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Artists in Light:A Biographical Guide to Southern France (Biographical Guides Ser) [Paperback]

Raymond. Zolton (Author), Marilyn Zolton (Author)


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Book Description

August 14, 1998 Biographical Guides Ser
Southern France offers its visitors many wonderful sights ranging from the exquisite natural beauty of its mountains and coast to the artifacts of civilization dating from Roman times to the present day. There are many excellent guide books to these sights and it is our intention to supplement these, not to replace them. All tourists will marvel at the remains of the magnificent Roman aqueduct of Pont du Gard, the breathtaking views along the corniche coastal drives or the majesty of Mount Ste Victoire; but there are also individual preferences. Some may enjoy SCUBA-diving or hang-gliding on the beaches while others thrill to the jingle of coins in the slot machines of Monte Carlo. For some, though, it may be just as exciting to stand in a room where Renoir painted or to see the font at which Czanne was baptized. During many personal trips to Europe, we got much enjoyment from visiting sites associated with the lives of prominent artists. Sometimes we found out about these places in various guidebooks, but usually we happened upon them serendipitously. These sites were sometimes in small cities or towns not covered in the guides or the standard information sent by the national tourist offices, but often they were even in the major cities where tourists usually go. How disappointed we would have been to have found out about one of these interesting places after returning home, especially if we had been close by but didn't know about it. We began to scour multiple guides to the same area and found that many such places are haphazardly included in one or another guide. But how many busy trip-planners have time for such extensive research? Why weren't these facts more easily accessible? Why couldn't we look up our favorite artists somewhere and find out about all the places to go in a region without such time-consuming effort? We decided that when we retired we would try to produce some books which would serve this purpose.

In the late 1980s we gave up our professional careers as a research scientist and a librarian in demanding corporate positions and decided to focus future trips on researching guidebooks that would have met our earlier needs. During the last ten years we have spent over thirty months traveling in Europe, driving tens of thousands of miles among cities and towns of all sizes. We were convinced that we were not the only people interested in such sites and that such reference books would satisfy a specific need for scholars and others planning a European trip, especially if their time was limited. The comments of many people we have spoken to about our idea and the positive reception of our first volume in this series have confirmed this belief.

The region covered by this book is primarily that of Provence, but the sites also span the Mediterranean coast from the Spanish border in the west to the Italian border in the east. This region has long been a favorite place of artists because of the interplay of the dazzling sunlight and the harsh landscapes. Although the area was heavily developed into a tourist Mecca after World War II, there remained enough aesthetic appeal that many artists still chose to live and work here until their deaths. We have selected eleven artists whose relationships to the region vary diversely. Paul Czanne, born in Aix-en-Provence, found his native region far more compatible with his daring new style of painting than the artistic community of Paris and thus spent most of his life in the South. The next six chapters cover artists who established homes in the region later in their lives: Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, Le Corbusier, Max Ernst and Marc Chagall. The next two men, Claude Monet and Vincent van Gogh, had brief stays here but their artistic development was greatly influenced by these experiences. Finally, we relate the cases of Gustave Courbet and Joan Mir who both had important patrons here.

The book presents information on over two hundred fifty sites in South France relating to the lives of these artists; it is arranged with a chapter for each individual. Each chapter is presented in relation to a city which was central to the artist's life in the region; other cities are treated below in alphabetical order. Two sections are included under most cities: a narrative description of the artist's connection to it and a list of specific sites arranged chronologically. These sites relate to both the lives and work of the artists, e.g. locations of residences, studios, weddings, graves, painting subjects and museums. Sites which are essentially gone are indicated with a diamond symbol in the margin; those of extraordinary interest are similarly marked with a star. All names are given in French to correspond with local information which the traveler may be using. In some cities, where there are a small number of sites, they have been included in the narrative. For the convenience of the reader we have included two indices. The first is an alphabetical list of the fifty-two cities covered in the book with citations for the chapter(s) in which they appear. The other is a listing of American museums mentioned in the text as housing various works of the artists.

Our information comes not only from travel guides but also from comprehensive biographies and miscellaneous supplementary works on each person. After combing these sources, we traveled extensively throughout the area to verify the present status of the sites identified. These travels were important for several reasons: lack of specificity in many of the sources; various ages of the sources; and the constant march of development. In actuality, we found many items to be quite different from the written sources and often difficult to locate. We hope that our work abroad makes the reader's experience considerably easier.

Provence and the surrounding area is one of the most beautiful in Europe. This book is intended to show the readers the region's deeper value by making them aware of its importance to the great artists who came here from many countries of the world. We hope our choice of artists has a wide appeal and that our readers' travels in South France will be greatly enriched by having read this book.


Editorial Reviews

From the Back Cover

The second title to be published in the new Biographical Guide Series from Raymar Associates is Artists in Light. This is a guide to over 250 sites in more than fifty cities and towns of Southern France that are related to the lives and work of eleven major artists of the 19th and 20th centuries.

These sites include Czanne's birth house, childhood schools and youthful haunts; multiple residences of Matisse, Renoir and Picasso; numerous painting sites of Monet, van Gogh and Courbet; several locations where Ernst was imprisoned during World War II; monumental mosaics by Chagall; a foundation housing scores of works by Mir; and a pioneering apartment building designed by Le Corbusier.

Many of the entries contain colorful anecdotes from the fascinating lives of these artistic giants who had important connections to this area, which is one of the most beautiful regions of Europe. There are over seventy photographs taken by the authors of sites as they look today as well as helpful directions for accessing those off the beaten path. For those interested in the lives and work of these artists, the book can serve as an informative reference source even without traveling to see the places firsthand.

