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The Art of Ill Will: The Story of American Political Cartoons
 
 
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The Art of Ill Will: The Story of American Political Cartoons [Hardcover]

Donald Dewey (Author)
2.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

September 1, 2007

2008 Association of American University Presses Award for Jacket Design

Author interview on Brian Lehrer Live
Podcast with KERA in North Texas

The Art of Ill Will is a comprehensive history of American political cartooning, featuring over two hundred illustrations. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, Donald Dewey highlights these artists uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing and caption. Taking advantage of unlimited access to The Granger Collection, which holds thousands of the most significant works of Thomas Nast and the other early American cartoonists, The Art of Ill Will provides a survey of American history writ large, capturing the voice of the peopleᾹhopeful, angry, patriotic, frustratedᾹin times of peace and war, prosperity and depression.

Dewey tracks the cartoonists role as a jester with a serious brief. Ulysses S. Grant credited cartoonists with helping him win his election and was not the only president to feel that way; political bosses and even state legislatures have sought to ban cartoons when they endangered entrenched interests; General George Patton once promised to throw beloved wartime cartoonist Bill Mauldin in jail if he continued to spread dissent. (Mauldin later won the Pulitzer Prize.)

Despite the increasing threats they face as daily newspapers merge or vanish, cartoonists have given us some of our most memorable images, from Theodore Roosevelt’s pince-nez and mustache to Richard Nixon’s Pinocchio nose to Jimmy Carters Chiclet teeth. At a time when domestic and foreign political developments have made these artists more necessary than ever, The Art of Ill Will is a rich collection of the wickedly clever images that puncture pomposity and personalize American history.

Cartoonists include: Benjamin Franklin (whose Join, or Die was the first modern American political cartoon), the astoundingly prolific Thomas Nast, Puck magazine founder Joseph Keppler, Adalbert Volck, suffragist Laura Foster, Uncle Sam creator James Montgomery Flagg, Theodore Geisel departing from his Dr. Seuss persona to tackle World War II, Herbert Herblock Block (who so enraged Richard Nixon that the president canceled his subscription to the Washington Post), Daniel Fitzpatrick, Jules Feiffer, Paul Conrad, Gary Trudeau, and the controversial Ted Rall.


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Editorial Reviews

From Publishers Weekly

Dewey, a writer of fiction and nonfiction (James Stewart), explores the evolution of American political cartooning from its origins in the 18th century through its proliferation in the 19th and up to its current state, beleaguered by, among others, litigation and political correctness. Dewey's review of racist portraits of blacks and Jews is commonplace, but elsewhere he explores less familiar territory, such as attempts to censor political cartoons. After a lengthy introductory essay, Dewey presents five thematically organized chapters with more than 200 cartoons. The chapter on presidents includes Bill Mauldin's mournful response to JFK's assassination and Doug Marlette's portrayal of Jimmy Carter as the cowardly lion and Ronald Reagan as the tin man in the 1980 presidential election. The most surprising and clever cartoon in the Wars and Foreign Relations chapter is a 1902 skewering of American imperialism, showing Uncle Sam, dressed as Santa Claus, presenting a gift bag to a suspicious Filipino child. Dewey's chapter prefaces occasionally shed fascinating light; in the chapter on Ethnic, Racial, and Religious Issues, he observes that most 20th-century newspapers have shied away from cartoonists with skeptical views of mainline churches and their espoused Christian values. This will make a nice coffee-table title for political junkies. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“This will make a nice coffee-table title for political junkies.”
-Publishers Weekly

,

“This hybrid volume mixing history and sociology with political cartoons entertainingly brings the past to light.”
-Library Journal

,

“[Dewey’s] well-researched text offers insight into the historical setting that allowed the form the burgeon in the late nineteenth century, as well as interesting anecdotal information that illuminates shadowed elements of political history.”
-Popmatters.com

,

“Several previous titles have tackled this important subject, but none equals the depth, breadth, and value of this new title.”
-The Bloomsbury Review

