Rubinstein is considered Liszt's only possible rival on the concert stage while Carreño is the foremost woman pianist of the late 19th century. Together, they discuss "the soul of the piano": the art of piano pedaling. Rubinstein's technique is explored through works he performed in 1885-6. Carreño's observations explore her sensitivity made possible through combinations of touch and pedal.
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25 of 31 people found the following review helpful:
5.0 out of 5 stars
Lovely techniques and examples by two masters of the art,
By Midwest Book Review (Oregon, WI USA) - See all my reviews
This review is from: The Art of Piano Pedaling: Two Classic Guides (Dover Books on Music) (Paperback)
This provides a combined reprint of GUIDE TO THE PROPER USE OF THE PIANOFORTE PEDALS and Carreno's POSSIBILITIES OF TONE COLOR BY ARTISTIC USE OF THE PEDALS: while narrow and specific in focus, it will provide the aspiring pianist with some lovely techniques and examples by two masters of the art.
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