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The Artful Universe [Hardcover]

John D. Barrow (Author)
4.1 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

December 21, 1995 0198539967 978-0198539964 First edition.
Our likes and dislikes--our senses and sensibilities--did not fall ready-made from the sky, argues internationally acclaimed author John D. Barrow. We know we enjoy a beautiful painting or a passionate symphony, but what we don't necessarily understand is that these experiences conjure up latent instincts laid down and perpetuated over millions of years. Now, in The Artful Universe, Barrow explores the close ties between our aesthetic appreciation and the basic nature of the Universe, challenging the commonly held view that our sense of beauty is entirely free and unfettered.
Barrow argues that the laws of the Universe, its environments and its astronomical appearance, have imprinted themselves upon our thoughts and actions in subtle and unexpected ways. Why do we like certain types of art or music? What games and puzzles do we find challenging? Why do so many myths and legends have common elements? Who created the cornucopia of constellations in the night sky? And why? In this eclectic and entertaining survey, Barrow answers these questions and more as he explains how the landscape of the Universe has influenced the development of philosophy and mythology, and how millions of years of evolutionary history have fashioned our attraction to certain patterns of sound and color. Barrow casts the story of human creativity and thought in a fascinating light, considering such diverse topics as our instinct for language, the origins and uses of color in Nature, why we divide time into intervals as we do, the sources of our appreciation of landscape painting, and whether computer-generated fractal art is really art. Barrow reconsiders the question of whether intelligent extraterrestrial life exists, showing that the benefits (and even the likelihood) that might follow from the discovery of life on other worlds could be very different from what we might have been led to expect. Remarkably, we find that some of the properties of the Universe that are essential for the existence of any form of life play a key role in determining psychological and religious responses to the Cosmos.
Drawing on a wide variety of examples, from the theological questions raised by St. Augustine and C.S. Lewis to the relationship between the pure math of Pythagoras and the music of the Beatles, The Artful Universe covers new ground and enters a wide-ranging debate about the meaning and significance of the links between art and science. It will change our view of the creation of art and the way we see the world in which we live.


Editorial Reviews

Review

`... thought-provoking and illuminating... a wide-ranging and imaginative tour de force... provocative and compelling nonetheless.' New Statesman and Society, 24 November 1995

`thought-provoking and illuminating ... a wide-ranging and imaginative tour de force ... provocative and compelling nonetheless' New Statesman and Society, 24 November 1995

`provocative book ... This is a stimulating book on being human beings conceived as advanced and advancing children of the universe ... it's a genuinely educational experience. A Big Bang of a book.' Alan Bold, Glasgow Herald

... The Artful Universe is full of good things. s

`...he has a real knack for clearly explaining and synthesizing disparate areas of science, and the book is a marvellous assemblage of recent research on topics such as ancient astronomy, the unique features of Earth in our solar system, the origins of language acquisition, and the perception of colour and sound.' Choice

`Relating the complexity of biological species to the complexity of the universe is likely always to be daunting but this author does very well indeed without resorting to mysticism, common enough nowadays. Thus he managed to unearth a number of phenomena which are rarely adduced to support his thesis. The history of technology is somehow incorporated and the whole is cleverly contrived to demonstrate how aesthetics is grounded in science.' Aslib Book Guide, vol.61, no.10, October 1996

About the Author


About the Author:
John D. Barrow is Professor of Astronomy at the University of Sussex. He is the author of several best-selling books, including Pi in the Sky and Theories of Everything.

Product Details

  • Hardcover: 300 pages
  • Publisher: Oxford University Press, USA; First edition. edition (December 21, 1995)
  • Language: English
  • ISBN-10: 0198539967
  • ISBN-13: 978-0198539964
  • Product Dimensions: 9 x 6.1 x 0.7 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,479,218 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
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16 of 16 people found the following review helpful:
4.0 out of 5 stars The Cosmic Anthropological Principle, September 16, 2000
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This review is from: The Artful Universe (Hardcover)
Barrow, of course, is with Frank Tipler the author of The Anthropic Cosmological Principle, which argues that the fundamental constants and initial conditions of the cosmos had to be more or less exactly as they are or life - thus our conscious, self-aware human life - could not have happened.

