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Art of Justice: An Eyewitness View of Thirty Infamous Trials
 
 
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Art of Justice: An Eyewitness View of Thirty Infamous Trials [Paperback]

Marilyn Church (Author), Lou Young (Author)
4.8 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

1594740941 978-1594740947 February 1, 2006 First edition.
As the principal courtroom sketch artist for the New York Times and WABC in New York, Marilyn Church covered many of America’s most infamous trials, from the downfall of John Gotti to the trial of would-be presidential assassin John Hinckley; from the conviction of Martha Stewart to the Sean “Puffy” Combs weapons possession trial.
 
In The Art of Justice, Marilyn Church takes readers into the courtroom for an insider’s view of thirty sensational cases. Experience the story behind the dramatic headlines in the legal battles of subway vigilante Bernhard Goetz, Long Island Lolita Amy Fisher, preppie murderer Robert Chambers, David “Son of Sam” Berkowitz, the bizarre child custody war between Woody Allen and Mia Farrow, and many, many others.
 
In addition to more than one hundred brilliant full-color reproductions of Church’s artwork, The Art of Justice also includes compelling trial summaries by noted television journalist Lou Young and a Celebrity Gallery depicting the courtroom appearances of Mick Jagger, Yoko Ono, Paul Newman, Caroline Kennedy, Donald Trump, and a host of other luminaries.
 
Part artistic celebration, part cultural history, The Art of Justice is the perfect addition to any lawyer’s library and essential reading for true-crime fans everywhere!
 

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Editorial Reviews

From Publishers Weekly

From the 1970s through the present, courtroom artist Church has chronicled high-profile trials for the New York Times, women's magazines and local TV stations, capturing for posterity the likes of mutilated model Marla Hanson and subway vigilante Bernhard Goetz. More than 100 of her sketches are reproduced here in color and, aided by broadcast journalist Young, Church gives a human face to complicated, often impersonal and tedious legal proceedings. A former boxer convicted in a triple homicide, Rubin "Hurricane" Carter cradles his baby son during a break in the 1976 retrial, while "Dapper Don" John Gotti, facing a life sentence in 1992, instructs Church not to draw his neck fat. In 1987, surrogate mother Mary Beth Whitehead convulses in tears while her "Baby M" adversaries, William and Elizabeth Stern, watch impassively; in 1982, a shocked Norman Mailer listens to protégé Jack Henry Abbott describe how he killed a man while on parole. Court TV diehards will savor this trip down a memory lane stained with blood and tears, and Church's palette is gloriously evocative. But she misses her mark with pictures of Mia Farrow, Martha Stewart, Mike Wallace, and Jackie Onassis that don't quite look like the real thing. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Marilyn Church (www.marilynchurch.com) is an accomplished professional painter and the best-known courtroom artist of our time. As the primary artist for the New York Times and WABC in New York, she covered many of the most infamous trials of the last three decades. She won an Emmy for her work recreating the scene of John Lennon’s murder and a New York Press Award for her coverage of the Jean Harris murder trial. Her drawings have been displayed at the New York Museum of Television and Radio, the Museum of Natural History in New York, the U.S. Supreme Court, and Harvard Law School, as well as in many other shows and exhibitions. Lou Young is a reporter with WCBS-TV in New York. He is a multiple Emmy Award–winner, and has also received honors from the Associated Press, United Press International, Radio and Television News Association, New York Press Club, and the Society of Professional Journalists. He has been a broadcast journalist for more than thirty years.

Product Details

  • Paperback: 160 pages
  • Publisher: Quirk Books; First edition. edition (February 1, 2006)
  • Language: English
  • ISBN-10: 1594740941
  • ISBN-13: 978-1594740947
  • Product Dimensions: 8 x 0.6 x 10.8 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,939,648 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
5.0 out of 5 stars A courtside seat to history, one that has the advantage of post-trial hindsight, June 28, 2006
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This review is from: Art of Justice: An Eyewitness View of Thirty Infamous Trials (Paperback)
The Art of Justice is much, much more than its subtitle ("An Eyewitness View of Thirty Infamous Trials") lets on. The thirty criminal trials in this gorgeous large-format book span the decades from the 1970's to the present. Courtroom scenes are portrayed in striking full-color sketches, accompanied by an objective narrative about the indictment, evidence, courtroom atmosphere, media coverage, and American cultural pulse. I actually hesitated about picking up the book, because I envisioned it as an art piece, and while it is most certainly artistic, the book is also about the American collective memory, the changing face of true crime coverage over the course of three decades, the meaning of celebrity, and the indelible personal impressions of people who were present in these courtrooms as journalists and sketch artists.

