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Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond (Birmingham Byzantine and Ottoman Monographs) (Birmingham Byzantine and Ottoman Monographs)
 
 
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Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond (Birmingham Byzantine and Ottoman Monographs) (Birmingham Byzantine and Ottoman Monographs) [Hardcover]

Antony Eastmond (Author)


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Book Description

0754635759 978-0754635758 October 2004
The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published. Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last 20 years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and opens questions of cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia. This study uses the church and its decoration to examine questions of Byzantine identity and imperial ideology in the 13th century. This is central to any understanding of the period, as the fall of Constantinople in 1204 divided the Byzantine empire and forced the successor states in Nicaea, Epiros and Trebizond to redefine their concepts of empire in exile. Art is here exploited as significant historical evidence for the nature of imperial power in a contested empire. It is suggested that imperial identity was determined as much by craftsmen and expectations of imperial power as by the emperor's decree; and that this was a credible alternative Byzantine identity to that developed in the empire of Nicaea.

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About the Author

Antony Eastmond is Chair of the Department of Art History at the University of Warwick, UK.

Product Details

  • Hardcover: 208 pages
  • Publisher: Ashgate Pub Ltd (October 2004)
  • Language: English
  • ISBN-10: 0754635759
  • ISBN-13: 978-0754635758
  • Product Dimensions: 9.6 x 7 x 0.9 inches
  • Shipping Weight: 1.7 pounds
  • Amazon Best Sellers Rank: #2,034,697 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
The church of Hagia Sophia in Trebizond (plates I, II) was built and decorated in the reign of the emperor Manuel I Grand Komnenos (1238-63). Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
muqarnas work, minare medrese, central quatrefoil, carved roundel, genealogical manual, east vault, main apse, north porch, reverse narrative, south porch, west porch, faithful emperor, evangelist symbols, imperial ceremonial, donor portrait, liturgical homilies, coronation church, imperial legitimacy, imperial processions, chancel screen, imperial identity, rival emperors, imperial art, monumental painting
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hagia Sophia, Grand Komnenoi, Grand Komnenos, Panagia Chrysokephalos, Talbot Rice, Holy Apostles, Old Testament, True Cross, Christ Emmanuel, Niketas Choniates, Black Sea, Incredulity of Thomas, San Marco, Tree of Jesse, Fourth Crusade, Kariye Camii, Christ Pantokrator, Last Judgement, Andronikos Gidon, Constantine the Great, Lake of Tiberias, Marriage Feast, Theodore Komnenos Doukas, Theodore Laskaris, George Akropolites
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