Throughout his working life, Duncan Grant experimented with a variety of styles and techniques, from commercial interior decoration to ceramics, print-making and theatre work, as well as easel painting and murals. The overall achievement of Grant's career in all its diversity is presented here.
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When Duncan Grant died in 1978 at the age of 92, he had lived long enough to witness the beginnings of a revival of serious interest in his work. Now, more than two decades later, he is established as one of the most gifted and innovative of 20th- century British artists. The astonishing variety of styles and techniques that make up his oeuvre provide a particularly rich field for critical attention. Throughout his life, Grant adapted to the widest possible range of media, from interior decoration to fabric design, theater work, ceramics, printmaking, murals, and easel painting. This handsomely illustrated volume offers the first opportunity to grasp the overall achievements of Grant’s career in all its richness and diversity.
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- British Artists and the Modernist Landscape (British Art and Visual Culture Since 1750 New Readings) (British Art and Visual Culture Since 1750 New Readings) by Ysanne Holt in Back Matter (1), and Back Matter (2)
- Strangers: Homosexual Love in the Nineteenth Century by Graham Robb in Back Matter
- The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West by Emmanuel Cooper in Back Matter
- Strangers: Homosexual Love in the Nineteenth Century by Graham Robb in Back Matter
- Charleston: A Bloomsbury House and Garden by Quentin Bell in Back Matter
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