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Art and Affection: A Life of Virginia Woolf
 
 
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Art and Affection: A Life of Virginia Woolf [Hardcover]

Panthea Reid (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

December 12, 1996
More than fifty-five years after her death, Virginia Woolf remains a haunting figure, a woman whose life was both brilliantly successful and profoundly tragic. As the author of Mrs Dalloway, To The Lighthouse, The Waves, Orlando, and Between the Acts, she helped reinvent the novel for the modernist era. And through A Room of One's Own, Three Guineas, and other writings, she continues to inform feminist thought. Yet this supremely gifted woman of letters endured crippling bouts of depression--the incandescent artist who captivated some of the most noted men and women of her time died alone, wading out into the depths of the river Ouse to drown, hoping to find "rest on the floor of the sea." Until now, we have had no adequate explanation of why she did so.
In this bold and compassionate new biography, Panthea Reid at last weaves together the diverse strands of Virginia Woolf's life and career. In lucid and often poetic prose, she offers a dazzlingly complete portrait that is essential to our reading of Woolf. Rich in detail and imaginative insight, Art and Affection meticulously documents how the twin desires to write and to be loved drove Woolf all her life. Drawing on a wealth of original documents, many unfamiliar and heretofore unpublished, including the surviving letters of Woolf's parents and grandmother, the vast collections of letters written among Bloomsbury friends and acquaintances, the manuscripts of Woolf's writing, her suicide notes, and other sources, Reid allows Woolf and her intimates to speak for themselves.
Her findings correct many misconceptions about Woolf's upbringing and her most significant relationships. She reveals, for instance, that recent reports of sexual abuse in Woolf's childhood have been exaggerated--that while the writer was sexually traumatized by her half-brothers and emotionally scarred by her father, she was most deeply wounded by the neglect of her mother (often depicted as the very model of Victorian maternal devotion) and by her love for and rivalry with her sister, the painter Vanessa Bell. Reid describes the competition between the sisters that became for Virginia a contest between their arts, the pen versus the brush. The effects of this rivalry were not uniformly negative--Reid shows that Virginia's jealous preoccupation with modern painting sparked her own aesthetic vision and experimentation with written forms--but the end results were tragic. Virginia's flirtation with Vanessa's husband, carefully documented here, so alienated her sister that after 1910 Virginia never again felt secure of Vanessa's affection. Reid presents powerful evidence that fear of losing both Vanessa's love and her own writing gift ultimately triggered Woolf's final suicidal depression. She also reevaluates Virginia's marriage to the writer and publisher Leonard Woolf. Reid also finds that Leonard was surprisingly supportive of Virginia's erotic relationship with Vita Sackville-West and that his constant devotion provided Virginia with the secure emotional soil in which art and affection could flourish and she could keep at bay, until her fifty-ninth year, the demons of manic-depression. Reid shows how, until the end, Virginia Woolf's own "insatiable desire to write something before I die" most sustained her.
Brimming with new revelations and graced with sixty-six rare photographs and illustrations, Art and Affection is the definitive new account of the triumphs and tragedies that molded Virginia Woolf into one of the most original voices in modern literature.

Editorial Reviews

From Publishers Weekly

Art and Affection delves into the divided emotions that informed Woolf's personal relationships, her aesthetic values, her feminism, her fiction-her life. Reid, a professor of English at Louisiana State University, makes excellent use of previous work and her own research, lending psychological depth and narrative coherence to Woolf's complicated investment in writing as living itself. The biographical origins of Woolf's quarreling consciousness have been examined before: her conflicted relationships with her revered, but distant mother and with her intellectually driven but tyrannical father; her adoration of and antagonism with her older sister, Vanessa; the sexual crises of her youth; and, of course, her manic-depression. Reid weighs in convincingly on enduring concerns, including the extent of childhood sexual abuse; Woolf's adult sexuality; her rivalries with Vanessa; and her liaisons with several of the most eminent men and women of the British avant-garde. But Reid's greatest contribution is in the way she provides real psychological grounding for Woolf's artistic choices, such as her departure "from conventional representation values" or her "ambivalence about the choice between activism and aestheticism." Using intricate detail and a knowing hand, Reid helps readers to understand a nearly unimaginable life and mind.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

