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The Art of Scandal: The Life and Times of Isabella Stewart Gardner
 
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The Art of Scandal: The Life and Times of Isabella Stewart Gardner [Paperback]

Douglass Shand-Tucci (Author)
2.0 out of 5 stars  See all reviews (22 customer reviews)


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Book Description

November 1998
Immortalized by Henry James in print and by John Singer Sargent on canvas, Isabella Stewart Gardner has remained an elusive original whose independent life and work shocked the Boston aristocracy she married into. Based on extensive new research, this is the first biography of Isabella Gardner in 30 years. It reveals the many strands of her life as a cultural maverick and as muse and mentor, friend and patron to writers, musicians and artists such as James, Sargent, Lady Gregory, Bernard Berenson, Elsie De Wolfe, Martin Loeffler, Julia Ward Howe, Okakura Kakuzo, Henry Adams, T.S. Eliot and Paul Manship. The climax of her life came after her husband's death in 1898, when she designed and built an innovative museum in the form of a Venetian palazzo and, with the legendary art historian Bernard Berenson, created America's first great private art collection.

"The Art of Scandal" is the story of a striking woman of great force and character and of the Boston she lived in, from the Brahmins of Beacon Hill to the newly emerging ethnic communities and the little-known gay subculture. Isabella Gardner emerges as one of the most evocative figures of America's gilded age.



Editorial Reviews

Amazon.com Review

Henry James fictionalized her, John Singer Sargent painted her, Bernard Berenson advised her. But art collector extraordinaire Isabella Stewart Gardner (1840-1924) was more than a rich socialite who lucked into friendships with the leading cultural figures of her day. Boston historian Douglass Shand-Tucci convincingly claims her as a pioneering multiculturalist--her famous museum in Fenway Court enshrined Asian art as well as that of the old masters--and a rebel who befriended Jews, homosexuals, and other outcasts from Victorian society. Shand-Tucci's highly colored, romantic prose aptly evokes his fiery, willful, egotistical subject. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Isabella Stewart Gardner's life was about as multidimensional as anyone's could be. Well acquainted with such luminaries as Bernard Berenson, Julia Ward Howe, Okakura Kakuzo, and T.S. Eliot, she was immortalized by the likes of Henry James in print and John Singer Sargent on canvas during her lifetime (1840-1924). In this first biography of her in 30 years, American art and architecture historian Shand-Tucci examines Gardner as social maverick and as muse to writers and musicians, showing how she went on to create America's first great private art collection and museum in Boston. Using a nonlinear approach, he provides a detailed look at a fascinating era and a fascinating woman.?Ronald Ratliff, Chapman H.S. Lib., Kan.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 368 pages
  • Publisher: Perennial (November 1998)
  • Language: English
  • ISBN-10: 0060929774
  • ISBN-13: 978-0060929770
  • Product Dimensions: 9.1 x 6.1 x 1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #1,316,538 in Books (See Top 100 in Books)

More About the Author

Historian and author Douglass Shand-Tucci, the Harvard-educated independent scholar, is founder of the extraordinary new history site (www.backbayhistorical.org) dedicated to Boston-Centric Global Studies | Art and Architecture; Literary, Cultural and Intellectual History. His latest work -- "Gods of Copley Square", "Barack Obama's Emerson", "Heroic: 1960s Concrete Architecture", "Idealist Bigots", is now regularly published on this site in his eScholarship column.

Shand-Tucci's most recent book ("magisterial"-- London's William Morris Gallery director Peter Cormack) is the second volume of his study of the American architect Ralph Adams Cram (University of Massachusetts Press, 2005) the first volume of which, "Boston Bohemia", ("brilliant, historic, profoundly relevent scholarship -- Harvard professor Peter Gomes) was published by the same press in 1994. His classic "Built in Boston" is also published in its latest edition by Massachusetts (2001).

"The Art of Scandal", Shand-Tucci's "intimate and engrossing biography" (The New Yorker) of art collector Isabella Stewart Gardner (HarperCollins, 1997) was featured on the front page of The New York Times Book Review and as a Critic's Choice on the Times's Best Seller's page. In a different vein is Shand-Tucci's "Harvard University" (Princeton Architectural Press, 1999) with an introduction by Harvard president Neil Rudenstine.

"The Crimson Letter", meanwhile, (St. Martin's, 2003), following on the Boston gay history theme of "Boston Bohemia", has also helped in the shaping of recent T. S. Eliot scholarship. In the Times of London Sir William Rees Mogg compared "The Crimson Letter" favorably to "The Metaphysical Club" by Louis Menand.

