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The Art of Darkness
 
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The Art of Darkness [Paperback]

Charlotte Opfermann (Author)
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

097183640X 978-0971836402 March 2002
Author/International Educator/Holocaust Survivor Charlotte Opfermann speaks authoritatively of a certain dirt-poor village in the north of the Czech Republic at a time when this land was the Protektorat Boehmen und Maehren, governed with an iron fist by SS Obergruppenfuehrer Reinhard Eugen Tristan Heydrich, then Reichsprotektor fuer Boehmen und Maehren and (until his assassination in 1942) one of the most powerful men of the Third Reich.

In June 1941, after all the Czech residents had been expelled and relocated, certain designated portions of this village achieved fame [if not fortune] and entered the history books together with the nearby 18th century penal colony known as The Concentration Camp (since 1940) and Ghetto (since 1941) Theresienstadt. Thousands now visit here annually. It is a mandatory study trip for Czech schoolchildren. Mrs. Opfermann was interned here for two years.

One of the most famous Nazi perpetrators, Obersturmbannfuehrer Adolf Eichmann (assisted by Jacov Eckstein from the Prague Jewish Congregation office) selected this village in June 1941 to be the holding compound where Czech Jews and, later, Jews from many other parts of Europe (Austria, Germany, Holland, Denmark, Slovakia, Hungary) would be detained and funneled East to the extermination camps -- if they did not die earlier.

Some were hanged, many committed suicide, many died. Most prisoners (ca. 150,000) were redeported to the extermination camps in the East. Most of them were killed. Some of the local dead were buried in a tiny cemetery outside the ramparts, many rest in mass graves. Initially, the ashes of approximately 36,000 of the camp’s cremated dead (in carefully marked little boxes and paper sacks) were stored in musty vaults in the ramparts. The daily death toll (from hunger and disease) reached 12.5 percent of the camp's inmates in September 1942, one-hundred-and-fifty dead per day was the norm.

In spring 1945 the ashes found a watery grave in the nearby Eger river which separates the garrison from the penal colony. At that time a special work detail of prisoners (including children) had to form a human chain and pass the small containers from hand to hand to the river bank. The last members of this work crew dumped the ashes into the river. Some workers suddenly held the remains of friends and relatives in their hands. At that moment some fainted.

Only about 120 out of 15,000 children who were transported to Theresienstadt lived to see the end of World War II.

In addition to his role as master technocrat/executioner of the Final Solution program Obersturmbannfuehrer Adolf Eichmann fancied himself to be a propaganda movie maker with a historic mission, loosely affiliated with Herr Reichspropagandaminister Dr. Josef Goebbels' Ministry of Education and Propaganda (and misinformation).

In this context he permitted the prisoners to engage in well controlled cultural activities and began filming a so-called Report-Documentary "Bericht aus der Juedischen Siedlung Theresienstadt" in 1942. Two complete reels of this film were confiscated by the Soviet soldiers in May 1945 and taken East, behind the fighting lines.

Ironically, this function has become Obersturmbannfuehrer Adolf Eichmann's legacy: while most of his hoax movie has mercifully disappeared into some unknown Russian archive, the tale of the supposedly rich cultural life in this place of death and suffering as the Musterghetto (presentation ghetto) has persisted.

It is Mrs. Opfermann’s contention that --knowing this-- Herr Eichmann died smiling when he was hanged in 1962 in Ramle prison after a much publicized trial and conviction in Jerusalem.


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Editorial Reviews

Review

"strike just the right tone and provide important details that evoke dispassionately but movingly the horror of those times." -- Prof. R. Franks, Miami Beach FL

I would like to recommend very highly Charlotte Opfermann's book "Art of Darkness" ... excellent and should be a "must read" -- H-Holocaust listserv 04-05-02 Professor Gabriele Silten, Pomona CA

book is a wonderfully detailed, astute, carefully documented portrayal of Theresienstadt also love your ironic comments, esp. in the endnotes -- Prof. M. Goldenberg, Montgomery College, Rockville MD

About the Author

Charlotte Opfermann received her early education in Germany but states that much of her social and cultural development can be traced to the time of her internment in Nazi concentration camps where she benefitted from close friendships with teachers and with famous artists who were among the fellow inmates. She arrived in the United States in July 1946, on the second (troupe transport) ship that brought new immigrants under the German quota (10,000 p.a.) after the end of World War II. She returned briefly to Germany five years later to marry a half Jewish friend in her hometown and now returns frequently to lecture and teach in the country that invented and perpetrated the greatest crime in history. She has lectured in Sweden, Poland, the Czech Republic, Germany, Israel, Canada as well as many universities from coast to coast in the United States. She teaches ESL at San Jacinto College Houston, Texas, a Holocaust course (in English over the internet) in the sociology department at Uniwersytet Mikolaja Kopernika, Torun, Poland (8 hrs. grad. credits). She also teaches (over the internet) several courses -- Holocaust Literature for Children, Polish and Jewish Holocaust Perspectives, The Holocaust and Post-War Germany, Art and Music and its use and abuse during Hitler's Third Reich, The Wehrmacht and its involvement with the Genocide -- at American Military University, Charles Town, WV (apus.com).