Excerpt. © Reprinted by permission. All rights reserved.

Paul Czanne, Aix-en-Provence:

Mont Ste-Victoire. This peak is often visible from various locations in Aix-en-Provence and its environs. Admired by Czanne throughout his life, it was the subject of over fifty works by him viewed from many different aspects, most done during the 1890's. Surprisingly, only one of these paintings remains in France. Three American locations of various versions are the Detroit Institute of Art, the Philadelphia Museum of Art and the Nelson Atkins Museum of Art. The mountain's 1011-meter limestone top reflects a multitude of colors at various times and is surrounded by a forested base. The south face is a 500-meter cliff but the north side can be climbed by either of two hiking trails that are easily accessible from the city by car or bus. In November, 1895, Czanne ascended the mountain with two friends and enjoyed lunch in the ruined Chapel of Calmuldules in the former 17th-century Priory of Notre-Dame-de Ste-Victoire just below the summit. The tip of the mountain is crowned by the Croix de Provence, a 51-foot monument that did not appear in any of Czanne's paintings of the mountain. In the summer of 1989 a great three-day fire on the mountain devastated the environment. Even though he was long dead, Czanne was able to help defray the cost of restoration by the 1990 exhibition of the greatest number of his paintings of the mountain ever before assembled in Aix.

Max Ernst, Les Milles:

Les Milles is an industrial suburb of Aix-en-Provence, lying about ten kilometers west of the city. In the fall of 1939 Ernst was moved from the prison in Largentire to another housed here in a former brick factory. The dust of the building's previous function coated everything, including the meager food of the internees. With the help of his friend, poet Paul Eluard, Ernst succeeded in getting released just before Christmas. However, less than six months later he was again arrested and eventually returned to Les Milles. The German army's advance threatened the safety of many of the prisoners because, although they were Germans, many were considered enemies of the Hitler regime. The French government provided a train with seats for twelve hundred passengers. Twenty-five hundred of the prisoners, including Ernst, crowded aboard and eventually arrived at a new area of detention near Nmes. Future inmates at Les Milles were not as fortunate; many were transported from here to concentration camps for execution. Today the large Coverland Tile Factory, at the west end of town, is again an operating business. A small road opposite, "Chemin des Dports," leads to an old cattle car that was used to carry the internees to the death camps. A nearby plaque denotes the details of these sad events.

Vincent van Gogh, St-Rmy-de-Provence:

Monastery of St-Paul-de-Mausole, Avenue Edgar-LeRoy just south of town. This institution, which is quite near the ancient ruins, had been established in the old monastery at the beginning of the 19th century and was a rather shopworn depressing environment by 1889. The small rooms of the patients were much like cells and Vincent wrote that the common room reminded him of a third-class waiting room. The food was so bad that he waived the regular menu for soup and bread. The therapy here consisted of a minimal two baths per week and Vincent continued to be plagued by intermittent seizures. A particularly upsetting one in February, 1890, caused him to attempt suicide by ingesting his paints. In spite of these conditions Vincent did many of his most loved works during his year here. In addition to painting still-lifes and scenes within the hospital, he was later allowed to go outside the walls in the company of an attendant to paint in the surrounding countryside. Here he found vineyards, olive groves, orchards, cypresses and fields which can still be seen there. Although over one hundred fifty paintings of this area exist today, some others were given to Dr. Peyron, who cared for Vincent. Unfortunately, all but one of these were used for target practice by the doctor's son. Today the institution still exists, though somewhat modernized, and bears the name of the artist. The church and cloister of the monastery remain as they were during Vincent's stay and the garden, complete with irises, is still in bloom. Along the path which leads from the garden to the church is a monument to Vincent. Unfortunately, the bust of him by Osspi Zadkine was stolen by vandals in January, 1990, leaving a temporarily empty pedestal. However, the bust was subsequently recovered and will be returned to its place after necessary repairs have been made.

Henri Matisse, Vence:

* Chapelle du Rosaire, 466 Avenue Henri Matisse. This chapel of the Dominican nuns is located not far from the Vence home of Matisse. As mentioned above, the friendship of the artist with one of the nuns led to his agreeing to build a new chapel for the order to replace the oratory that had recently been destroyed by fire. Their acceptance of his offer led to much criticism because of his agnosticism, but the pact was nevertheless honored. The initial design was begun during his time in Vence and the cornerstone was laid in 1949. After his return to Nice he used two rooms in his apartment as a replica of the chapel where he continued to design every element of its decoration. It was sanctified on June 25, 1951; Unfortunately Matisse was too ill to attend and was represented by his son Pierre. In reference to the chapel, Matisse said, "I consider it, despite all its imperfections, my masterpiece, an effort resulting from an entire life dedicated to the search for truth." The decorations include magnificent stained-glass windows which use the morning sunlight to color the white altar cloth; simple line-drawings including striking portraits of Saint Dominic and the Madonna and child; and a wall covered with unique depictions of the Stations of the Cross. The chapel is open to the public during limited hours.


Product Details

  • Paperback: 154 pages
  • Publisher: Raymar Associates (August 14, 1998)
  • Language: English
  • ISBN-10: 0966302117
  • ISBN-13: 978-0966302110
  • Product Dimensions: 9 x 6 x 0.5 inches
  • Shipping Weight: 12 ounces
  • Amazon Best Sellers Rank: #5,944,799 in Books (See Top 100 in Books)

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