Quality photos with a good variety of body types, and both men and women models.
Although there are a few dynamic poses, the majority of them are constructed and trite, showing little or no tension in the muscle or weight in the form.
If you are an artist(painter, sculptor, etc.) and you just can't afford live models this is a great book.
Great references in this book. This book is great for those times that you do not have a nude model in front of you.Published 1 month ago by Doug
great poses shot, great lighting and shadow. I can form any character from it. very glad I downloaded this bookPublished 8 months ago by Clay Scheller
While I was in art school (online-Art Academy University) I was provided figure study images I was required to draw from of really poor quality. Read morePublished on March 26, 2013 by Karl Denton
Other books in this series come with a CD with high quality images to work from. The paperback version don't come with that CD. Read morePublished on June 16, 2012 by Starr
This book provides a very handy reference for artists. The models are all "real" looking people as opposed to the more "artificial" looking models one might find in magazines. Read morePublished on May 7, 2011 by A. King
Great visual information. If only there had been a CD so I could have looked closely at articulation details.Published on February 21, 2011 by MaryAnn
I wanted to give Live Art Models 1 (hardcover) five stars, but I just couldn't because some of the female models have been censored in the printed pages. Read morePublished on February 4, 2011 by Artist Born Too Late
If you are an artist(painter, sculptor, etc.) and you just can't afford live models this is a great book. Good poses, good lighting, a most important good photography. Read morePublished on November 7, 2009 by Kevin Nazario Bartolomei
This is a very strong source book for those who are not readily able to take their own pictures. It is not as good as the following two books, but the authors take user feedback... Read morePublished on June 9, 2009 by Dru Tremain