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Many great artists generate controversy, but few have inspired as much adulation and animosity as Toscanini. Battling recent criticism, Frank, a devoted partisan, uses as his weapon the maestro's entire recorded legacy, from the official discography, including RCA's 82-CD Toscanini Collection, to unreleased archival tapes and reference discs of all his NBC broadcasts and rehearsals, as well as his recordings with other groups, especially the New York Philharmonic. To refute the familiar allegation that Toscanini made everything sound alike and to demonstrate his open-minded interpretive flexibility, Frank compares different performances of the same works, and also refers to many other conductors' recordings to prove that the maestro's tempos did not simply get faster as he got older. This must have required listening to a positively staggering number of records.
Unfortunately the book is dominated by lists: of broadcasts, programs, dates, names, etc., which leads to a lot of repetition and redundancy. The most interesting chapter is "The NBC Repertory," which reveals that along with acknowledged masterpieces, Toscanini programmed much music of doubtful value, and offers frank, illuminating comments on the relative quality of his performances. One learns that despite Toscanini's famous faithfulness to the score, he had no qualms about undertaking radical alterations, from changing orchestrations to cutting, transcribing, combining pieces, and adding original material; that in a small way he anticipated the "authentic" style movement; and that he was relentlessly, obsessively critical not only of others, but himself.
The book omits some important information: no credit is given for the photographs, and no mention made of the orchestra's Japanese tour, on which the maestro unexpectedly laid himself open to the musicians' cameras, resulting in some stunning Toscanini portraits. Frank treats Toscanini's retirement, whether voluntary or enforced, and its aftermath for the players surprisingly casually. It was widely felt that the National Broadcasting Corporation showed unpardonable callousness in disbanding its Symphony, especially since it collected the royalties on the orchestra's RCA records, while the musicians who had them got nothing. --Edith Eisler
Copyright 2002 Cahners Business Information, Inc.
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Most Helpful Customer Reviews
15 of 16 people found the following review helpful:
5.0 out of 5 stars
John,
By A Customer
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This review is from: Arturo Toscanini: The NBC Years (Amadeus) (Hardcover)
Most of what we know of the conducting of Arturo Toscanini comes from his recordings with the NBC Symphony, an orchestra formed by RCA for radio broadcasts and recordings from 1937-1954. As Frank points out in this excellent book, most of these recordings were made when Toscanini was in his 80's, and therefore perhaps not representative of his best work. This book tries to put these recordings in perspective by detailing and describing the NBC Broadcasts season by season. As Frank points out, some of Toscanini's best performances occured when the conductor was in front of an audience, where he was more relaxed. Frank gives a detailed season by season description of the NBC years, as well as complete program information. Also included is a complete (as possible) discography of both official and unoffical recordings. There is also a balanced discussion of the criticism and "hero worship" of the conductor in the intervening years. Other goodies: A complete list of NBC Symphony Personnel, a list of guest conductors and broadcasts, and a very interesting discussion about the "deconstructing" of the Toscanini image. After reading this book, I wanted to hear more of Toscanini's broadcast performances (and how about some of Guido Cantelli's broadcasts, also)!
9 of 9 people found the following review helpful:
5.0 out of 5 stars
Meticulous book about meticulous conductor,
This review is from: Arturo Toscanini: The NBC Years (Amadeus) (Hardcover)
It's true that this book is really only for fans of Arturo Toscanini, but there are many of us. It provides information not otherwise available. (And with due respect to the review above by Edith Eisler, I am certain that there never was a tour of Japan by the NBC Symphony Orchestra, and I am virtually certain that Toscanini never went to Japan to conduct any orchestra.) Mr. Frank is fair, musical, knowledgeable, and informative.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
A Wonderful Addition,
By Kelvin Scott (Ohio) - See all my reviews
This review is from: Arturo Toscanini: The NBC Years (Amadeus) (Hardcover)
This book may initially appeal to the specialist or the buff, but it is so well done that anyone interested in performance practice (or, of course, in Toscanini) should read it. An extremely sophisticated analysis of the maestro's NBC years and one that rounds out our understanding of Toscanini. Add it to your Haggin, the Sachs bio, and the old Spike Hughes book.
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