Reid (English, Louisiana State Univ.) has written a sensitive and meticulous biography that centers on Woolf's dual desires to write and secure love. She rejects earlier studies (e.g., Louise DeSalvo's Virginia Woolf, LJ 5/1/89) claiming that Woolf was a victim of continual sexual abuse. Rather, Reid argues that a greater impact on Woolf was the lack of maternal love and a lifelong rivalry with her sister, Vanessa Bell. Reid deftly traces Woolf's struggle with her aesthetic vision and experimentation in an era when a woman writer was not taken seriously. The fear of losing her ability to write and Vanessa's love led to bouts of depression and eventual suicide. Reid corrects misconceptions of Leonard Woolf's role in Virginia's life by showing him to be a great stabilizing and supportive influence. For a more literary focus, see James King's Virginia Woolf (LJ 4/1/95) and Lyndall Gordon's Virginia Woolf: A Writer's Life (Norton, 1993). Reid's work should prove a valuable contribution to ongoing interest in Woolf's life.?Ronald Ratliff, Chapman H.S., Kan.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 624 pages
  • Publisher: Oxford University Press, USA; 1 edition (December 12, 1996)
  • Language: English
  • ISBN-10: 0195101952
  • ISBN-13: 978-0195101959
  • Product Dimensions: 9.6 x 6.6 x 1.9 inches
  • Shipping Weight: 2.5 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,609,398 in Books (See Top 100 in Books)

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8 of 8 people found the following review helpful:
5.0 out of 5 stars A "must" for all Virginia Woolf fans!, July 5, 2000
This review is from: Art and Affection: A Life of Virginia Woolf (Hardcover)
Panthea Reid, author of Virginia Woolf: Art And Affection, is a professor of English at Louisiana State University. She has authored a book on William Faulkner and edited one on Walker Percy, both gifted, but very eccentric Southern writers. Reid must have a predilection toward gifted artists who produce astounding work, but who never find a way to fit in with society in general. In this book Reid contends that Woolf was what we in the south call a high maintenance female. Aside from her manic/depressive disorder, Reid asserts the many psychological blows, real and imagined, Woolf suffered during her childhood left her with wounds that never healed, no matter the outside success and acclaim she enjoyed in her later life. Marriage, travel, literary fame and fortune were not enough to keep Woolf from "...put(ting) stones in her pocket...walk(ing) into the water, and sink(ing) into a tidal current, hoping to fine 'rest of the floor of the sea'" on the morning of March 28, 1941. As a child, Woolf desperately longed for the attention and affection of her beautiful but emotionally detached mother; suffered emotional scars at the hands of her stern father; endured sexual abuse from one of her half-brothers; and was pathologically attached to her sister, Vanessa, herself a free spirit whom no one could restrain. Because her many childhood needs were not sated, and because her bi-polar disorder hadn't been given a name, diagnosis or treatment, Woolf spent the rest of her life enduring lingering bouts of depression, fragile health and periods of self-doubt, despite a tremendous gift for putting words on paper. By their very nature, the book's reliance on copious correspondence between Virginia and her intimates gives the reader an excellent glimpse into the day-to-day life of an upper middle class family living in Victorian England. Some of the details are tedious, while others explain the confinement Woolf felt at being a female in a very controlling, male-dominated society. Although she was obviously gifted, she was devalued by Victorian mores. This book is meticulously researched and annotated. It appears Reid had almost unlimited access to family correspondence, records and photographs. While the book might be overwhelming at times in by the sheer weight of the research, it is a scholarly work that deserves place on a library shelf and should be included in any serious study of Woolf and the life that produced her enormous, if fragile, talent. Recommended for Woolf fans and those curious about Victorian life. Enjoy!

Terry H. Mathews Reviewer

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6 of 6 people found the following review helpful:
5.0 out of 5 stars A first rate research job...., May 26, 2000
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Terry Mathews (a small town in east Texas) - See all my reviews
(REAL NAME)   
This review is from: Art and Affection: A Life of Virginia Woolf (Hardcover)

For a person who doesn't read much non-fiction, this book is a bit overwhelming. With that said, it should be said that this book is also one of the most thoroughly researched books I've read on Virginia Woolf.

Woolf is one of my favorite authors. I hadn't been too interested in her life until I read Michael Cunningham's 'The Hours'. Since that time, I've read what I could find about her life, but nothing compares to this volume, for sheer quantity of research, notes and professional opinions.

I found this book in a Bargain Rack. I'm sorry it's out of print. It would make a fabulous research tool for any student of Woolf, or of the Victorian Age.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dreadful fix, vile imaginations, shivering fragments
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Roger Fry, Monk's House, Virginia Woolf, Leslie Stephen, Gordon Square, The Waves, The Years, Jacob's Room, Hyde Park Gate, Leonard Woolf, Lytton Strachey, Hogarth Press, Tavistock Square, Clive Bell, The Voyage Out, Hogarth House, Quentin Bell, George Duckworth, Talland House, Duncan Grant, Three Guineas, Maria Jackson, Maynard Keynes, Helen Anrep, Julian Bell
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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