Douglass Shand-Tucci lives in Boston's Back Bay, where the learned flow is sometimes interrupted by provocative reviews and comment. He has taught at Harvard, where he was Senior Affiliate in the History of Architecture in Eliot House, and at MIT and is now on the faculty of the Boston Architectural College.








 

Customer Reviews

22 Reviews
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Average Customer Review
2.0 out of 5 stars (22 customer reviews)
 
 
 
 
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35 of 38 people found the following review helpful:
1.0 out of 5 stars Exceptionally wretched, August 26, 2000
The nine reviewers who precede me have on balance been kind when giving this pretentious bit of nonsense an average rating of 2 stars. This is alleged to be a biography of Isabella Stewart Gardner, and while she plays a part in this written mess, it is the Author, Douglas Shand-Tucci who places himself and his feelings on par with his alleged subject.

I have never read anything that was punctuated, or better stated mutilated, than this offering the New York Times deemed "Notable". Notable it is, for one reviewer gave up because of the exclamation points; this Author uses them more often than periods, but never begins to approach in frequency the repetitive structural disasters that riddle every page. Maybe it is because his name contains one, I can think of no other reason, for this man uses more hyphens on a page than normally would be encountered on 100 pages of any other work. Sentences that must compete for records in length in part due to the parentheticals, quotes, and other handfuls of punctuated nonsense that was thrown at these pages by the handful.

Then there is the incessant use of "I", this is used in inane asides, and when he answers himself endlessly, i.e. "What was it that Twain said..." And then there is his habit of condescending to his readers. He will use a word he presumes would not be understood by a junior-high English class, and then goes on to explain what he means to his readers, who he clearly believes to be semi-literate.

It is an accomplishment to write about a fascinating woman who first conceived, and then created a collection of art, and a building for it, on a scale no other woman had ever done. However after 150 pages she has bought 2 paintings that the Author devoted about the same number of sentences to, why, because the balance is spent exploring the personal lives of the people around her made doubly long by the Author's pontificating on their life preferences. Who cares? This was not supposed to be about Mrs. Gardner's friends, their private lives and suicides.

This Author even has the audacity to compliment himself, as he proclaims that no other Biographer "has ever" said this or that. The reason they have not Mr. Shand-Tucci is that nobody cares.

Any other biography on this woman and her museum has got to be better than this result, which is so bad it won't even put a person to sleep.

Like another reviewer I would happily return it, but to do so would lower the quality of the inventory that I elevated when I rid them of this nonsense.

The only "scandal" here is the book, and those that let it be printed.

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18 of 18 people found the following review helpful:
1.0 out of 5 stars The sentences that never end..., August 22, 2003
This review is from: The Art of Scandal: The Life and Times of Isabella Stewart Gardner (Paperback)
I am an avid reader and I find the subject of Bella Gardner fascinating, and I was incredibly excited to find yet another book about her amazing life! Yet, little did I know that it would take me almost three weeks to slog through this terribly written piece! With little organization and darting from one thought to another, it is barely held together. But, dear reader, the worst is yet to come. Let me give you an example of just one of the "typical" sentences that make up the writing found within, and remember this is just one sentence: "Perhaps her most vivid counsel ever as muse and mentor, into which central venue of Isabella Gardner's life first James and then Crawford and now Sargent have conducted us, that advice reflects the fact that just as it has been argued of Alfred, Lord Tennyson's friendship with Arthur Hallam that although their relationship lasted a mere four years, those "four years probably [were] the equal in psychic importance to the other seventy-nine of Tennyson's life," so with act one of Gardner's and Crawford's affair, which lasted barely two years."
Now I realize how incredibly terrifying this is, and believe me, I have left punctuation, wording and phrasing exactly as they are found in the book. This is but one of three hundred pages of such dismal phrasing. Get the point...
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15 of 15 people found the following review helpful:
1.0 out of 5 stars Much info, gossip....atrociously written, March 5, 2001
A friend recently lent me this book, as I am fascinated with the subject, particularly with regard to Sargent. Unfortunately, Mr. Shand-Tucci's writing makes the book virtually unreadable. I'm halfway through, and will only stick it out in deference to the subject matter. A sample sentence:

A number of Hall's letters to her survive in her papers and his direct, no-nonsense requests for money for financial aid of all sorts, and Gardner's openhanded reponse, as well as her concerns for his health and consequent invitations to rest up at her country estate, all argue for a close mutual understanding and sympathy - as, above all, does the fact - utterly overlooked and ignored until now - that this Oxford graduate's most widely read book of readings was dedicated to Isabella Gardner - a dedication as key to understanding Gardner's role in Boston as the many better-known dedications of literary and musical works to her of which so much is always made.

Painful enough to type, but tortuous to read for 300 pages. How does a writer this stunningly bad get into print?

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