Product Details

  • Paperback: 192 pages
  • Publisher: Univ Trace Pr (March 2002)
  • Language: English
  • ISBN-10: 097183640X
  • ISBN-13: 978-0971836402
  • Product Dimensions: 8.9 x 5.9 x 0.6 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #2,327,818 in Books (See Top 100 in Books)

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Average Customer Review
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5 of 5 people found the following review helpful:
4.0 out of 5 stars A Jewish childhood in Nazi Germany remembered, July 12, 2002
By 
This review is from: The Art of Darkness (Paperback)
Charlotte Opfermann was all of seven years old when the Nazis seized power in 1933. The daughter of a Jewish community leader in Wiesbaden, she was an intimate eyewitness to escalating persecution. Petty chicanery, legalized robbery, exclusion, vilification, violence, roundups, deportations, the life of the camps - these were the conditions of her childhood and her coming of age. She has forgotten nothing, forgiven nothing. She writes like an angry teenager and a very knowledgeable adult.
Maybe Anne Frank would have sounded like this, if she had lived...

These essays burn with Opfermann's determination to set the record straight, especially about life and death in the Theresienstadt concentration camp , the so called "model" camp, where her family was sent early in 1943. Recent books and performances have celebrated the permitted activity of Jewish painters, musicians, and actors at Theresienstadt, making the camp sound like an artists' colony - a notion Opfermann passionately refutes. She remembers in harsh detail -- hunger, disease, death and the terror of regular mass deportations from Theresienstadt to Auschwitz, where her own father perished in 1944.
Unforgettable anecdotes - five Jewish schoolgirls steal a moment's happiness on a rare Sunday outing to the country in 1939 - and heartbreaking photographs --
Theresienstadt's youngest inmates cleaned and dressed up for the Red Cross inspection in June '44 (these same children would be killed just weeks later) - make this a memoir a dense, almost too dense compendium of fact and memory, statistics and rage.

Suzanne Ruta

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4 of 4 people found the following review helpful:
4.0 out of 5 stars Not a special camp, but a murder factory, June 28, 2002
By 
This review is from: The Art of Darkness (Paperback)
Until I became interested in genealogy, I believed that
Theresienstadt was a model concentration camp for German
intellectuals, musicians, and artists, where children drew marvelous
pictures and composers wrote beautiful music. I knew it had been
inspected by the International Committee of the Red Cross and found
to be pretty much what the Nazis had said, where the Fuehrer had
given the Jews a city.

Then I tracked down my grandmother Clara and learned that she had
been on the first train of aged Berlin Jews to Theresienstadt. I dug
some more. The American Red Cross told me that she died in
Theresienstadt. She was not a writer; or a musician, not even an
intellectual. But she died 4 Mar 1943 at the age of 71. I learned
later that she probably starved to death.

I had become aware that Charlotte Opfermann had been in
Theresienstadt and asked her if I would be able to find a grave there
to put a stone on. She wrote back that, at first, Jews were buried,
but later they were cremated. She added the ghoulish detail that when
the Germans were trying to erase the traces of their crimes, they
forced the prisoners to hand the ashes from hand to hand to be dumped
in the River Eger and that some of the children saw the names of
their loved ones on the ashes they were disposing of. She also added
that some were happy that the citizens of Dresden would be drinking
water containing Jewish ashes. [Oh, Dresden! Poor innocent Dresden!
We must punish the British air marshal responsible for destroying
this peaceful, beautiful city with all its cultural treasures!]

The image of Theresienstadt started to change. But not until I read
Charlotte's new book, "The Art of Darkness," did I realize that she
is probably correct in assuming that Adolf Eichmann went to his death
with a smile on his face because he was responsible for that wrong
image of Theresienstadt which he inculcated. That was no Potemkin
ghetto, it was a murder factory.

Theresienstadt was anything but the model ghetto the Nazis portrayed.
It was a place of death, Jewish death, including the murder of
several people I knew of, such as Kurt Gerron, the man who played the
organ grinder in the "Three-Penny Opera" and was the first to sing
"Mack, the Knife."

They did not all die in Theresienstadt. My other grandmother, who was
on the second train out of Berlin, was later shipped to Auschwitz
where she won a short reprieve from the gas chambers thanks to a
revolt by the Gypsies. Ah, the wonders of genealogical research!

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1 of 1 people found the following review helpful:
5.0 out of 5 stars insightful and moving - IQ & EQ running neck & neck, May 21, 2002
This review is from: The Art of Darkness (Paperback)
There's a wonderful mix of deep feeling, factual reportage & analysis and biting black humor in Charlotte Opfermann's "Art of Darkness" which provides a glimpse into uncommonly seen corners of the not-so-paradisiacal "Paradise Ghetto" Theresienstadt - -not just the much lauded art and music, but the hunger, the dirt and the death. Interesting details about the infamous Eichmann film which used inmates, who were murdered after this farce of a production, to portray a happy population enjoying a life full of art and culture. Opfermann also tells of life before and after Theresienstadt for the Jewish community in the Wiesbaden - Frankfurt area - -the persecutions of the 30s and deportations of the 40s, and the post-war return of the few survivors who meet with continued hostility from many of their former neighbors. And I can't end this review without mentioning Prof. Opfermann's fascinating discussion of the Theresienstad inspiration of Peter Weiss' brilliant play "Marat/Sade".
Very much recommended.
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