From Library Journal
Congressional reauthorization of the National Endowment of the Arts (NEA) in 1989-1991 provided the battleground. At the center were two NEA-supported exhibits: Robert Mapplethorpe: The Perfect Moment , which includes explicit homoerotic photographs, and Andres Serrano's Piss Christ , a photograph of a plastic crucifix immersed in the artist's own urine. Congressional testimony, mass mailing pieces, legal decisions, articles, and editorials were the weapons used by artists, legislators, critics, lawyers, and fundamentalist leaders to voice their impassioned, divisive, and sometimes deeply disturbing beliefs in the most recent battle to maintain our essential rights to freedom of speech and cultural expression without censorship or legislative control. Although Bolton casts a critical eye on these events, which became a "battle for power between . . . the cultural elite and the religious conservative elite," these documents provide an eye-opening insight into the social, political, and religious power structures that attempt to control American culture. Highly recommended.
- Jacqueline Adams, Carroll Cty. P.L., Westminster, Md.Copyright 1992 Reed Business Information, Inc.