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Art as Performance (New Directions in Aesthetics)
 
 
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Art as Performance (New Directions in Aesthetics) [Paperback]

Dave Davies (Author)

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Book Description

January 5, 2004 1405116676 978-1405116671 1
In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines.

  • Elaborates and defends a broad conceptual framework for thinking about the arts.
  • Offers a provocative view about the kinds of things that artworks are and how they are to be understood.
  • Reveals important continuities and discontinuities between traditional and modern art.
  • Highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning.

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Customers buy this book with Musical Works and Performances: A Philosophical Exploration $60.00

Art as Performance (New Directions in Aesthetics) + Musical Works and Performances: A Philosophical Exploration
Price For Both: $104.95

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Editorial Reviews

Review

"David Davies’s Art as Performance is itself quite a performance. While agreeing with aesthetic contextualism’s rejection of empiricism in aesthetics, it presents a sophisticated and ingenious critique of, and alternative to, even the most enlightened contextualism about the nature, ontology, and value of art, holding that artworks are, all of them, performances by artists, rather than objects made by artists. Davies’s arguments will require, and will richly reward, the most careful attention from his fellow aestheticians." Jerrold Levinson, University of Maryland


"David Davies brings philosophical rigor and fine-grained analytical reasoning to live and pressing debates about the fundamental nature of art. He offers a striking and original thesis as well as an illuminating presentation of the issues. A compelling performance!"

Peter Lamarque, University of York

Book Description

In this wide-ranging and challenging book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. The centerpiece is a novel and provocative view about the kinds of things that artworks are, with important consequences for how they are to be understood.Beginning with a lively discussion of the difficulties that audiences experience in their attempts to grasp and appreciate much modern and contemporary art, Davies continues with illuminating considerations of important and influential works from a broad range of artistic media - including painting, music, literature, film, performance, and dance - steadily mounting a bold and persuasive theory of the arts which construes artworks as performances. Replete with examples drawn from both modern and traditional art, the book highlights core topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning..

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Inside This Book (learn more)
First Sentence:
All these years, along with countless kindred souls, I am certain, I had made my way into the galleries of Lower Madison and Lower Soho and the Art Gildo Midway of Fifty-seventh Street, and into the museums, into the Modern, the Whitney, and the Guggenheim, the Bastard Bauhaus, the New Brutalist, and the Fountainhead Baroque, into the lowliest store-front churches and grandest Robber Baronial temples of Modernism. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
vehicular medium, late modern works, revisionism objection, ascribed artistic value, particular heuristic path, contextualist ontology, late modern art, generative performance, aesthetic empiricism, appreciative practice, rightly ascribable, vehicular media, appreciable properties, appreciative discourse, performative constraints, improvisational composition, aesthetic empiricist, artistic vehicle, enlightened empiricist, statement articulated, actual intentionalism, modality principle, moderate empiricism, properties ascribable, appreciative engagement
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Les Demoiselles, Twin Earth, Following Piece, New York, Prairie Snowscape, Kubla Khan, Turner's Snowstorm, Adaptation Studies, Picasso's Guernica, Vito Acconci, Michael Baxandall, Abstract Expressionist, Damien Hirst, Duchamp's Fountain, Koln Concerts, Twin Beethoven, All Blues, Ancient Mariner, George Dickie, Gregory Currie, Jerrold Levinson, Morris Louis, National Hockey League, Peggy Guggenheim, Piano Sonata
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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