Customer Reviews

Art of Engagement: Visual Politics in California and Beyond

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Each year there are increasing numbers of fine 'catalogues', beautifully designed and illustrated and written to accompany museum and gallery exhibitions. That major book publishing companies are paying attention to the arts in this way is gratifying indeed. But when a book of such insight and scholarship and content such as ART OF ENGAGEMENT: VISUAL POLITICS IN CALIFORNIA AND BEYOND appears on the scene, it raises the entire issue of 'accompanying catalogues' to a new level. Peter Selz has created a volume of a topic that is pertinent not only to California art (though that in and of itself is rewarding in seeing the West Coast as pioneer in art form!), it is equally important to the examination of the influence art has had in response to and in alerting the public to the vagaries and contagions of political and social issues.

Selz surveys California art from 1945 to the present and in doing so addresses such issues as the genocide atrocities of WW II as recalled by artists, the development of the Bay Area and beyond Beat generation, ethnic and racial issues involving the Chicano migrant worker struggles, the Black Panther movement, Feminism, Gay Crises and Pride, and philosophical/political issues such as capital punishment, environmentalism, free speech, censorship and all the tangential issues that accompany them. The writing is probing, challenging, disturbing, uplifting and ultimately reinforcing the concept that artists are often the passionate spokesmen for the silent masses.

The artists responding to these issues are drawn from a large pool, that group including Hans Burkhardt, Robert Arneson, Enrique Chagoya, Judy Chicago, Llyn Foulkes, Rupert Garcia, Helen and Newton Harrison, Wally Hedrick, Suzanne Lacy, Hung Liu, Peter Saul, Miriam Schapiro, Allan Sekula, Mark di Suvero, Masami Teraoka, and Carrie Mae Weems. The reproductions of these powerful works are superb and the running commentary and information about the artists that accompany the images is first class. Not only paintings are represented, but also photography, murals, sculpture, performance art, drawings, installations - almost every manner or artistic statement.

This is a singularly powerful book and should be up for many awards - for content, for the exhibition it represents, and for the documentation of the immense importance California art has had on the public's awareness of political change. Highly Recommended. Grady Harp, November 05