From School Library Journal
Grade 4-7–Large color reproductions expose readers to a wide variety of art, from the best-known paintings of the 14th and 15th centuries to contemporary photographs and wrap art. European, Asian, and American art is included in the more than 30 discussed works. Illustrations are arranged to fill single pages, spreads, and small squares. The text, at times calligraphic, becomes part of the art as it invites viewers to take more than a cursory look. Questions encourage readers to observe details, while statements of opinion help to provoke new thoughts and elicit emotional responses to the pieces. Because the book is not arranged by chronology, medium, or style, readers have the option to skip around, to pick and choose the works to study–much like visiting favorite paintings in a museum. A concluding section gives the size, location, and dates of the works and the artists birth and death dates. The book will stimulate discussion and a higher level of appreciation of art.
–Carolyn Janssen, Public Library of Cincinnati and Hamilton County, OH Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an alternate
Hardcover
edition.
From Library Journal
Its deceptively comprehensive title notwithstanding, this is a reference book of the first rank. A dictionary of 500 painters and sculptors from the early Renaissance to the present day, it is oddly egalitarian in that each and every artist is given identical emphasis: one page, one reproduced work, and one paragraph of text. This uniformity avoids hierarchy and hagiography, leaving the reader with an unprecedented freedom of interpretation. The well-written captions are informative, and cross references to related artists accompany the short articles. While at first glance this appears to be a one-volume encyclopedia, it is in fact much more; thumbing through it is like walking through a fine museum, encountering new work and savoring the juxtapositions. There are some omissions worth noting, e.g., Andrea del Sarto, David Park, and the entire medium of photography. More conspicuous is the decision to exclude art (e.g., architecture, ancient art) that cannot be attributed to a single creator. Still, the unnamed editors have been exceptionally perspicacious in selecting the individual works to represent an artist's entire oeuvre. A fine sourcebook; recommended for all collections.
Douglas F. Smith, Oakland P.L., Cal.Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.