Produced in partnership with Leonardo/International Society for the Arts, Sciences and Technology and MIT Press this project documents the work of 45 leading researchers whose work explores the meaning and application of the science of complex networks to art history, archaeology, visual arts, the art market, and other areas cultural importance. These works were presented at the Leonardo Days at the Network Science conferences, the High Throughput Humanities conference, and in the Leonardo journal.
The publication is a project of the ATEPUCU: The ATEC Experimental Publishing and Curating initiative at UT Dallas. A web companion is available at http://www.AHCNcompanion.info.
Contents:
Preface by Roger Malina
Introduction by Isabel Meirelles and Maximilian Schich
I Networks in Culture
Networks of Photos, Landmarks, and People
David Crandall and Noah Snavely
GAP: A NeoGeo Approach to Classical Resources
Leif Isaksen et al.
Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain
Tom Brughmans, Simon Keay, and Graeme Earl
II Networks in Art
Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings
Juan Luis Suárez, Fernando Sancho, and Javier de la Rosa
Artfacts.Net
Marek Claassen
When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks
John Bell and Jon Ippolito
The Mnemosyne Atlas and The Meaning of Panel 79 in Aby Warburg’s Oeuvre as a Distributed Object
Sara Angel
Documenting Artistic Networks: Anna Oppermann’s Ensembles Are Complex Networks!
Martin Warnke and Carmen Wedemeyer
Net-Working with Maciunas
Astrit Schmidt-Burkhardt
Network Science: A New Method for Investigating the Complexity of Musical Experiences in the Brain
Robin W. Wilkins et al.
Networks of Contemporary Popular Musicians
Juyong Park
III Networks in the Humanities
The Making of Sixty-Nine Days of Close Encounters at the Science Gallery
Wouter Van den Broeck et al.
Social, Sexual and Economic Networks of Prostitution
Petter Holme
06.213: Attacks with Knives and Sharp Instruments: Quantitative Coding and the Witness To Atrocity
Ben Miller
The Social Network of Dante’s Inferno
Amedeo Cappelli et al.
A World Map of Knowledge in the Making: Wikipedia’s Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation
Thomas Petzold et al.
Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora
Alexander Mehler et al.
Need to Categorize: A Comparative Look at the Categories Of Universal Decimal Classification System and Wikipedia
Almila Akdag Salah et al.
The Development of the Journal Environment of Leonardo
Alkim Almila Akdag Salah and Loet Leydesdorff
IV Art about Networks
Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story
Michele Graffieti et al.
Model Ideas: From Stem Cell Simulation to Floating Art Work
Jane Prophet
Culture, Data and Algorithmic Organization
George Legrady
Cybernetic Bacteria 2.0
Anna Dumitriu
Narcotic of the Narrative
Ward Shelley
V Research in Network Visualization
Building Network Visualization Tools to Facilitate Metacognition Incomplex Analysis
Barbara Mirel
Pursuing the Work of Jacques Bertin
Nathalie Henry Riche
The publication is a project of the ATEPUCU: The ATEC Experimental Publishing and Curating initiative at UT Dallas. A web companion is available at http://www.AHCNcompanion.info.
Contents:
Preface by Roger Malina
Introduction by Isabel Meirelles and Maximilian Schich
I Networks in Culture
Networks of Photos, Landmarks, and People
David Crandall and Noah Snavely
GAP: A NeoGeo Approach to Classical Resources
Leif Isaksen et al.
Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain
Tom Brughmans, Simon Keay, and Graeme Earl
II Networks in Art
Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings
Juan Luis Suárez, Fernando Sancho, and Javier de la Rosa
Artfacts.Net
Marek Claassen
When the Rich Don't Get Richer: Equalizing Tendencies of Creative Networks
John Bell and Jon Ippolito
The Mnemosyne Atlas and The Meaning of Panel 79 in Aby Warburg’s Oeuvre as a Distributed Object
Sara Angel
Documenting Artistic Networks: Anna Oppermann’s Ensembles Are Complex Networks!
Martin Warnke and Carmen Wedemeyer
Net-Working with Maciunas
Astrit Schmidt-Burkhardt
Network Science: A New Method for Investigating the Complexity of Musical Experiences in the Brain
Robin W. Wilkins et al.
Networks of Contemporary Popular Musicians
Juyong Park
III Networks in the Humanities
The Making of Sixty-Nine Days of Close Encounters at the Science Gallery
Wouter Van den Broeck et al.
Social, Sexual and Economic Networks of Prostitution
Petter Holme
06.213: Attacks with Knives and Sharp Instruments: Quantitative Coding and the Witness To Atrocity
Ben Miller
The Social Network of Dante’s Inferno
Amedeo Cappelli et al.
A World Map of Knowledge in the Making: Wikipedia’s Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation
Thomas Petzold et al.
Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora
Alexander Mehler et al.
Need to Categorize: A Comparative Look at the Categories Of Universal Decimal Classification System and Wikipedia
Almila Akdag Salah et al.
The Development of the Journal Environment of Leonardo
Alkim Almila Akdag Salah and Loet Leydesdorff
IV Art about Networks
Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story
Michele Graffieti et al.
Model Ideas: From Stem Cell Simulation to Floating Art Work
Jane Prophet
Culture, Data and Algorithmic Organization
George Legrady
Cybernetic Bacteria 2.0
Anna Dumitriu
Narcotic of the Narrative
Ward Shelley
V Research in Network Visualization
Building Network Visualization Tools to Facilitate Metacognition Incomplex Analysis
Barbara Mirel
Pursuing the Work of Jacques Bertin
Nathalie Henry Riche
