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Artists in Times of War (Open Media Series) [Paperback]

Howard Zinn (Author)
4.3 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

Open Media Series September 2, 2003
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.


Editorial Reviews

About the Author

The visionary historical work of professor and activist HOWARD ZINN (1922–2010) is widely considered one of the most important and influential of our era. In his work, including A People’s History of the United States, its companion volume Voices of a People’s History of the United States, and countless other titles, Zinn affirms the power of the people to influence the course of events.

Product Details

  • Paperback: 112 pages
  • Publisher: Seven Stories Press (September 2, 2003)
  • Language: English
  • ISBN-10: 1583226028
  • ISBN-13: 978-1583226025
  • Product Dimensions: 5 x 0.3 x 7 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #139,976 in Books (See Top 100 in Books)

More About the Author

Howard Zinn (1922-2010) was a historian, playwright, and activist. He wrote the classic A People's History of the United States, "a brilliant and moving history of the American people from the point of view of those ... whose plight has been largely omitted from most histories" (Library Journal). The book, which has sold more than two million copies, has been featured on The Sopranos and Simpsons, and in the film Good Will Hunting. In 2009, History aired The People Speak, an acclaimed documentary co-directed by Zinn, based on A People's History and a companion volume, Voices of a People's History of the United States.

Zinn grew up in Brooklyn in a working-class, immigrant household. At 18 he became a shipyard worker and then flew bomber missions during World War II. These experiences helped shape his opposition to war and passion for history. After attending college under the GI Bill and earning a Ph.D. in history from Columbia, he taught at Spelman, where he became active in the civil rights movement. After being fired by Spelman for his support for student protesters, Zinn became a professor of Political Science at Boston University, were he taught until his retirement in 1988.

Zinn was the author of many books, including an autobiography, You Can't Be Neutral on a Moving Train, the play Marx in Soho, and Passionate Declarations. He received the Lannan Foundation Literary Award for Nonfiction and the Eugene V. Debs award for his writing and political activism.

 

Customer Reviews

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Average Customer Review
4.3 out of 5 stars (6 customer reviews)
 
 
 
 
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10 of 11 people found the following review helpful:
5.0 out of 5 stars A fascinating read in the wake of Fahrenheit 9/11., July 2, 2004
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This review is from: Artists in Times of War (Open Media Series) (Paperback)
This slim volume (I read it in an hour) by famous (or infamous, depending on your point of view) revisionist historian Zinn is direct and to the point: "It is the job of the artist...to think outside the boundaries of permissible thought and dare to say things that no one else will say." Of course, what Zinn thinks that artists should be saying is to speak out against war in ways that traditional journalists do not, CAN not. He cites Catch-22 by Joseph Heller as a case in point: "If, right after World War II, someone had written a nonfiction book on the ambiguities of war and the atrocities committed by the supposed good guys...such a book would have been difficult to publish. But...artists can be sly. They can point to things that take you outside traditional thinking because you can get away with it in fiction."

This makes me think of the movie Fahrenheit 9/11 and how remarkable it is that Michael Moore has broken through that wall to bring forth a nonfiction artistic statement about the current administration and war. I think Zinn would be pleased. Now if only someone would make some of the movies he suggests in this book (the story of Emma Goldman, the Ludlow Massacre, the Phillipine-American war to name a few).

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6 of 6 people found the following review helpful:
5.0 out of 5 stars manifesto for a generation, March 22, 2004
By 
Andre M. "brnn64" (Mt. Pleasant, SC United States) - See all my reviews
This review is from: Artists in Times of War (Open Media Series) (Paperback)
Dr. Zinn does a great job in this collection of essays letting a new generation understand that an untold section of American history involves, as Dr. King put it in his last speech, "our right to protest for right." This manifesto which urges people to speak out on what's going on no also includes historial precedents of this in his discussion of stories Hollywood doesn't tell (It$ not hard to gue$$ why). But in either case, read this book and then FIGHT THE POWER!
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11 of 13 people found the following review helpful:
5.0 out of 5 stars Zinn Calls Us to Wake Up!, January 4, 2004
By A Customer
This review is from: Artists in Times of War (Open Media Series) (Paperback)
Where is our public debate about excesses of government? If the radical perspective in national affairs continues to be hidden, what then? Zinn deserves prizes and accolades for bringing the radical perspective to the fore in this book at this urgent time. Like sheep, our nation wanders, but nonetheless follows the well-oiled public relations machine of our American president who spins and grins his way into the projection of power that is his prime directive.

Zinn provides a very different, critically important lens through which we might view life in these United States and our impact beyond our shores. He calls for the artist in each of us to be voice of those who are "collateral damage," left behind or otherwise choose peace, while the genius-not at the helm chooses war.

He speaks to the impact of the US rushing pell-mell into the maelstrom of a consumerism that transforms our nation-state into a market-state with increasingly more losers and fewer winners, and a state of public affairs and policy determined by a smaller and smaller group of corporate and business imperatives in a global Realpolitik.

Zinn gives us a strong reminder of that separate, but critically important reality of everywoman and -man that is more arresting than the cable that brought W's plane to an abrupt stop on the carrier.

Had enough? Read this book and get active! Or, at the very least, let Howard remind you in his ever-passionate way that governments always lie.

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