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The Art of Monsters, Inc. [Bargain Price] [Hardcover]

Pete Docter (Author), John Lasseter (Author)
4.4 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

November 1, 2001
The Art of Monsters, Inc. opens the door into Pixar's colorful archives of concept art and to the endearing story of Monsters, Inc. Since the very first bedtime, children around the world have known that once their parents tuck them into bed and shut off the light, monsters lie waiting behind closet doors, ready to emerge. But what they don't realize is that these monsters scare children because they have to. It's their job. This superb film from Pixar Studios, the people who brought you Toy Story, A Bug's Life, and Toy Story 2, reveals the truth about monsters with the brilliant techniques that have earned them their reputation as a ground-breaking animation studio. This incredible body of artwork was commissioned from the top artists, illustrators, and animators in the industry and from it the ultimate visual approach of the film was defined. From sketches scribbled on napkins and quickly inked marker drawings, to finished oil paintings and fabulous pastel color scripts, this behind-the-scenes artwork reveals the elaborate creative process behind a blockbuster film.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Review

What a treat!

Pixar's Monsters, Inc. was, as far as I'm concerned, the best animated feature released this year. This art book, published by Chronicle (not Disney -- how odd?), is the only "making of" tie-in created for the film and a delightful visual companion to the movie.

This book is a wonderful collection of preliminary inspirational artwork created for the film. Most of the pieces selected contain characters and concepts that bare no relation to the monsters and mayhem in the final product. But by allowing us to see all the hard (but funny) creative work that goes into the visual decision making, the filmmakers shed some light on the secrets of creating classic animation; they add to our knowledge of the development process and garner our respect for the enormous talent at large within Pixar.

Inspirational art is a vital component of every great animated film but average moviegoers never get to see any of it. As John Lasseter and Pete Docter point out in their intro, "Once the film is completed, the inspirational artwork is filed away in the archives, never to be seen by the general public."

What makes this book so enjoyable is the array of talent Pixar assembled for inspiration. The paintings, sketches and layouts, done in pastels, markers, acrylics, gouache, pencils and mixed media presented here, are just plain fun to look at. Many of the artists were given a few details about the settings or the characters, and were then allowed to let their imaginations run free.

The artists themselves are amazing. Some of my favorite pieces are from Lane Smith, J. Otto Siebold and Oscar Grillo. Stealing the show however, are striking works from Geefwee Boedoe, Ricky Nierva, Lou Romano and Dominique Louis.

Though famed for their landmark work with computer graphics, this book reminds me that Pixar is first and foremost a "cartoon studio" the finest in the world, at this point in the 21st Century. Dominique Louis' painting of Sulley's apartment exterior, showing a street filled with sinister looking brownstones, or Harley Jessup's grand concepts for the Monsters Inc. factory, are filled with tiny details that can't be written. The inherent humor of these design defy a literal, verbal description and the wit in the color and line cannot be produced in a word processing program. (Yes, even color has wit as amply demonstrated in Tia Kratter's color studies of Sullivan's fur and Dominique Louis' color script thumbnails.)

It's joyous to see a variety of professional cartoonists letting loose with a free reign to create creatures that defy logic and all sense of human comprehension.
The secret of Pixar's success (only one of their secrets, I might add) is that they aren't out to use the computer to recreate reality. They know the computer can already do that. They are trying to make authentic, honest-to-goodness, animated cartoons that tell great stories and touch the heart.

Walt Disney accomplished that goal in the 20th Century. Lasseter and his crew are the heir apparent. They understand what makes great, appealing characters and what it takes to bring them to life. This book gives us an over the shoulder peek, with some spectacular artwork that deserves to seen, admired and kept. Animation World Magazine --This text refers to an out of print or unavailable edition of this title.

About the Author

John Lasseter is Pixar Animation Studios's executive vice-president of creative and the director of Toy Story , A Bug's Life , and Toy Story 2 . He most recently served as the executive producer of Monsters, Inc. and Finding Nemo , and is currently executive producer of The Incredibles .

Pete Docter has been with Pixar Animation Studios since 1990. He is the director of Monsters, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 144 pages
  • ISBN-10: 0811833887
  • ASIN: B0007MTTF8
  • Product Dimensions: 11.1 x 9.1 x 1.1 inches
  • Shipping Weight: 2.5 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #1,398,600 in Books (See Top 100 in Books)

 

Customer Reviews

11 Reviews
5 star:
 (7)
4 star:
 (2)
3 star:
 (1)
2 star:
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1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (11 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars Colourful and Cute, August 12, 2008
This review is from: The Art of Monsters, Inc. (Hardcover)
Length:: 0:45 Mins

This book is filled with plenty of character design and set drawings. You'll read no making of the movie. There are also no stills from the movie.

The collection of concept art is very colourful, especially the pastel drawings by Dominique Louis and Ralph Eggleston. Every panel drawn by them is a delight to look at.

A definite buy for any Pixar fan or if you're buying for kids.

(More pictures are available on my blog. Just visit my Amazon profile for the link.)
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7 of 9 people found the following review helpful:
5.0 out of 5 stars Excellent book for any animator., November 30, 2002
By 
What's surprising is that in this book there is hardly any screenshots or CG graphic art. But that's what makes the book great! It really proves that computer does not dominate in the animation industry; everything is still from sketches and traditional works. The book filled with great works from Eggleton (director of "For the Bird") and many other amazing script illustrators. The only thing that is disappointing is that most of the images are already available in the Monsters Inc. DVD. Overall, no animator should miss this book! Don't want to miss those amazing prints!
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7 of 9 people found the following review helpful:
4.0 out of 5 stars Illustrated monsters, November 19, 2001
By 
In recent years everytime a major animated film, particularly those associated with Disney, is released a flood of products overwhelms the consumer market. This is not however your typical 'making of' or 'behind the scenes' look at "Monsters Inc.". I'm certain that if it is not already out there it will soon follow if that is what you're looking for. This book is unique, especially since the movie is 3-D rendered computer animation, because it is not filled with wire-frames, and storyboards, and studio character layouts. This book is more about inspiration. The vast amount of illustrations are beautiful, whimsical, and as varied as the imagination itself. I thouroughly enjoyed this book as a lover of cartoons, of paintings, of drawings, and of monsters of all kinds. I highly reccomend it to children of all ages and art lovers everywhere.
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Inside This Book (learn more)
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First Sentence:
Monsters may creep out of our closets, but they don't live there. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
background monsters, concept art, monster world, concept sketch
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Harley Jessup, Dominique Louis, Ricky Nierva, Geefwee Boedoe, Bob Pauley, Jill Culton, Carter Goodrich, Lou Romano, Ralph Eggleston, Jeff Pidgeon, Production Designer
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