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The Art of Holding: Principles & Techniques (Hardcover)

by Marc Tedeschi (Author)
4.1 out of 5 stars See all reviews (8 customer reviews)

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Editorial Reviews

Product Description
This illuminating work outlines the essential principles and techniques that define the art of holding in most martial arts. More than 1,300 outstanding photographs introduce over 155 practical techniques encompassing all types of holds: joint-lock holds, chokes, head locks, nerve holds, pressure point attacks, takedowns, ground pins, advanced combination holds and transitions, and defenses against chokes and joint-lock holds. Comprehensive introductory chapters provide an authoritative overview of important technical principles, East Asian energetic concepts, and 69 fundamental skills encompassing stances, footwork, grips, and methods of tumbling and falling. Precise anatomical illustrations and descriptions of 106 common Oriental pressure points, and a visual comparison of different martial arts, make this an invaluable resource for all martial styles. Expertly written and designed by the author of the 1,136-page Hapkido--widely acclaimed the most comprehensive book ever written on a single martial art--this exceptional work is designed to stand alone, or function as a companion text with the author's other works on martial techniques and anatomy. Regardless of the style you practice, these books will enrich your training, improve your technique, and deepen your understanding of the unique qualities embodied in your own martial art.

About the Author
Marc Tedeschi is an internationally respected artist, designer, educator, and martial arts master, who has practiced martial arts for more than 30 years, training extensively in Hapkido, Taekwondo, Jujutsu, Judo, and Karate. Mr. Tedeschi's unique ability to blend his skills as a designer, writer, and martial artist has resulted in numerous books, widely acknowledged for their design excellence, outstanding imagery, and clarity of content. He is the author of twelve works, including a unique series of general martial arts books that provide an in-depth look at the core concepts and techniques shared by a broad range of martial arts. To learn more, Google search: Marc Tedeschi or marctedeschi.

Product Details

  • Hardcover: 208 pages
  • Publisher: Weatherhill; 1st edition (October 2, 2001)
  • Language: English
  • ISBN-10: 0834804913
  • ISBN-13: 978-0834804913
  • Product Dimensions: 11.1 x 8.7 x 0.8 inches
  • Shipping Weight: 2.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars See all reviews (8 customer reviews)
  • Amazon.com Sales Rank: #684,328 in Books (See Bestsellers in Books)

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Customer Reviews

8 Reviews
5 star:
 (4)
4 star:
 (3)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
12 of 12 people found the following review helpful:
5.0 out of 5 stars Incredibly Thorough Volume on a Specific Subject!, February 15, 2003
By C. J. Hardman (San Diego, CA USA) - See all my reviews
(REAL NAME)   
If you already have Mark Tedeschi's Huge 1136-page Hapkido book, you're probably wondering what makes this volume on holds any different. The main difference is this: The big Hapkido book _does_ include every technique shown here. However, the detail in this volume is much more exact--the big Hapkido book was so inclusive that the author was limited to showing 2-3 photos to illustrate a hold or thorw. This volume on holds uses an average of 5-9 photographs per technique, including close-ups. The descriptive narrative is also more specific in this volume. So if you would like a volume which is incredibly specific on the subject of holds and locks, this book is the thing! If you already have the big book, and don't really need the extra detail, then this volume would probably be redundant.

I should add that I am pleased with the quality of the volumes put out by the publisher, Weatherhill. Clear photographs are printed on slick acid-resistant paper, and the boards of these volumes are covered with a laminated paper that will resist picking up sweat (or any other of those wonderful things we get on our books while taking them on the mat or discussing techniques after practice). Tedeschi has gone the extra mile in making ALL of his books as specific as possible. Most of the techniques shown include extra photographs and diagrams of bones, muscles, and pressure points as they apply to the specific technique. For instance, the section on chokes and head locks includes 6 pictures of wrist action along with two diagrams of pressure points on the hands--and the explanation of why you align your wrist in a certain way, and how it is the most effective biomechanical method. This, similar photo-diagrams showing the difference between Basic Entries and Forced Entries, Eliminating free play in a choke, the importance of body positioning, types of chokes, major targets (again, several pictures naming areas with their pressure point location & proper location name), and attack points--this is before he even begins to show and describe a variety of chokes!

This specific volume includes an overview (history, types of holds, comparing holds from different martial arts, responsible use of force), then fundamentals (breakfalls, concepts, principles, stances, footwork, etc.), Wrist Locks (10 different), Arm Locks (16 of them!), shoulder locks (12), Finger Locks (18 kinds, 8 applications), leg locks (12), Chokes & Head Locks (32), Nerve Holds (20), Defenses Against Chokes and Head Locks (10), and Defenses against Joint Locks (10). Tedeschi includes a complete bibliography of his sources.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Outstanding book on subject, March 29, 2005
This is one of the best books out there on holds and locks. Mr. Tedeschi is apparently a well known designer and artist, and his books seem to reflect that expertise, as they are nicely laid out and designed with very clear photographs and clear and concise explanations and text accompanying the photos.

