The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle (Paperback)

by T.V. Reed (Author)
Key Phrases: environmental justice ecocriticism, feminist poetry movement, direct actionists, United States, Will the Revolution Be Cybercast, Wounded Knee (more...)

Editorial Reviews

Review

"Sophisticated yet very accessible, with a fluid writing style and well-organized chapters ranging from black civil rights to global justice. Succeeding on many levels, the book makes a measurable contribution to the literature of several areas of study, offers a well-informed and insightful introduction to students at every level, and tenders various ideas and tactics to add to an activist toolkit. Essential." -Choice

"An ambitious project that breathes some vitality back into the study of social movements at a time when we need to remember the lessons of the past and become much more active in the present. Highly recommended as a bird's eye view into major social movements." - Sociological Inquiry

Product Description

Imagine the civil rights movement without freedom songs and the politics of women's movements without poetry. Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.

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Product Details

• Paperback: 388 pages
• Publisher: Univ Of Minnesota Press; 1 edition (July 1, 2005)
• Language: English
• ISBN-10: 0816637717
• ISBN-13: 978-0816637713
• Product Dimensions: 8.8 x 5.9 x 0.8 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #411,608 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

4 of 5 people found the following review helpful:

5.0 out of 5 stars Author's description, October 14, 2005

By	T. V. Reed - See all my reviews (REAL NAME)

Imagine the civil rights movement without freedom songs or the politics of women's movements without poetry. More difficult yet, imagine an America unaffected by the cultural expressions of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that helped shape them, The Art of Protest shows the vital importance of these movements to American culture.

In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice of the twenty-first century ("Will the revolution be cybercast?"), T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture.

The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.

3 of 4 people found the following review helpful:

5.0 out of 5 stars public happiness, October 2, 2006

By	Katie King "katking" (Silver Spring, MD United States) - See all my reviews

I ordered this book to use in my women's studies class. I know TV Reed and I knew it would be good. But I didn't realize how extraordinary this book was. I am reading it now along side my students, haven't even finished it yet, but I am so excited by it I just have to talk about it!

At one point Reed describes the pleasure that politics must have in various forms -- the book is full of the power and meaning of a range of arts, especially in community and popular culture. He refers to Hannah Arendt and the idea of public happiness, that sense of exhilaration that suffuses one's being in moments of political engagement and collective action. Reading this book is some kind of public/private happiness too. One feels taken up through his appraisals of arts into his histories of various movements. Murals, poetry, drama, music, graphic arts, movies -- they shape our creative politics and the possibilities of our attachments and engagements with each other and through and about political culture. All these connections are inspirational in their detail and for emulation.

Thus it is also a handbook for activists, full of wise counsel for how to do cultural work and how to participate in and care about mobilization, organizing and direct action.

I also love its great heart and intellectual breadth: activist honor, dignity and integrity. Reed's generous spirit combined with sharp analysis clarifies strengths and limitations within particular movement histories, things we have to know to do good political work and to be active beings creating social justice.

This is a history of social movements, a set of tools for cultural workers, an intervention into the way we critique each other's political practices, and a sharing of spirit among activisms and arts.

And I haven't even finished it yet! Now I want all my students to read it or to have read it! I want to give it to everyone I know!