,

“More than 200 pungent examples, from the days of Paul Revere and Benjamin Franklin to the present, with a smooth text that explains the special punch of editorial cartoonists.”
-The Philadelphia Inquirer

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Product Details

  • Hardcover: 264 pages
  • Publisher: NYU Press (September 1, 2007)
  • Language: English
  • ISBN-10: 0814719856
  • ISBN-13: 978-0814719855
  • Product Dimensions: 9.3 x 9.4 x 0.9 inches
  • Shipping Weight: 2.4 pounds (View shipping rates and policies)
  • Average Customer Review: 2.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,496,718 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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10 of 10 people found the following review helpful:
3.0 out of 5 stars Not the best, but not bad, June 14, 2008
This review is from: The Art of Ill Will: The Story of American Political Cartoons (Hardcover)
I've been a big fan of political cartooning for a long time, dating from reading Pogo in the daily papers back in the 1950s, and acquiring Bill Mauldin's two published wartime collections when I was in college. Dewey is a general writer of popular nonfiction, not a specialist in this field, but he does a pretty good job of surveying the history of the editorial cartoonist's art in U.S. history, from Ben Franklin and Paul Revere and Thomas Nast to Herblock and Pat Oliphant and Gary Trudeau. He seeks not only to present telling examples of each artist's work but also each man's influence, why those being lampooned sometimes tried to bring pressure to bear (Patton hated Mauldin and many papers relegated Doonesbury to the editorial section under pressure from advertisers), and how the public's attitudes changed over time. There are some reservations, however. First, not all artists lived or worked in New York or Washington, but you would think so from the selection in this book. Second, he doesn't seem to quite "get it" when he's discussing certain periods of American history, especially the age of imperialist expansion at the turn of the 20th century. (Maybe because, as noted, he's not an historian.) Many of the drawings in the very lengthy introduction are too small to read the text, but don't worry -- they all seem to appear again in the body of the book, which is divided into thematic chapters.
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8 of 13 people found the following review helpful:
2.0 out of 5 stars Artless, October 28, 2007
By 
Christian Schlect (Yakima, Washington/USA) - See all my reviews
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This review is from: The Art of Ill Will: The Story of American Political Cartoons (Hardcover)
A very good title, a very good subject, but ultimately a mediocre book.

Donald Dewey starts strong about the early history of political cartoons, but then fades into boring personal views in his overlong "Introduction."

The actual cartoons are the guts of this book, and most interesting on their own. Unfortunately the author is not a real historian and this collection suffers from a lack balance. For example, very few local editorial/political cartoons are presented in the chapter on "Local and Domestic Politics": most are from the L.A. or New York papers.

I think American political cartoons are more important than does Mr. Dewey and hope that this subject is taken up by another author in a more comprehensive and positive way.
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5 of 23 people found the following review helpful:
3.0 out of 5 stars Wonderful. And yet..., October 27, 2007
This review is from: The Art of Ill Will: The Story of American Political Cartoons (Hardcover)
This is a fantastic collection of political cartoons wonderfully presented. A beautiful coffee table book.

But, upon reflection, all this celebration and I ended up with a question instead of answers.

What have political cartoons ever done?

On second thought, maybe I do have an answer because the answer is nothing. Political cartoons appeal to the converted but have never converted. Political cartoons amuse those who agree and anger those who don't. But can anyone name a single political cartoon that has changed anything?

Even the politicians who have tried to pass laws against political cartoons have BEEN elected despite those cartoons.

So, while this collection is very interesting and historical, I have to say that the entire field of political cartoons amounts to absolutely nothing.
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Inside This Book (learn more)
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Granger Collection, White House, Paul Conrad, Universal Press Syndicate, Uncle Sam, World War, Jules Feiffer, Los Angeles Times, United States, Robert Ariail, Joseph Keppler, Daniel Fitzpatrick, Ted Rall, The State, Steve Breen, Rollin Kirby, Boss Tweed, Clifford Berryman, Theodor Geisel, Thomas Nast, Brother Jonathan
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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