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The Art of the Infinite: The Pleasures of Mathematics
 
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The Art of the Infinite: The Pleasures of Mathematics [Paperback]

Robert Kaplan (Author), Ellen Kaplan (Author)
4.2 out of 5 stars  See all reviews (13 customer reviews)

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Book Description

November 18, 2004 0195176065 978-0195176063
Robert Kaplan's The Nothing That Is: A Natural History of Zero was an international best-seller, translated into ten languages. The Times called it "elegant, discursive, and littered with quotes and allusions from Aquinas via Gershwin to Woolf" and The Philadelphia Inquirer praised it as "absolutely scintillating."
In this delightful new book, Robert Kaplan, writing together with his wife Ellen Kaplan, once again takes us on a witty, literate, and accessible tour of the world of mathematics. Where The Nothing That Is looked at math through the lens of zero, The Art of the Infinite takes infinity, in its countless guises, as a touchstone for understanding mathematical thinking. Tracing a path from Pythagoras, whose great Theorem led inexorably to a discovery that his followers tried in vain to keep secret (the existence of irrational numbers); through Descartes and Leibniz; to the brilliant, haunted Georg Cantor, who proved that infinity can come in different sizes, the Kaplans show how the attempt to grasp the ungraspable embodies the essence of mathematics. The Kaplans guide us through the "Republic of Numbers," where we meet both its upstanding citizens and more shadowy dwellers; and we travel across the plane of geometry into the unlikely realm where parallel lines meet. Along the way, deft character studies of great mathematicians (and equally colorful lesser ones) illustrate the opposed yet intertwined modes of mathematical thinking: the intutionist notion that we discover mathematical truth as it exists, and the formalist belief that math is true because we invent consistent rules for it.
"Less than All," wrote William Blake, "cannot satisfy Man." The Art of the Infinite shows us some of the ways that Man has grappled with All, and reveals mathematics as one of the most exhilarating expressions of the human imagination.

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Editorial Reviews

From Publishers Weekly

While Kaplan (The Nothing That Is: A Natural History of Zero) and his wife intend this volume to delight the numerophobic into seeing the beauty in math, the "art" they describe is hidden in a thicket of dry proofs. And yet they've written a lovely and erudite history of the subject in spite of that, one that will absorb anyone who already fancies numbers and all their possibilities. Hand-drawn diagrams accompany dense explanatory prose in this exploration of infinity, as the authors chart mathematical discoveries and great thinkers throughout history. Frequent references to luminaries from the humanities (Shakespeare, Baudelaire, Gaudi, Robert Graves) would earn this book comfortable shelving in a liberal arts library if the math weren't so devilishly hard to grasp. (A typical passage compares the way great changes happen in mathematics with the way important figures enter the action in Proust.) The authors acknowledge that even math basics can be tricky: that the product of two negatives is a positive, for instance, is a puzzle that the Kaplans say "put too many people off math forever, convinced that its dicta were arbitrary or spiteful." The authors write that "mathematics is permanent revolution," and indeed, some may find their heads spinning. Nevertheless, a patient reader who loves thinking about thinking will be rewarded by the book's end; by the final pages, he or she will have personally experienced, via these diagrams and problems, many of the great discoveries in mathematics. Graphs and illustrations throughout.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From School Library Journal

Adult/High School-This is mathematics with a plot and characters, as well as diagrams and formulas. In the process of discussing numbers, natural and rational, real and complex, the Kaplans introduce readers to the historical figures who were challenged by their mysteries. The authors explore math in ways that will be new to students whose education has been confined to the classroom. Readers learn not only that a number can be squared, but also that it can be "triangled," and that the sum of two adjacent triangular numbers always makes a square one. The book shows how all the concepts of different types of numbers lead to the notion of infinity, and how one can prove things through geometry that would normally appear to have nothing to do with shapes and lines. Most of the math discussed can be followed by anyone with a smattering of algebra and geometry, and always it is accompanied by stories of how people first discovered the mathematical principles, with illustrations of the protagonists. These accounts vary from tragic to laugh-out-loud funny. Those who love math won't want to miss this one, and those who would like to love it but never have should give the book a try.
Paul Brink, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 336 pages
  • Publisher: Oxford University Press, USA (November 18, 2004)
  • Language: English
  • ISBN-10: 0195176065
  • ISBN-13: 978-0195176063
  • Product Dimensions: 8.7 x 5.3 x 0.9 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #961,304 in Books (See Top 100 in Books)

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Customer Reviews

13 Reviews
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Average Customer Review
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22 of 23 people found the following review helpful:
5.0 out of 5 stars To Infinity, And Beyond!, May 25, 2003
We all take our pleasures where we find them, and everyone is different, with different sources to draw upon. It will seem peculiar to many people that others could take pleasure in mathematics. Children usually learn to be bored or frightened by math, but there isn't any reason for this, other than incompetent teaching. As an attempt at remedy, husband and wife team Robert and Ellen Kaplan in 1994 began the Math Circle, Saturday morning sessions for kids who just wanted to find out more about mathematics. (The sessions were changed to Sunday morning when soccer practice interfered). Some kids (especially those who were pushed into the classes by their parents) dropped out, but some have come back, year after year, and the Kaplans have found that posing questions, inviting conjectures, asking for examples, and even suggesting ways towards proofs can be something children can enjoy. Mathematicians have been telling us for centuries about the beauty of the objects and systems that they have explored. The Math Circle seems to have taught math in a way to at least some kids who have caught the spirit of the quest for mathematical beauty. In _The Art of the Infinite: The Pleasures of Mathematics_ (Oxford University Press), the Kaplans have put some of those lessons into book form, concentrating on infinities of various kinds. This is a book for adults, or kids who hanker to think about math like adults ought to, but it is full of a sense of play.

