half is told by space adventurer/pirate/prisoner Jack Crow in the first person. This element is essential to understanding the story, and is reconciled later on as we learn more about Felix's story. So give it a chance even if you're at first put off by the shift in perspective.

As many other reviewers have mentioned, the combat sequences in Armor are indeed exceptional. As Felix flung himself into combat against his alien foes there was no way for me to remain outside the battle. Steakly believingly portrays brutal hand-to-hand combat through the eyes of a frantic soldier as he loses himself in the struggle to survive a terrible war on a bleak world.

If you're a science fiction fan or military fiction fan, you can't afford to pass up Armor. It's one of those few stories that pick you up and take you along an exciting 400-page ride, but still leaves you with a simple moral at the end.
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129 of 142 people found the following review helpful By Nathan on May 15, 2000
Format: Mass Market Paperback
Armor is, I believe, my favorite science fiction novel ever. It follows to basic plotlines -- one is the story of a desperate soldier fighting an impossible war, the other from the point of view of an ex-pirate escaped from prison who joined up with the wrong crew. The two plots do intertwine, but the plots aren't the appeal of this novel.
The author's writing style is unique. On the battlefield, you get that feeling which is rarely accurately conveyed in words, the feeling of the rush, the confusion, the horror of combat (I've never been in a combat situation, but I like to pretend I can imagine what it is like). But it's more than that. Steakley questions the whole purpose of the war, the necessity and the making of heroes, and the humanity and desperation of the soldiers.
When you get to the the pirate's section, it switches over to a first person POV, but instead of using one of the usual first person styles (either normal third person with the word 'I' substited in a lot, or subtance-less with a lot of jokes,) you really get into the head of the character, into what makes him tick, and it's really a fantastic experience.
And even with all the fantastic points necessarily made, this book never lets up. There's nary a boring or dull moment, there are the obligatory plot-twists, action sequences, etc..
This is simply a must read novel.
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102 of 114 people found the following review helpful By OK on July 6, 2001
Format: Mass Market Paperback Verified Purchase
after reading many of the reviews it's clear to me that there are two types of people in the world. people who assume their own plot and expect the author to fulfill it and people who assume nothing and are ready to be fulfilled by the author's plot.
now i also now that armor is not a book for everybody. i've read it a number of times in my life. for the first time when i was in my early teens and as recently as a few years ago. armor is NOT about the social structures of the ant-like enemy. armor is not about the political or quasi-nationalistic motivations of the ant-like enemy. armor is not about the science of it's fiction. armor does not care how intersteller warfare is possible. it's assumed. armor does not care about the astro-physics of planetary behavior. armor does not concern itself with the mechanical genius of the full body killing machines.
it is because armor doesn't concern itself with the typical science of fiction that we are directed to what it is about: the survival of the human survival instinct. Armor is about the intense impact of fear, pain, death, and lonliness on the human psyche. armor is about the humility of realizing the depth of another's suffering. about knowing that you wouldn't have been able to survive.
armor is a subtly compassionate novel that explores human suffering like no other piece of fiction i know. it's english is not perfect. but the style is perfect for the story. the battle scence are graphic. the characters are rough. but once again they are true to the story.
science fiction provdes only a convienient setting. it could be vietnam or it could WWI. steakley uses sci-fi to focus in on what the story is really about. humans. not ants. humans.
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12 of 13 people found the following review helpful By A Customer on June 6, 1999
Format: Mass Market Paperback
It seems some reviewers focus on two aspects of this work to criticize: 1) the viewpoint shift in the "middle section" of the book and 2) the clipped narrative style. on the first: steakley gives us both ends of the telescope. first, he gives us felix in a tight third-person narrative that focuses on his perspective. that shows us felix from up close. then, jack crow looks back through time, and filters experiences through his own strange sense of ethics, as he evaluates felix's actions. we never see directly inside felix the way we see jack crow's opinions so directly. felix is always at arm's length, as it were, but we get to see how his mind works as mediated through 1) the third person detached narrative and 2) the first person detached narrative of someone experiencing what felix went through. and the sense of character is never lost! this is a fantastic literary technique, really. one that is very hard to do, since as the perspective of the narrative shifts, the subject matter shifts a bit as well. try doing it, describing similar experiences in the first and third persons. you have to think differently about what you are describing. the fact things stay consistent in this novel makes it pretty good writing.
now about the narrative stlye. that's twentieth century american prose for you. beginning with hemmingway, continuing through the great popularizers of the style, hammett and raymond chandler. and then look at the post-war era. the clipped, jerky style is supposed to make the reader's mind dart this way and that. read james ellroy for an overdose on this stuff. and here's the real point: some may think it's bad prose, but they should try to write something meaningful (like a story or even a simple description of an event) in that style. it is a mind-boggling task. the fact that a writer uses a clipped style doesn't make the writer bad in any way. it just demonstrates a fine ability to compress language.
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