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The Art of War: Sun Zi's Military Methods (Translations from the Asian Classics)

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Dr. Victor H. Mair's 2007 scholarly book, "The Art of War: Sun Zi's Military Methods" (published by Columbia University Press), provides not only an accurate translation of The Art of War but also the most recent research into its origin.

With a knack for Sinitic etymology, Sinitic lexicography, and the origins and evolution of Chinese script, Victor Mair pushed for Chinese language reforms in exceptional efforts such as how Chinese dictionaries should be best arranged. Dr. Mair's expertise allows him to break new ground in his Art of War translation and book which contains bold and original data, analyses, and theories. Like a scientist, he methodically asserts evidences to challenge our current knowledge and leaves us with renewed scholarship and appreciation for The Art of War. You won't regret owning this refreshing, authoritative, and well-researched edition.

Victor Mair is a professor of Chinese language and literature at the University of Pennsylvania. He graduated from Dartmouth College (where he was captain of the Dartmouth basketball team and tasked to guard Bill Bradley from Princeton), served in the Peace Corps in Nepal, and holds a master's degree from University of London and a Ph.D. from Harvard University. He has taught at Kyoto University in Japan and at Sichuan University in China.

After much debate and discussion, we at Sonshi are ranking Victor Mair's "The Art of War: Sun Zi's Military Methods" the #1 Art of War edition; how rare a book that courageously stands up to centuries of established thought, proceeds to knock it down with sound logic and proof, and succeeds in convincing even the Old Guard to change their views.

Victor Mair is amazing! I own an older version of Sun Zi, and I have to say hands down that this is much more readable and insightful a piece of work. Mair is an excellent writer in his own right, and his expert scholarship is clear from the authoritative introduction, some 55 pages long but easy to read. I have devoured this book. It is hard to put down and it doesn't bog down. His translation is superior to the older Shambala edition. I enjoyed the discussion on putting the treatise into a historical and military context. Even the forward by another author, comparing Sun Zi with Clausewitz, is excellent, thought-provoking work. I think this moves Sun Zi scholarship forward but in a way that is also perfectly readable to the layman. Mair gives the more serious scholar ways to get more into the weeds in the notes section and in references to more academic papers he has done on the subject, which is fine by me.

I highly recommend this to anyone interested the Sun Zi, tactics, and Chinese philosophy.

Sun Tzu's writing is notorious for its opaqueness. In this translation, Sinologist Victor Mair creates not only a readable piece of work, but one that is comprehensible (relatively speaking, of course). As a person who has read several translations of this work, including the one by Lionel Giles, I believe that it is perhaps not the best translation for a beginner, (Minton's is probably better for that), but it certainly is the best one for a continuing study of this important, enigmatic work. This translation should be in the library of anyone interested in the philosophical underpinnings of armed conflict.

Mair's new translation does a great job of making "The Art of War" readable while better imbuing it with the feel of the Classical Chinese original.

His explanations also shed new light on various aspects of this work by attempting to put it in broader context than many previous translators and annotators.

I still think that every enthusiast of "The Art of War" ought to read the annotated Lionel Giles translation at least once--but without question, Victor H. Mair has created a genuinely valuable new translation that is superior to the work of most other modern Sinologists who tackled Sunzi's enduring masterpiece.

The Warring States period Warring States Period 475-221 BCE is a history of constant warfare, of alliances and counter-alliances, and of treaties made and broken. The nature of warfare evolved during the period. During the Warring States period, political stability was impossible to gain by adventurous military action. With the advent of swelling ranks of soldiers, protracted sieges, and an ever increasing drain on state treasuries, warfare became a serious matter for study.

Thus, the opening remark of "The Art Of War" states--without exaggeration--war had become the most serious business of the state, the key to survival or ruin. The author of this and other pithy aphorisms on how to successfully fight a war was Sun Tzu. Sun Tzu scholars place his writing "The Art of War" in the Warring States Period, based on the descriptions of warfare in the text. The book has received great exposure in the west starting in the eighteenth century after being translated by a French missionary. It has been reported that Napoleon studied the text and effectively put many of its teachings to good use. For the past 2,000 years, it has been the most important military treatise in all of Asia, even known by name with the common people. Chinese, Japanese, Korean, and Vietnamese military figures have studied it and employed its concepts to good effect. This is especially evident in the military tactics of 20th century revolutionaries like Mao Zedong and Ho Chi Minh.

The book is comprised of 13 chapters. The thesis of Sun's work is one should employ an army after a thorough analysis mandated by careful planning and the formulation of an overall strategy before embarking on a campaign. Sun emphasizes rational self-control, influenced by Daoist teachings throughout the book.

Chap 1-Laying Plans
18. All warfare is based on deception. 19. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.

Chap 6-Weak Points And Strong
8. Hence that general is skillful in attack whose opponent does not know what to defend; and he is skillful in defense whose opponent does not know what to attack.

The best translation is the Samuel B. Griffith edition