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Art of the Gold Rush
 
 
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Art of the Gold Rush [Hardcover]

Janice T. Driesbach (Author), Harvey L. Jones (Author), Katherine Church Holland (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

0520214315 978-0520214316 April 1, 1998 1
The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination.
Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories--particularly the American belief in the rewards of hard work and enterprise--can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.

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Editorial Reviews

From Booklist

It has been 150 years since James Marshall discovered gold in California and inadvertently set off the now-infamous gold rush. Tales of stubborn prospectors and boisterous boomtown life have crystallized into myth, but the art of that era, drawings and paintings by both self-taught and trained artists lured to the scene either for gold or the chance to sell their work, is little known. The exhibition this fine volume documents was mounted to correct this omission in U.S. art history, and Driesbach and her contributors do a superb job of combining gold-rush lore with discussions of the energetic landscapes and portraits that so avidly chronicle it. Most of the artists discussed will be new to readers, although the polished portraits of San Francisco's elite by William Smith Jewett may ring a bell. More in keeping with the spirit of the quest for gold are the realistic paintings of rural mining camps by George Henry Burgess and A. D. O. Browere, which capture the beauty and promise of the California landscape. Donna Seaman

From Kirkus Reviews

paper 0-520-21432-3 A tad predictably, this survey of works on paper that emerged from California at around the time of the gold rush (1848) abounds in picturesque views of duly mountainous landscapes. There are also plenty of harborside San Francisco scenes to surprise the eye with the proximity of a very few sailing vesselsand even fewer skippers. Likewise, William Birch McMurtrie's vision of Telegraph Hill, circa 1849: The modesty of his sparse, low-lying dwellings is outdone only by the unbuilt bare vista extending alongside them. As with many 19th-century California scenes, his seems steeped in a pale golden aura, perhaps the greedy projection of a visiting artist who was hoping to mine a certain vein. Driesbach (curator at the Crocker Art Museum), Jones (curator at the Oakland Museum), and Holland (a former curator at the California Historical Society) give historical and biographical information, and observe some of the European influences that generally guided the painters; other influences can be inferred without them. For instance, A.D.O. Browere's Miners of Placerville owes something to Breughel in the scale, hue, and figurative compression of these he-men dwarfed by trees and hefting ropes and axes. But the impact of the book as a whole is held back by the small size of its color reproductions, which assigns to the hugeness of California a mincing, unconvincing Victorianism. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Product Details

  • Hardcover: 168 pages
  • Publisher: University of California Press; 1 edition (April 1, 1998)
  • Language: English
  • ISBN-10: 0520214315
  • ISBN-13: 978-0520214316
  • Product Dimensions: 10.1 x 9.1 x 0.7 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,745,560 in Books (See Top 100 in Books)

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9 of 9 people found the following review helpful:
5.0 out of 5 stars Art of the Gold Rush - A Pictoral Time Machine, March 31, 2000
This review is from: Art of the Gold Rush (Paperback)
The Art of the Gold Rush was written, I believe, as a companion to the art exhibit that toured the nation in commemoration of the Sesquicentennial of the gold discovery at Sutter's Mill.

To scholars of California history, the reproduced paintings and text in the book are worth more than all the Gold dredged out of California's Motherlode. The images are stunning, depicting scenes of early California in the detailed, realistic style of the pre-impressionists. The paintings show us San Francisco as a bucolic village at the mouth of a beautiful bay. They also give us a clear, in-color idea of how the 49ers looked, what they wore, and how amazing a wilderness California was before it was logged and paved over.

The text in the book is as riveting as the paintings it describes. The authors introduce each painting with a discussion of its historical context, a brief biography of the artist, and an analysis of the paitning's structure and use of color and symbolism. Even for someone who, like me, slept through art appreciation, the text is fascinating.

In summary, if you are at all interested in California History, you will relish every page of this book.

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3 of 6 people found the following review helpful:
1.0 out of 5 stars A noteworthy observation, May 9, 2002
By A Customer
This review is from: Art of the Gold Rush (Paperback)
I found this book to contain a dry discussion of art during this time period. For someone who claims to have the expertise of a true connaisseur of art of this time period, the analysis of the purpose of mirgrating artists seems to remain too general to derive any real meaning. In the future I would suggest that you include the purspose of these geographically migrating artists in the text if it is to be as informational as claimed.
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Inside This Book (learn more)
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First Sentence:
AMONG THE FIRST ARTISTS BOOKING PASSAGE to California from the East following news of the gold discovery were Thomas A. Avres and E. Hall Martin. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
wandering miner, miner prospecting, lone prospector, mining scene, art union, genre scenes, center foreground
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, Gold Rush, Charles Christian Nahl, New York, William Smith Jewett, George Burgess, Oakland Museum of California, Arthur Nahl, The Bancroft Library, Charles Nahl, George Henry Burgess, University of California, California Historical Society, John Woodhouse Audubon, Ernest Narjot, Frederick Butman, Hock Farm, Los Angeles, Telegraph Hill, Camp Lonely, Crocker Art Museum, Harrison Eastman, Mother Lode, Augusto Ferran, Clay Street
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