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18 of 19 people found the following review helpful:
1.0 out of 5 stars
Not the true story..., January 28, 2000
By A Customer
When this movie was first released, due to the outcry from the feminist and art history communities, Miramax had to remove their claim that it was "the true story of the first female painter in art history." Actually, it is practically a complete inversion of Artemisia Gentileschi's real story...she was in fact raped by Tassi (the 'love interest' in the movie) and maintained her stand *against* him even under torture (as is documented in the records of the trial). The film romanticizes and sexualizes her and their relationship to an almost soft-porn level while giving hardly any screen time to her actual work and using her paintings out of context...which is a shame, because the real story of this remarkable woman would have been just as dramatic if not more so.
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50 of 62 people found the following review helpful:
4.0 out of 5 stars
Politically incorrect, and thought provoking, September 5, 2001
This film is a must-see for feminists and art historians although (or perhaps precisely BECAUSE) it may make you angry. It is a beautiful, intensely sympathetic study of the young Artemisia Gentileschi, her struggles to learn and grow as an artist in a society that makes it very difficult for her to do so, and her relationships with the men in her life. Artemisia has no desire to be the feminist role model that she later became (how could she? The word and concept of "feminism" didn't exist in her day), she just needed to paint. The part of this movie that infuriated feminists is its portrayal of her relationship with her much older and very disreputable teacher Tassi as consensual, rather than as a violent rape, followed by a relationship in which Artemisia reluctantly cooperated because he had promised her marriage. According to modern definitions, of course, Tassi was guilty of some form of rape, whether Artemisia said "yes" or "no," because she was only 17 at the oldest, and he took advantage of his position of power. But there may be some truth in the movie's version of their relationship; Artemisia wouldn't be the first or the last young woman to have a crush on an older teacher, and to try out her powers of sexual attraction without fully understanding the consequences. It's true that the movie probably whitewashes Tassi's character in order to portray his relationship with Artemisia as a love story. In the actual trial transcript, Artemisia mocked him bitterly when they applied the thumb-screws to her hands during testimony, saying, "This is the wedding ring you promised me!" If she had ever felt any affection for him, it was gone by then. But if you allow the film some leeway for artistic license, it presents a fascinating study of how even a seemingly devastating experience like the rape trial and scandal could be part of an artist's growth. Artemisia's later career was not that of a poor, wronged victim; she went on to become a very successful painter.
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10 of 12 people found the following review helpful:
1.0 out of 5 stars
Sloppy, inaccurate period costume flick, October 30, 2003
Everybody else has clarified for you that the REAL Artemisia's story is not told here and is actually "inverted", i.e. they turn the story of her rape into a consensual love affair. But that's far from the worst thing...I think the worst thing about this smarmy, heavy-breathing costume flick is that it makes the story of a brilliant woman painter's career into a story about who she sleeps with. And that's a terrible injustice. The least interesting thing about Artemisia Gentilleschi is her sex life. If this film had the slightest integrity it would have at least shown her paintings. If you viewed this movie and had no other knowledge of the artist and the historical period, you would come away feeling you had watched a 17th century version of the Red Shoe Diaries...i.e., softcore porn, in this case focused on the smarmily told sexual awakening of a pretty teenage girl. Ugh. You can skip this one... or watch if if you are an adult, but please please do not offer it up to a youngster, especially a girl, as any kind of "life of the artist" type of film (like the vastly superior "Frida" about Frida Kahlo), because this movie just sends absolutely the wrong kind of message to girls, that your sexuality is the most interesting thing about you, and talent is only another way to get laid.
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