In The Artful Universe, Barrow explores in great and fascinating detail just exactly how the fine structure of the cosmos bears fruit in the structure of the human body, and in particular the structure of our ideas, preferences, values, aesthetic reactions, ways of thinking; our minds. The primary thrust of this wide-ranging survey is that animal minds and bodies subjected to natural selection are in big trouble if they embody propositions about the world, and therefore about the appropriate way to behave, that are in any important way essentially wrong. He argues that just as the structure of the eye constitutes evidence one way or the other for the correspondence to reality of our ideas about light, so the structure of, e.g., our mathematical faculties constitutes evidence for the mathematical structure of reality.

Barrow is terrifyingly erudite, and a clear, graceful writer. He manages to convey boatloads of highly technical concepts from numerous fields in crystalline arguments accessible to anyone with a basic scientific education. You will learn a ton from this book. You'll work for it - Barrow never condescends - but you will be well rewarded.

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8 of 9 people found the following review helpful:
5.0 out of 5 stars No mind was ever a tabula rasa, July 8, 2005
By 
Luc REYNAERT (Beernem, Belgium) - See all my reviews
(REAL NAME)   
John Barrow illuminates in this book the relationship between the sciences and the arts with a new perspective on our emergence in the Universe by means of natural selection.

As the philosopher Victor Zuckerkandl says (quoted in this book): 'Art does not aim at beauty. It uses beauty (or ugliness) to arrive ultimately at knowledge, at truth.' (as science)

Many natural adaptations have given rise to curious by-products, some of which have played a role in determining our aesthetic sense.

Although sometimes very tentative, this rich book sheds an insightful light on more or less hidden links, like

- the connection between the heavenly bodies and the pattern of life on earth (28 days)

- the importance of symmetry: living beings are symmetrical, which is rare for inanimate objects. Also, our evaluation of physical beauty focuses on symmetry.

- size as a key to survival, with the adage 'small is best'. 'The Almighty had an inordinate fondness of beetles.'

- the origin of painting: a natural outgrowth of the fallibility of human memory and the need to communicate. Also, the reason why we like savannah landscapes and not computer paintings because they seem unnatural.

- the Chomsky (innate patterns) / Piaget (blank slate) controversy on the origin of language

- the origin of literature: the craving for social cohesion and well-being met by oral history and stories in which the hearers appear in a leading role. More, 'The pen is mightier than the sword.'

- the origin of dance: a need for frenzied activity or heightened sensibilities in preparation for war, in celebration of fertility or birth or in mourning death. The rhythmic gyrations of primitive dance bind people together.

- the origin of music (the purest form of art): animal mating calls.

John Barrow explains clearly the relationship between music and mathematics as well as theories on mathematics (Platonism, intuitionism, inventionism, formalism) and music (absolutism and referentialism).

This book is an excellent exploration of a vast and very interesting human domain. Not to be missed.
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7 of 9 people found the following review helpful:
5.0 out of 5 stars Why are we the way we are? This book explains it all...., April 19, 1998
By A Customer
A book which explains how natural laws of the universe shape our size, our myths and legends, our attraction to certain patterns etc. Everything is explained in scientific terms, but illustrated very nicely by examples, so makes a great read.... even for those whose mother language isn' t English!
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First Sentence:
We are inveterate spectators. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
astrological week, ancient constellations, living complexity, musical appreciation, reverberation times, cosmic environment, celestial pole, computer art
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North Celestial Pole, North Pole, South Celestial Pole, Milky Way, Theory of Everything, Big Bang, Clarendon Press, Prisoner's Dilemma, Andreas Cellarius, French Renaissance, Georges Seurat, Maurits Escher, South Pole
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