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Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights
 
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Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights (Hardcover)

by Bill Ivey (Author)
4.2 out of 5 stars See all reviews (4 customer reviews)

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Editorial Reviews

From Publishers Weekly
Chairman of the National Endowment of Arts from 1998 to 2001, Ivey brings an informed perspective to a growing chorus of alarm over "big media, abetted by government, running roughshod over public interest." An enthusiast for mainstream American culture and the vernacular performing arts (he directed the Country Music Foundation from 1971 to 1998), Ivey demonstrates how the promise of early 20th century mass media-when film, radio and TV produced an unprecedented mass audience and "enabled America to discover its cultural mainstream"-is being stifled in the era of digital technology. A major mechanism for this is copyright law, which has become less a tool to protect creative enterprise than "to protect certain industries against competition"; as corporations snap up the rights to works of art, ordinary citizens are losing easy access to their national heritage. Ivey's answer is an official U.S. Department of Cultural Affairs (as well as a "Cultural Bill of Rights") committed to the idea that the arts are "key to a high quality of life for all Americans." With cogent consideration of the stakes for all involved, and some interesting glimpses behind the scenes at the NEA, Ivey has produced a comprehensive treatment of an important subject.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Cogent consideration of the stakes for all involved. . . Interesting glimpses behind the scenes at the NEA. . . A comprehensive treatment."--Pw: Nonfiction (2)

"Provocative."--Usa Today

"Ivey is well equipped to lead a fresh discussion about the role of creativity in a healthy democracy."--Utne

"Explore(s) and define(s) a co-ordinated vision for art, culture and expression in American life.--Times Higher Ed Sup (thes)

"Reads like a manifest on cultural happiness and quality of life through access to the arts. . . . Recommended."--Choice

See all Editorial Reviews

Product Details

  • Hardcover: 368 pages
  • Publisher: University of California Press; 1 edition (May 10, 2008)
  • Language: English
  • ISBN-10: 0520241126
  • ISBN-13: 978-0520241121
  • Product Dimensions: 9.1 x 5.9 x 1.2 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #171,905 in Books (See Bestsellers in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars A whole new arena of public policy, defined, April 17, 2008
By C. Hudson (Massachusetts, USA) - See all my reviews
It's amazing that we've made it all the way into the 21st century without anyone attempting to write about the condition of the entire U.S. arts system and how it connects - or doesn't connect - with the public interest. But Bill Ivey has done it in Arts, Inc., a comprehensive and very readable look at how market forces and an inattentive government have allowed our culture to drift away from public purposes. Ivey is convinced that we can enhance quality of life for all Americans if we assert his six "cultural rights," and I tend to agree. Although I wish the author had spent more time on specific art forms like theater and the art gallery scene, Arts, Inc. includes plenty of eye-popping examples of how we've got things wrong. The book defines a whole new arena for public policy and goes beyond complaining about what we haven't done with art and art making to paint a picture of how a vibrant cultural life can give the U.S. a high quality of life in the coming post-consumerist age.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Arts in America, July 13, 2008
Arts, Inc. is a very good book and probably the only one out there that explores the position of the arts--fine, popular, folk, commercial, and non-profit--in the United States. Whether one agrees with Bill Ivey's framing of the American arts scene in terms of "rights" or not, the book raises a set of issues that need to be discussed by citizens as well as members of government (who never seem to engage the arts seriously except when it comes to playing football with the NEA). Each right really focuses on a separate issue, and while there is inevitably some overlap between them, the book is not one idea endlessly repeated. The book reads extremely well and is filled with a good number of compelling examples of why the arts are in peril in the United States today. What is perhaps fundamental in Ivey's take on the arts is that they have a great potential to enhance the quality of life of ordinary Americans--both as art producers and consumers--and this potential is squandered because the arts have been totally left to market forces without any consideration of their relevance to the well being of the nation and its citizenry.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Very informative and thought provoking, August 11, 2008
By R. Rodriguez (Bakersfield, CA USA) - See all my reviews
(REAL NAME)   
Bill Ivey covers an enormous amount of arts terrain in this thought provoking book. Anyone involved with the arts rarely considers all the facets of the arts and the way in which they intertwine. Ivey, from his unique perspective as former NEA Chairman, is in the position to inform and to a slightly lesser degree offer solutions to some of the larger problems to how greed and neglect have destroyed our cultural rights.

As a music educator, I found his assessment of the historical hierarchical structure of music valuing on target, but felt he could have acknowledged the more recent progress in multicultural music education. The National Association for Music Education developed national standards in the 1990's that have largely been adopted by the states. As written, these national standards have proven to be a vehicle to promote all types of established cultural traditions in music. The correct argument he makes in Arts, Inc. that music education is about "band and choir", is a practice that is slowly changing.
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2.0 out of 5 stars Should the Government Regulate Art?
In March I attended the Symposium called "The Importance and Value of Art in Health Care". One of the best speakers was Bill Ivey. Read more
Published 14 months ago by H. Domke

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