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Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations
 
 
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Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations [Hardcover]

Partha Mitter (Author)


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Book Description

0521443547 978-0521443548 February 24, 1995
An original study of the history of modern Indian art, this book tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernization of the elite, and traces the artistic evolution from unquestioning westernization to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Partha Mitter's work balances the study of colonial cultural institutions with the ideologies of the nationalist and intellectual movements that followed.

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Editorial Reviews

Review

"This sumptuous book is as fascinating to read as it is to look at." Journal of Asian History

"This book will stand as a major contribution to art history. It provides the first comprehensive analysis of the development of modern art in India after the decline of the traditional schools of miniature painting alongside the general demise of Indian court patronage in the early nineteenth century...Its great strength does, indeed, lie in the human and artistic detail which he supplies about the dozens of greater and lesser artists whose path he chronicles. And his text is closely related to the 200 photographs, many in colour, which illustrate this handsome volume." C.A. Bayly, Times Literary Supplement

"The central theme of the discourse is effectively presented: Does the adaptation from foreign models imposed by colonial rule stimulate the colonized to confront and discover their own identity?" Choice

Book Description

Partha Mitter tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, the author balances the study of colonial cultural institutions with the ideologies of the nationalist movements which followed.

Product Details

  • Hardcover: 505 pages
  • Publisher: Cambridge University Press (February 24, 1995)
  • Language: English
  • ISBN-10: 0521443547
  • ISBN-13: 978-0521443548
  • Product Dimensions: 9.9 x 7.8 x 1.6 inches
  • Shipping Weight: 3.8 pounds
  • Amazon Best Sellers Rank: #5,104,430 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
I have chosen the final scene of Mussorgskys' Khovanshchina as an epigraph to represent a political parable. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
swadeshi art, swadeshi nationalism, bhadralok society, national education movement, academic naturalism, artistic nationalism, salon artists, artistic individualism, nationalist art, colonial artists, academic art, oriental art, art wares, conventional iconography, artistic revival, geometrical drawing, lithographic press, oil painters
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Ravi Varma, Bengal School, South Kensington, The Indian Charivari, Modern Review, Abanindranath Tagore, Calcutta Art Studio, Asit Haldar, Royal Academy, Raja Varma, Bombay Art Society, Jamini Gangooly, Times of India, Bengal Renaissance, Nandalal Bose, Hindi Punch, East India Company, Iswari Prasad, Queen Victoria, Rajendralala Mitra, Suren Ganguly, Annie Besant, Ravi Vareta, Calcutta Art Gallery, Delhi Sketch Book
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