The impressions of courtroom artist Marilyn Church take this book to the next level. She writes about the hilarious scene created when Marla Maples's pilfered stockings and high heels were displayed in courtroom trial of her stalker: "I had fun pulling them into the center of the drawing, emphasizing the bizarre scene of footwear spilling everywhere." Most other scenes have a more somber tone, such as the judge's order for all artists to stow their drawing supplies when the Central Park Jogger rape victim was on the stand. Chruch also provides insight into the stony, vacant manner of Preppie Murderer Robert Chambers; he chilled her to the bone because her own children could have easily been his peers and friends, at risk from this cold sociopath.

Church's career spans all the significant trials of the last thirty decades, from the modern celebrity trials of Sean "Puffy" Combs and Martha Stewart, to the Fall of the Teflon Don, John Gotti, to famous crimes by The Long Island Lolita and The Son of Sam. Yes, O.J. is here, too. Church was commissioned to create courtroom sketches for the trial precisely because every other media source had full-color glossy images from live video and photo, and one magazine wanted something to set themselves apart--what better than a good, old-fashioned full-color sketch?

As someone who was raised on the O.J. trial, I enjoyed this book as a history lesson. I was in junior high for the first World Trade Center attacks (1993), and it most affected me because my class trip to New York city was cancelled as a result. With a decade-plus of hindsight, and having lived as a NY resident through the 2001 attacks, I had an entirely different perspective on the event and trial, and the narrative at hand provided much-needed insight into jihad in America in the early 1990's.

This is truly a courtside seat to history, one that has the advantage of post-trial hindsight, so that stories can be told in full detail, with all the post-verdict developments. I enjoyed this as a history lesson, as an exploration of the criminal trials I grew up on, and as a poignant perspective on the changing face of criminal trials in the last 35 years. Some of the trials of the 1970's dealt with issues that seem long-settled to me, as a child of the 1980's. As a bonus, this book not only provides detailed insight into 30 infamous trials, it concludes with a "Celebrity Gallery" of famous faces in various trials. Celebrities sketched included Truman Capote, a bloated David Crosby, Mick Jagger, Don King ("everyone else seems diminished when King is in the room"), Mayflower Madame Sidney Biddle Barrows, Imelda Marcos, and Sid Vicious (among many others).

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Brilliant history of justice and injustice, April 16, 2006
Marilyn Church's drawings are proof that trials shouldn't be televised: Her sketches express much more than photos could. But more than an art book, this is actually a superb guide to three decades of American legal history. Lou Young has a stunning ability to make sense of complex court cases in brief, captivating prose. Reading his summaries of these legal dramas, one finally understands why the jury had to let OJ walk free, and how El Sayyid Nosair evaded conviction for shooting Meir Kahane in a roomful of potential witnesses. Young's restrained descriptions of the false convictions in the Central Park jogger trial and of Hurricane Carter's travails are reminders of how imperfect an art justice can be. A good jury would award this book six stars, if only Amazon would allow it.
Gershom Gorenberg, author of "The Accidental Empire: Israel and the Birth of the Settlements, 1967-1977."
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Brilliant history of justice and injustice, April 15, 2006
This review is from: Art of Justice: An Eyewitness View of Thirty Infamous Trials (Paperback)
Marilyn Church's drawings are proof that trials shouldn't be televised: Her sketches express much more than photos could. But more than an art book, this is actually a superb guide to three decades of American legal history. Lou Young has a stunning ability to make sense of complex court cases in brief, captivating prose. Reading his summaries of these legal dramas, one finally understands why the jury had to let OJ walk free, and how El Sayyid Nosair evaded conviction for shooting Meir Kahane in a roomful of potential witnesses. Young's restrained descriptions of the false convictions in the Central Park jogger trial and of Hurricane Carter's travails are reminders of how imperfect an art justice can be. A good jury would award this book six stars, if only Amazon would allow it.
Gershom Gorenberg, author of "The Accidental Empire: Israel and the Birth of the Settlements, 1967-1977."
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Inside This Book (learn more)
First Sentence:
The artist's hand has always provided unique insights into the human condition. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, World Trade Center, John Gotti, Amy Fisher, John Hinckley, Martha Stewart, Stanley Friedman, Mia Farrow, Woody Allen, Connie Fernandez, Jean Harris, John Lennon, Johnnie Cochran, Kenneth Kimes, Los Angeles, Mark David Chapman, Marla Maples, Robert Chambers, William Stern, Ariel Sharon, Barrington Parker, Bernhard Goetz, David Berkowitz, Del Zios, Elkan Abramowitz
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