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Art and Revolution in Latin America, 1910-1990 [Hardcover]

David Craven (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

August 1, 2002
In this wide-ranging study, David Craven investigates the extraordinary impact of three Latin American revolutions on the visual arts and on cultural policy. The three great upheavals - in Mexico (1910-1940), in Cuba (1959-1989), and in Nicaragua (1979-90) - were defining moments in 20th-century life in the Americas. Craven discusses the structural logic of each movement's artistic project - by whom, how, and for whom artworks were produced - and assesses their legacies. In each case, he demonstrates how the consequences of the revolution reverberated in the arts and cultures far beyond national borders. The volume not only examines specific artworks originating from each revolution's attempt to deal with the challenge of "socializing the arts", but also the engagement of the working classes in Mexico, Cuba and Nicaragua with a tradition of the fine arts made newly accessible through social transformation. Craven considers how each revolution dealt with the pressing problem of creating a "dialogical art" - one that reconfigures the existing artistic resource rather than one that just reproduces a populist art to keep things as they were. In addition, the author charts the impact on the revolutionary processes of theories of art and education, articulated by such thinkers as John Dewey and Paulo Freire. He discusses the view of the Latin American revolutionaries, from artists to political leaders, who defined art as a fundamental force for the transformation of society and who bequeathed new ways of thinking about the relations among art, ideology, national culture, revolution and class.


Editorial Reviews

From Library Journal

The author of Diego Rivera As Epic Modernist, Craven (art history, Univ. of New Mexico) here discusses the art and politics of the three great revolutions in Latin America in the last century: Mexico (1910-40), Cuba (1959-89), and Nicaragua (1979-90). He addresses the logic of each movement's artworks and demonstrates how the consequences of each revolution transcended national borders. Based on extensive research and interviews with numerous intellectuals and leaders from each country, this volume contributes to our understanding of revolution in historical, human, and aesthetic terms. Craven shows how many artists utilized complex symbolism while trying to redefine art in less Eurocentric terms. Works discussed here include paintings, posters, murals, pottery, and sculpture from well-known and lesser-known artists. Appendixes contain interviews with artists and political figures. This wonderfully intricate book on a seldom discussed topic is of undeniable pertinence to the future of the Americas. Recommended for larger public and academic libraries, specialized collections on Latin America, and collections dealing with the politics of social change. Sylvia Andrews, Indiana State Lib., Indianapolis
Copyright 2002 Reed Business Information, Inc.

Review

"Craven's is an ambitious book, weaving political, economic, and a broad swathe of cultural phenomena into the analysis of works of visual art that go continuously and very sharply in and out of focus. It is erudite, with cultural and art-historical references broadly ranging across time and space, and it is thoroughly documented with citations." Art Journal" --This text refers to the Paperback edition.

Product Details

  • Hardcover: 240 pages
  • Publisher: Yale University Press (August 1, 2002)
  • Language: English
  • ISBN-10: 0300082118
  • ISBN-13: 978-0300082111
  • Product Dimensions: 11.3 x 9.6 x 0.8 inches
  • Shipping Weight: 3.1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #874,453 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
4.0 out of 5 stars understanding latin american art, March 1, 2010
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David Craven's Art & Revolution in Latin America, 1910-1990 is essential to understanding the art of Central America and Cuba. It is well illustrated and the format allows easy referencing. I use it as an authoritative source for articles in my newsletter, CAJA, Central American Journal of Art. [...]
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