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The Artist's Complete Guide to Figure Drawing: A Contemporary Perspective On the Classical Tradition
 
 
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The Artist's Complete Guide to Figure Drawing: A Contemporary Perspective On the Classical Tradition [Paperback]

Anthony Ryder (Author)
4.4 out of 5 stars  See all reviews (65 customer reviews)

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Book Description

June 1, 1999
Many of us want to learn “how to draw.” But as artist Anthony Ryder explains, it’s much more important to learn what to draw. In other words, to observe and draw what we actually see, rather than what we think we see. When it comes to drawing the human figure, this means letting go of learned ideas and expectation of what the figure should look like. It means carefully observing the interplay of form and light, shape and line, that combine to create the actual appearance of human form. In The Artist’s Complete Guide to Figure Drawing, amateur and experienced artists alike are guided toward this new way of seeing and drawing the figure with a three-step drawing method.

The book’s progressive course starts with the block-in, an exercise in seeing and establishing the figure’s shape. It then build to the contour, a refined line drawing that represents the figure’s silhouette. The last step is tonal work on the inside of the contour, when light and shadow are shaped to create the illusion of form. Separate chapters explore topics critical to the method: gesture, which expresses a sense of living energy to the figure; light, which largely determines how we see the model; and form, which conveys the figure’s volume and mass. Examples, step-by-steps, and special “tips” offer helpful hints and practical guidance throughout.

Lavishly illustrated with the author’s stunning artwork, The Artist’s Complete Guide to Figure Drawing combines solid instruction with thoughtful meditations on the art of drawing, to both instruct and inspire artists of all levels.

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Editorial Reviews

About the Author

Anthony J. Ryder studied at the Art Students League of New York, the New York Academy of Art, and the École Albert Defois in France with oil painter Ted Seth Jacobs. He began his teaching career at the New York Academy in 1985, and has taught at the Art Students League and in various locations in the United States and France. His paintings and drawings are in many private collections. Mr. Ryder lives in Santa Fe, New Mexico.

Product Details

  • Paperback: 160 pages
  • Publisher: Watson-Guptill; 1st edition (June 1, 1999)
  • Language: English
  • ISBN-10: 0823003035
  • ISBN-13: 978-0823003037
  • Product Dimensions: 8.2 x 0.4 x 10.8 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (65 customer reviews)
  • Amazon Best Sellers Rank: #11,862 in Books (See Top 100 in Books)

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Customer Reviews

65 Reviews
5 star:
 (43)
4 star:
 (13)
3 star:
 (2)
2 star:
 (4)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (65 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

63 of 64 people found the following review helpful:
4.0 out of 5 stars Breathes new life into drawing from life, June 23, 2000
By 
Phat Kat "poet and teacher" (Midland, Michigan United States) - See all my reviews
This review is from: The Artist's Complete Guide to Figure Drawing: A Contemporary Perspective On the Classical Tradition (Paperback)
If you're looking for anatomy lessons and short cuts (the eyes are one eye apart, the head five eyes wide sort of thing) then this is not the book for you. If you want to learn how to draw from life, to develop the basic techniques in tandem with a loving patience and relaxed attention, then this book will be hard to beat. Ryder demonstrates his method - starting with the "envelope" moving on to the "block in" then finished contour, and ending with the delicate shading that give life and mass to the drawings - with painstaking (but painless) care and wonderfully helpful illustrations from his own work.

I would strongly recommend this book with the warning that there are no shortcuts to drawing as brilliantly as Ryder - one thing that makes this book great is that Ryder doesn't pretend that there are any shortcuts. He admits up front that it takes hours of careful attention and work to get to the finished contour - which is the outline of the figure without the shading. But what he does give you is a very helpful technique. He helps with tips on judging distances, widths, proportions, angles; he helps with shading, seeing light and dark, building up tones.

Ryder is scrapping the scales of our eyes with this book, helping us to see - ultimately the most important aspect of drawing from life - and then showing you the best ways to get what you see on the page. It seems assumed that you will be working from a model or at the very least a superbly lit photograph. I think this book, coupled with Drawing on The Right Side of The Brain, would make an at-home-art-course that would be hard to beat.

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94 of 101 people found the following review helpful:
5.0 out of 5 stars Beginners to expect some learning curve. Great book though!, February 27, 2001
This review is from: The Artist's Complete Guide to Figure Drawing: A Contemporary Perspective On the Classical Tradition (Paperback)
I just finished reading this book at one sitting of several hours straight. It is a great book, and without any hesitation, I'd like to give it a FIVE-STAR. The following are my opinions to readers who have not read the book. These opinions are NOT based on beautiful works presented in the book, although they are also a strength of this book.

1) I enjoy a lot the method presented by Mr. Ryder. Incidentally, it is also my approach in life figure drawing. To me, this approach is very NATURAL and INTUITIVE, and largely based on the artist's OBSERVATIONS of the objects. This may be the key to the approach, as the author emphasized not on "how to draw", but more on "WHAT TO DRAW".

2) Figure-drawing beginners, who expect to learn from the book how to use simplified 3D shapes, such as an egg (for the head) or deformed cylinders (for torsos, limbs, etc...), will NOT see those techniques in this book. Instead, they may find it NOT TOO EASY to learn the "block-in", "contour", and "drawing the inside" presented in the book. A learning curve is expected, but in the end, it will pay off when this approach has been mastered. Readers who follow this approach would be able to draw "what they see" in a very natural manner (like a pro artist!)

3) I enjoy most the chapter about shading. In my humble opinion, however, it will be the most challenging task for beginners to distiguish and render different shading shapes and tones.

4) Keen observations seem to come naturally in the so-called "borned artists". For the rest, it takes practice. This is a good guideline for any of us artists (borned or not) who would like to sharpen our observational skills in drawing such complex (yet intriguing) objects as human figures.

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70 of 77 people found the following review helpful:
5.0 out of 5 stars THE definitive work on quality figure drawing!, June 27, 2001
By A Customer
This review is from: The Artist's Complete Guide to Figure Drawing: A Contemporary Perspective On the Classical Tradition (Paperback)
As a practicing artist I have to say that this is the finest book of its kind I've come across. If you are serious about taking a traditional approach to figure drawing and want to produce artwork of the finest quality, this is the book to look at. If you just want to learn to do quick sketches then you might look elsewhere, since the approach discussed is time-consuming and painstaking. But it is THE way to go if you are serious about fine art. If I was only allowed to have one book on my shelf this would be it.
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Inside This Book (learn more)
First Sentence:
LEARNING TO DRAW is like learning a new language. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unobscured image, form shadow edge, individual convexities, cast shadow edge, overall tonal structure, tonal progressions, shading process, connecting forms, toned paper, primary light source, dark accents, drawing method, pastel pencils, inner curve, convex forms, inside drawing
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Detail of Figure, Detail of Piano Student, Detail of Woman, Quiet Afternoon
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