From Publishers Weekly
In this collection of emotionally fraught short stories, poet Divakaruni (Black Candle) relates the travails of Indian women trying to adapt to the often alienating culture of middle-class America. Her mostly young characters-students or brides-are negotiating the schism between Indian values and new possibilities here. In "Clothes," Mita moves from a tiny Indian village to be with her husband, who runs a 7-Eleven in California; after he is murdered in a holdup, Mita questions her naive vision of America. In "The Word Love," an Indian graduate student living in Berkeley with a man named Rex agonizes over whether and how to tell her mother back in India about the relationship. The narrator of "Affair" suspects her husband of sleeping with a close friend, realizing eventually that, whether or not her suspicions are correct, her marriage to an old-fashioned, judgmental and bossy man is troubled. Particularly poignant is "Meeting Mrinal," in which Asha, recently deserted by her husband and coping with an adolescent son, lies to a childhood friend, now a successful, independent businesswoman, insisting that her life is fine. In transparently simple language, Divakaruni places her characters at the volatile confluence of two conflicting pressures: the obligation to please traditional husbands and families, and the desire to live modern, independent lives. First serial to Good Housekeeping.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA?Most of the 11 women featured in this book live either in India or in the U.S. with husbands chosen for them by their families. Although the stories read like tiny soap operas, there is an appealing pathos to each woman's struggle with a traditional approach to marriage as well as to many men's struggles to survive financially. A theme that runs through all the selections is that once brought up in the tradition, it is difficult to change one's mind-set even as an accommodation to a new culture. For example, Sumita is ecstatic that her new husband is taking her to the United States where they will live on his salary from the 7-11, a store she hears described but may not visit. He promises she can go to college or travel, but until he has the money, she is to stay at home and care for his parents. When the dangers of his work lead to his death, she faces the role of widow, dressed forever in white, living among her in-laws. YAs will especially understand the dilemmas posed, as they must live with them as well.?Ginny Ryder, Lee High School, Springfield, VA
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.