As you might expect, things start simple and get very complicated, and this is true right off in the first chapter, considering more and more complicated numbers. The Natural Numbers are introduced with patterns, as if you had stones to position on a table. 1, 3, 6, and 10 stones make pleasing equilateral triangles, and 1, 4, 9, and 16 make pleasing squares. We move from these to zero and negative numbers: "Certainly zero and the negatives have all the marks of human artifice: deftness, ambiguity, understatement." Are these numbers invented or discovered? The profundity of this question is plumbed throughout the book. Rationals, irrationals, and finally the complex numbers are all included. As the numbers mount up, the irregularity and regularity of the primes is considered, one of the most fruitful arenas of number theory. Euclid had to make an assumption about the infinite, his famous fifth postulate; but it is only an assumption; assuming that parallel lines meet eventually produces also a worthy geometry that tells us much about how the Einsteinian universe works. But there is no need to look into these strange worlds to find wonders; before leaving Euclid's terra firma, we are reintroduced to the triangle, and are presented with some astonishing revelations of secret points within and around the simple three sides that will remind you that no matter how simple things look, or even how simple things are, everything is more complicated than you can imagine.

And if you want your infinities more complicated still, the final chapter has to do with Cantor's work. Common sense tells us there must be half as many even numbers as there are whole numbers, but Cantor showed that the infinity of both was equal. He showed that the infinite number of points in a line as long as your finger was equal to the infinite number in a line as long as from here to the Sun. In fact, the number of points on a line is equal to the number of points in a plane. And yet, some infinities are bigger than others. This is strange territory indeed, and requires some concentration to understand and enjoy, even with the Kaplan's literate, witty, and clear explanations. This is a fine introduction to different aspects of serious mathematics; true to its subtitle, it is a book full of pleasures.

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22 of 23 people found the following review helpful:
4.0 out of 5 stars Infinite Delights?, April 16, 2003
By 
Peter Renz (Brookline, MA United States) - See all my reviews
(REAL NAME)   
Here's human imagination at work. The flights of fancy the Kaplans show us are not about dragons and wizards, but about imaginary numbers, square roots, triangles, and infinite series.

I bought this book to mine for ideas to use in the notes I am writing to accompany the Third Edition of Geometry by Harold Jacobs, and I struck a rich lode. My professional interests made me look at material of a more technical nature, such as the proof of the theorem of Pappus. Pappus noticed that if you take six points A, B, and C on one side of an angle and a, b, and c on the other side of this angle and join each point to the two points labeled by *different* letters, then the three points of intersection of these six segments lie on a straight line. I knew this as a fact since my high school days, but it is not easy to give a proof that is reasonable at that level. The Kaplans have a beautiful explanation of this result, putting it in context and giving a gentle proof. Very nice indeed.

They have found just the right diagram or line of argument for many things I have seen before. Those of us who have suffered through the terrors of trigonometry will remember that there are some angle sum formulas, though we may not remember exactly what they are. The diagram at the top of page 187 tells you why these formulas are true and will make them unforgettable, if you decide to remember it. The path to this figure is made easy and natural in the book. What was new to me was the idea of adding a box around the tipped triangle --- suggested in the throw away line at the top of page 186. This gives us just what we need, neither too much nor too little.

One virtue of this book is that you can leaf through it and dive into the text wherever you see an interesting illustration or some idea you have been wondering about. The topics are mostly self-contained and there is always a nice story or bit of historical context to give you a sense of where you are and how this fits into the larger picture.

Buy this book, browse it, read it, and now and then get out your paper and pencil and puzzle through whatever tickles your fancy. This book is not just *about* mathematics, it gives you the real stuff.

Highly recommended.

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20 of 21 people found the following review helpful:
3.0 out of 5 stars Great Math..... Obscure Prose, June 19, 2003
By A Customer
The mathematics in this book is clear and absolutely delightful - reminiscent of high school math. The derivations, proofs, figures and equations are all very clear and the words immediately associated with them are very useful complements. The problem arises when we are in-between the mathematical expositions, i.e., where historical and miscellaneous other snipets are presented; these would normally be pleasant diversions and would make the book even more interesting. But here, this is not the case. The prose is rather obscure, complex and cryptic and tends towards the quasi-poetic, quasi-philosophical and quasi-parabolic all at once. This is most unfortunate for a math book where simplicity and clarity of expression are paramount. Had the historical and other digressions been written clearly and in plain English, then this book, in my opinion, would have easily been 5-star material. But as it is, the math is worth an easy 5 stars, the prose an unfortanate 1 star for an average of 3 stars.
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