From Publishers Weekly
Budding Baby Warhols can fix their gaze on this oversize board book of 12 eye-stimulating patterns, credited to well-known artists. Each picture features chunky black-and-white shapes to catch a child's attention. Some pop pieces, like Takashi Murakami's deliriously happy-faced flower, resemble conventional child fare. Others are unorthodox but promising choices: Kazimir Malevich's modernist
Black Cross is an enormous plus sign, and Julian Opie's stylized human portraits have smiley-face dot eyes and serious mouths. A few pages offer familiar subjects: a duck silhouette, a pear or a carrot, while the intersecting ovals of Josef Albers's
Together could suggest a family or a nest, and Keith Haring's iconic
Radiant Baby—a crawling figure emanating exclamation-point lines—graces the cover. Little ones unmoved by figurative work can linger on abstract compositions like conceptual artist Damien Hirst's grid of grayscale dots or '60s op artist Bridget Riley's aggressive zigzags. The images repeat on three folded friezes, tucked into the back of the book, ready for installation in art connoisseurs' play spaces or bedrooms. The high-contrast art should prove mesmerizing; no batteries required. Up to age 3.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
PreS—Child-development experts have long advocated the use of high-contrast images with infants due to the difficulties newborns have in changing focus from foreground to background. These bold, black-and-white selections were chosen to address this issue. The pictures range from Patrick Caufield's
Duck, a silhouette, to Bridget Riley's
Fragment 3, a dizzying series of zigzags. There are also several simplified portraits, e.g., Julian Opie's
Natasha, whose stylized hair suggests the carved surfaces of a woodcut. The images are glossy and slightly reflective, while the white pages have a matte finish—another contrast. With a square trim size and heavy cardboard pages, the book could be enjoyed when propped on a changing table or crib or held by an adult. The last spread contains brief notes about infant vision, picture credits, and an envelope with 3 folded posters of the 12 scenes for nursery walls. Information about each artist has been placed on the back of the friezes. Libraries will want to consider whether these "consumables" are assets or deterrents, but babies won't care if they disappear. The variety of patterns offers an interesting alternative to the more traditional shapes found in Tana Hoban's classic
Black and White (HarperCollins, 2007), now available in an accordion-fold format. Will young picture readers develop a greater open-mindedness toward abstract art? Time will tell.—
Wendy Lukehart, Washington DC Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.