The book presents over 150 holds and locks, so the coverage is very complete. So if you just learned all the techniques in this book, you really wouldn't need to learn anymore. The techniques are organized by area of the body, as is typical, so there are chapters on wrist holds, finger locks, armlocks and holds, neck and headlocks, and leg and ankle locks.

Standing holds are included as well as ground holds, so some matwork is included too, which may be of interest to the grappling and BJJ enthusiasts out there.

In addition to the above, the book also has many useful or even unique features that I haven't seen in other books on holds and locks, such as:

1. Comparisons of the same holds and locks in the various arts, such as aikido, jiu-jitsu, judo, wrestling, and hapkido, showing the similarities in techniques across the different arts

2. Very thorough and detailed pressure point and nerve charts

3. A presentation of wrist holds by biomechanical action that is useful

4. Overview pages at the beginning of each chapter, such as wrist locks, illustrating the final position of the lock, which makes it easy to review the material or go to the lock you're interested in (since the names of the different holds and locks vary widely in the different disciplines)

5. Tips on holds and chokes, such as how to eliminate "play" in chokes.

6. Detailed photo sequences, usually incorporating more photos than in other such books, making it easier to follow the action

7. A chapter specifically on nerve and nerve cavity type holds

8. High quality, glossy paper that is rare on all but the most expensive books these days (you pay more for it, of course)

9. Photographs are black and white with very high contrast, making them easy to see

10. The whole book is just very nicely organized, laid out, and convenient to use

I have a suggestion on how to use the book. If you're a specialist in holds and locks, there might not be that much new to you here, but if you're more of a karate or kung fu or TKD person and you're trying to learn some holds and locks to integrate with your percussion techniques, I have some advice for you, since that's primarily what I am, although I have a second specialty in chin na.

It's not necessary to learn a great many techniques. Remember, back in the 1400s in Japan even a great jiu jitsu master might only know a dozen or two dozen different holds, but he could apply them with great skill to many different types of situations. I think that approach still has merit today. You could pick half a dozen or a dozen and leave it at that.

Another way to go would be to pick a few wrist locks, a few elbow locks, neck holds and chokes, and leg and ankle locks each. Also, some holds work better at arm's length and others are for more closeup. You could pick several that work at each distance as well, and several that work standing as well as on the ground, such as the standard armbar or under arm pin.

Finally, there is the distinction of whether the lock is applied from the inside or outside position relative to the opponent's guard. For example, the standard arm bar is done with you to the outside of his arm, and therefore away from the other punching hand, whereas the well known outward wrist lock, although a formidable technique, is done from the inside, where one is more vulnerable. But both kinds of techniques should be learned since you aren't always able to get to the outside guard position.

If you're interested in further information, the books by Yang Jwing Ming on chin na such as Analysis of Shaolin Chin Na and Taiji Chin Na, are also excellent, and also Ming's videos, the video by Kwong Wing Lam on chin na, and there are a few others I'm probably forgetting. The only problem with a book even as good as this one, is that for the price of this book new, you can get a video on the subject that actually shows the techniques in action. The Ming video I have has over 100 holds and locks, but he has several.

In fact, if you watch the auctions for a while, you can pick them up used on e Bay for less than the price of these books new. The only thing is chin na ones don't get listed as often as the other martial arts videos and you might have to watch for a while to find some. But that's how I got mine.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Excellent introduction to joint manipulation techniques, February 19, 2002
The Art of Holding does an excellent job of explaining fundemental concepts in joint locks and holding techniques, as well as getting into some more advanced combinations and counters. It's a particularly useful reference if you already practice a martial art that teaches these techniques as you will have context and background for the various moves. The experienced martial artist will appreciate the explanations of the different moves, the use of pressure points to strengthen familiar techniques, and the excellent categorization of the different holds. Beginners will also find the concepts easy to understand, although it will probably be difficult (and dangerous!) to practice many of the techniques without a qualified instructor.
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Most Recent Customer Reviews

1.0 out of 5 stars Do not buy this book if you want to use it for grappling tech
I made the mistake of purchasing this book thinking it would be a good source of information on grappling. Read more
Published on October 28, 2006 by R. Ashworth

5.0 out of 5 stars Nicely Done
Excellent description of versitility and practical applications. Nothing very new to me but very through and a great reference for all levels of Martial Artist and Martialist... Read more
Published on May 6, 2003 by Ezra Masters

4.0 out of 5 stars Excellent!
Received the book yesterday and alredy read half of it. Outstanding! Good layout, clear pictures, well written descriptions of techniques. Read more
Published on January 27, 2003 by moeydevil

4.0 out of 5 stars Must have for all Martial Artists
Finally after sifting through piles of useless books on martial arts with bad pictures and little to no explanation on the correct way to perform them and the theory behind the... Read more
Published on January 8, 2003 by Rayhan Z.

5.0 out of 5 stars excellent text
Very well laid out with clear pictures, detailed descriptions, and strong techniques. He has researched a multitude of arts to collect the best techniques for presentation. Read more
Published on March 4, 2002 by Adrian Murray

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