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Artichoke Tales Hardcover – July 6, 2010


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Product Details

  • Hardcover: 232 pages
  • Publisher: Fantagraphics (July 6, 2010)
  • Language: English
  • ISBN-10: 1606993445
  • ISBN-13: 978-1606993446
  • Product Dimensions: 1 x 6.9 x 8.6 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,031,293 in Books (See Top 100 in Books)

Editorial Reviews

From Booklist

*Starred Review* In Kelso's first graphic novel, everyone's hair looks like an inverted artichoke. Though that seems to betoken a fantasy, the only magic here is the healing effected by the herbal prescriptions old Charlotte dispenses from the Quicksand family's apothecary. This is a family saga spanning three generations and embracing a civil war between North and South whose causes are similar to some of those that produced the U.S. Civil War. The book begins with the present, postwar generation, specifically with Brigitte, Charlotte's granddaughter, and Adam, a soldier in the North's “police” forces. They fall in love, of course, reprising a family pattern, for Charlotte met Brigitte's grandfather, Jimmy, while studying in the North. Though the Quicksand men have important scenes, Kelso concentrates on the Quicksand women to portray a society of greater gender equity than humanity has produced and includes scenes of birth and lovemaking. Kelso's striking visual conceits (e.g., singing expressed by two lines forming an opening funnel from the mouth), turquoise-on-white drawing, jump-cut transitions, and constantly shifting viewpoints conjure a richness of implication and feeling of which her light-seeming, cartoony style would seem prima facie incapable. But here, as in the contemporary nonfantasy stories of The Squirrel Mother (2006), she is a thorough and intelligent artist whose work is moving and invaluable. --Ray Olson

Review

“Kelso uses a warm, inviting style of soft colors and rounded, almost pillowy characters to explore the mysteries of people and relationships... Kelso’s stories invite contemplation.” (Time)

“Kelso has sharp powers of observation, and many of her characters have a blank-eyed innocence that serves as a counterpunch to the acuity of the narratives.” (People)

“Kelso definitely has a point of view, but she doesn't insult the reader's intelligence, and there's plenty of nuance; she's telling a story, not making a point. Also, it's beautiful just to look at.” (Brigid Alverson - Robot 6)

“Megan Kelso's magnum opus is... a set of meditations on the way cultures establish their identities through stories, and how both political violence and personal connections can damage or repair those identities.” (TIME.com)

Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading.” (Rob McMonigal - Panel Patter)

“Rather than a narrative arc, with ascensions and declines, Artichoke Tales feels like a series of expansions. The characters and their world grow to envelop the reader in a singular, charming way.” (Paul Constant - The Stranger)

“Kelso's simple lines beautifully capture the emotional turmoil of the characters and move the action along fluidly. This title caught me by surprise with how much I enjoyed it — it looks deceptively simple, but there's a lot going on in this ambitious book.” (Dave Ferraro - Comics-and-More)

“A coming-of-age story about a young girl from a family caught between sides in a civil war, set in a world similar to ours but where people have artichoke leaves instead of hair. ... Its delicate, rather impish black-and-white line work comes from the creator of the subtle and poignant Squirrel Mother.” (Martha Cornog - Library Journal)

“Megan Kelso's Artichoke Tales... is earning comparisons with epics like Cold Mountain and The Thorn Birds, and Kelso's nimble, cartoonish two-color art will remind readers of Marjane Satrapi's Persepolis.” (Michael Bagnulo - Shelf Awareness)

“A fantastical study in a Civil War, this exquisite graphic novel shows how wide-spread political conflict tears at the very fibers of our families and ourselves… [I]ts mastery is in seeming transcendent but revealing immense pain beneath every battle and rejection.” (Chris Estey - KEXP-FM, Seattle)

“Kelso perfectly marries words and images, telling stories of longing and casual cruelty with a mastery perfectly suited to the comics medium.” (Publishers Weekly)

Artichoke Tales is by any definition a remarkable book... This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured.” (Jared Gardner - The Comics Journal)

“Kelso's simple line and rounded forms belie the seriousness of the story. [...] Ultimately, Artichoke Tales is not so much a story about conflict as a story about the people reacting to the conflict, doing their best to live lives of integrity in a land of constant unrest.” (Graphic Novel Reporter)

Artichoke Tales by Megan Kelso is a strange, other-worldly story about birth and death, coming of age, dealing with war, finding love, accepting tragedy. ... The simple, comic-strip-like illustrations in teal and white express movement beautifully with a minimum of lines.” (Mary Louise Ruehr - Ravenna Record-Courier)

“Kelso’s work radiates a warmth, poetry, sympathy, and simultaneously earthy and otherworldly essence that few comics creators have brought to the table with such quiet confidence and grace. The closest comic in recent memory to match Artichoke Tales, both in breadth and depth, is Jeff Smith’s Bone. [Grade]: A.” (The Onion's AV Club)

“This is far and away the best comic I've ever read from Megan Kelso, succeeding on almost every level. [...] I dug this book to a degree that surprised me and look forward to returning to it. It's a rich vein of alt-fantasy being tapped here.” (Sean T. Collins - Attentiondeficitdisorderly)

“The surface cuteness of Kelso’s clear-line artwork masks strong, dangerous undercurrents that tug the reader under with heart-stopping suddenness.” (The St. Louis Post-Dispatch)

“[S]urprising and wonderful... Kelso’s ligne claire artwork is consistently sweet and airy… The approach provides a likable surface for a story with much darker and stickier depths, about a land whose cultural heritage is rotting away in the aftermath of a civil war.” (Douglas Wolk - The New York Times Book Review)

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Most Helpful Customer Reviews

2 of 2 people found the following review helpful By Andy Shuping on April 18, 2011
Format: Hardcover
This is the first full length graphic novel by Megan Kelso, other works by her include The Squirrel Mother and Queen of the Black Black. This story is about a land divided by a civil war. The people are never really named, but all of them have hair like artichoke leaves, but they look like humans otherwise. And when one is born among them that has hair of a queen artichoke, she becomes ruler of the land. But despite the people's best efforts to make her feel like a part of all of the land, she identifies only with the northern half. And despite the peoples best efforts a war breaks out among the sides. South vs. North. North vs. South. Through interweaving chapters we learn of the conflict through one family's history. Three different generation of the family present their stories, some from the South and some from the North.

It is a deep book and powerful in its writings as it the tale unfolds of how perceptions vary upon the truth of both sides. It can be said that the book is an analogy for the Civil War of the United States in some ways, family against family, and outsiders being looked at somewhat askew and never quite fitting in. Where the book fails for me is in trying to figure out which point of time and which story that we're in. It goes back and forth so quickly and some of the characters look too much alike that it quickly becomes confusing in trying to figure out where we are in the story. In addition, the main character of the book, Bridgette, never really feels like a fully developed character to me.
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