Customer Reviews

The Art of Pixar: 25th Anniv.: The Complete Color Scripts and Select Art from 25 Years of Animation

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Length:: 1:28 Mins

The Art of Pixar is a gorgeous book that represents the humble beginnings of an animation studio that is now loved by fans worldwide.

The first colorscript was drawn by Ralph Eggleston for Toy Story. That was in 1993 and it had enchanted John Lasseter, Steve Jobs and the rest of the then little studio. Today, many years and films later, it's nice to see that Pixar is still creating them, using them to communicate the emotional arc of their stories.

Collected within the 320 pages of this beautiful book are the colorscripts up to the latest movie Cars 2. Also included are the colorscripts for the many animated shorts that, if I'm not wrong, are all appearing in this book for the first time. The 100 over pages at the back are for selected pieces of art, one printed per page. These are the work from the last 25 years.

It's quite cool to see the artistic styles used by different artists to create the colorscripts. I love the pastel ones by Ralph Eggleston and Dominique R. Louis. The vector style art of Lou Romano for The Incredibles is still a refreshing departure of usual style of drawing them with pastel. Later on, the colorscript slowly evolved to being drawn digitally. The ones by Sharon Calahan for Cars 2 are so detailed I'm not sure if they aren't film stills.

The book claims to have the complete colorscripts but that's not exactly true. Since I have the other Pixar art books published by Chronicle Books, I went back to compare the content. I found out that the book didn't include some of the colorscripts that were featured in the earlier art books. Some from The Art of Finding Nemo weren't included. However, this book includes a lot of new colorscripts that aren't in the earlier books. In particular, there are many more extra pages of colorscripts for Cars and Cars 2. The colorscripts for Ratatouille in this book are not even in The Art of Ratatouille.

As for the selected pieces of art, many are from earlier art books. I guess there some are new pieces but I didn't do a detail comparison. Even if there are some duplication, you'll still want the book because of the colorscripts, all conveniently collected and beautifully laid out.

The Art of Pixar is a tribute to art, animation and the amazing people working at Pixar. It's an inspiring book authored by veteran animation writer Amid Amidi. Highly recommended.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

If you have the regular 'Art of' books for each film, there is not a lot of new content here. Also there is not much commentary from Pixarians or otherwise. Still, it is just what is says it is, the COMPLETE color scripts... so they're all in there for every film and short, in their entirety, and they're absolutely gorgeous. Also, there is a comprehensive section containing 'world' art, which is basically environmental concept sketches.

Bottom line, if you don't have the full Art Of (film) series, get those first because they cover each film in detail with a lot of great art and first-hand commentary. If you already have all those books (or at least the ones you're interested) and you would like to re-visit all the films and shorts in a new and abstract way then you cannot go wrong with this comprehensive volume.

All you need to know is that this is a gorgeous book. Like other Art of... books published by Chronicle, this book showcases some beautiful and historic artwork.

Amid Amidi is a well known animation journalist, historian and author. He is the co-founder of Cartoon Brew and has written several books covering animation. This is not his first Art Of... book (The Art of Pixar, The Art of Robots and Cartoon Modern) from Chronicle and I hope it won't be his last.

"In an inspired spurt of a week or so, [Ralph Eggleston] painted the colorscript, a roadmap for the way the color (and thus emotion) would be applied throughout the film."

The idea of a color script might be a new concept to you (it was to me). It is a defining work or a canon on a film that shows the progression, changes and mood of the color as it relates to the stories and the characters. From what I understand, it goes hand-in-hand with the storyboard and might be created before the storyboard has begun. A few studios used the color script before Pixar, but not for every single film and short. Ralph Eggleston created the first color script for Toy Story and it captivated John Lasseter and Steve Jobs. It became a standard tool after that.

Beyond presenting every color script that Pixar has created (at least the ones that were saved), the Art of Pixar shows how the artistry has evolved. It was very surprising to see how close the color script stayed to the final film as well as how different films changed over the course of production. Amid included the color scripts for the short films so you get a look at how the process differs for the shorts. With a company like Pixar, you would assume that all of color scripts would be computer-based art. Surprisingly,they were done with different media, including pastels.

The second half of the book is dedicated to "Select Art from 25 Years of Pixar Animation." There are over 100 pages of artwork sharing the creative process of the 12 feature films. This is closer to what we are used to with a typical Art of... book. The artwork shines and is an impressive look at how the films develop. Amid discusses that the artwork we see is part of the Pixar Living Archive that was created during the development of A Bug's Life. Pixar was shipping its art to the Animation Research Library when Pixar decided to keep its own artwork and create a "morgue" for their artists to use.

With most art-related titles, it is sometimes easier and more effective to let the images speak for themselves. Many of these images would be welcome in any art gallery.

The Art of Pixar is a welcome adition to the body of literature on Pixar. The color scripts offer fantastic insight into the development of the modern animated film. It is a part of the animation process that has not garnered a lot of attention previously. This is a gorgeous book that will leave you speechless at times when you realize how dazzling the artwork is and that more attention needs to be given to the art of animated films.

I work in the film industry as an art director and in theatre as a scenic designer. I've always loved animated film and this book gives you a real inside into the beautiful art work that guides the animators and background artists that create every stunning PIXAR film. I draft and draw and paint by hand (with some Adobe Photoshop work to fine tune my designs) I found it fascinating to see so much of this preliminary PIXAR art work over the years be done by hand instead of computer. It's nice to know there is a place for both analog and digital in the creative side of computer animated films! PIXAR I want to work for you! PIXAR films rule!!!!

This book is simply gorgeous. The color scripts, as well as the concept artwork, are wonderful to look at and compare across time and to the final product in the movie. A must-have for any Pixar fan -- which should be all of us.

I love pixar and ive always loved their color scripts. I wish there was a dgital copy or companion to this book. But i understand they dont want people to post it all over the internet. But still the book is amazing.

This book is down right gorgeous. My only wish is that I were able to take the color scripts and blow them up to mount on my wall as artwork. Any Pixar lover will thourghly enjoy this book.

The content of this book is simply amazing reference and inspiration for anyone who works in or aspires to work in the field of animation and entertainment.

must have for any pixar fan, animator or film concept artist. This book contains all the colour scripts, all those precious gems from pixar's 25 years of animation. Movies from toy story all the way to the latest cars2. The paper is glossy and nice, the drawings are in large clear print and the book is so THICK.

I recently received this book as a gift, and I was very, very excited about it. Overall, it's a worthwhile book and one that you should add to your collection, if you're an 'Art of' kind of person. It's filled with many great pieces of artwork from the various Pixar wonders of the last 25 years. My only two caveats:

1) The book contains very few 'never before seen' pieces. If you already own the other 'Art of' books, it's unlikely you'll see much of anything you haven't seen before. I was a little disappointed by that.
2) The book claims to have the 'complete colorscripts', but that's not true, a fact that you'll know if you own the other 'Art of' books as well. Especially in the earlier films, such as Finding Nemo. The Art of Finding Nemo has dozens of pastels by Ralph Eggleston for the color script. This book contains almost none of them. It has what's kind of a color script (and what may have actually been used in the development of the film), but it seems the authors are playing somewhat fast and loose with what they call a 'color script'.

Again, however, it is a beautiful book for display and a great anthology inside. I'm happy to have it in my collection now and would recommend it to anyone.