When I was a "youth" in Chicago in the sixties, EMI used to infuriate American teens by making us wait several weeks before releasing the US version of each new Beatles album (creating a black-market for imported LPs).
The record companies are still at it: This time Sony released the Toscanini Collection in the UK in April, but made us Yanks wait until July.
This turned out to be a blessing in disguise.
The first UK pressings had a major screw-up that was avoidable.
In 1992 RCA/BMG released the first 82 CD Toscanini Collection.
That is the template upon which the new Toscanini Collection was assembled.
In 1999 RCA/BMG issued twelve 2 CD sets of Toscanini in new, 20-bit transfers. Most people thought these were an improvement over the 16-bit transfers of 1992. *
In 2006 Toscanini's Philadelphia Orchestra recordings were issued in new transfers.
Finally in 2008 Sony Japan issued 15 CDs worth of transfers on Japanese JVC XRCDs [most of this material overlapped with the 1999 20-bit transfers]. JVC XRCDs are highly valued by collectors - I could never afford them.
If you're adding this up, approximately one third of the 1992 set was re-done in new and improved transfers.
Of course, in an ideal world, someone would have re-mastered the remaining 2/3 using the latest technology, but this is not an ideal world.
GOOD NEWS: Sony took the 1992 Collection as a template, and inserted the new and improved masterings onto the appropriate CDs. Can't complain about that.
GOOD NEWS: The price is unbelievably low.
In 1992, the 82 CD box sold for $1200. Today the 84 CD + 1 DVD box sells for $125. This is simply amazing.
Every civilized person should own this set.
A Monument to Western Civilization.
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BAD NEWS: ATTENTION UK READERS. This is the most serious blunder.
In the first batch of pressings released in the UK and Europe, the 1949 studio recording of Beethoven's Symphony 3 "Eroica" was MISSING.
The 1949 Eroica was supposed to be on CD1.
Instead, the 1953 broadcast appeared twice: on CD1 (mislabeled as 1949) and on CD29 (where it belongs).
[For a detailed explanation of how this came to be, see the comments section at the end of this review - comment dated July 10, 2012].
If you need a quick test of whether you have the 1949 or 1953 Eroica, there is a 20 second difference in the timings of the first movement:
1949 = 13:46
1953 = 14:06
Also, the engineer retained audience noise between movements of the 1953 performance.
This is most audible between movements 3 and 4.
The missing 1949 Eroica on CD1 was corrected in later pressings, including the North American release.
If you have the bad CD1, and ordered it from Amazon UK, contact http://amazon.co.uk to see about getting a replacement CD1.
If you ordered from an independent dealer, there is no uniform replacement policy.
Contact your dealer: you may have to return the entire 84 CD box, and get a new 84 CD box. Wasteful stupidity.
To date, Sony has been ignoring customer's inquiries.
[Past experience: My 60 CD Bernstein Symphony Edition came with one missing CD and two duplicate CDs.
I tried to contact Sony to arrange an exchange of CDs, but they would not acknowledge my existence.
Ended up returning the whole 60 CD box in exchange for a new 60 CD box. Stupid.]
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GOOD NEWS: It comes with a nice book of essays about Toscanini and lots of nice photographs.
In 1992, RCA published a booklet with discographical index to the contents of all 82 CDs, but it was a limited edition.
Today the discographical index is included in the book.
This is important, as the published order of recordings was not and is not alphabetical or chronological.
BAD NEWS: The 1992 program notes are no longer included. They were a model of their kind.
GOOD NEWS: You can get them in book form: "Arturo Toscanini: The NBC Years" by Mortimer H. Frank (Amadeus Press, 2002).
It even includes a critical discography cued to the volumes in the old Collection, which are the same volumes as the new Collection.
BAD NEWS: No librettos for the operas and vocal works. This was predictable. Still sad.
BADDISH NEWS: Sony decided to slavishly copy the published sequence of the 1992 edition.
This is taking "original jacket" mania to a ridiculous extreme.
They are not even "original jackets".
Toscanini died in 1957, but the totally arbitrary published order of the 1992 Complete Edition must be respected. Why?
Why not issue the CDs in alphabetical order by composer?
Or chronologically by date of composition (Bach through Shostakovich)?
Or by date of recording (1920 to 1954)?
BAD NEWS: The DVD "Toscanini: The Maestro" features a censored version of Toscanini's wartime film of Verdi's "Hymn of the Nations."
Toscanini's wartime film of Verdi's composition expanded Verdi's original, which combined the national anthems of France, Great Britain and Italy, to include the anthems of the Soviet Union (the Internationale) and the United States (the Star-Spangled Banner).
The unabridged audio of the performance is on CD 63, but the DVD of the film eliminates the Soviet anthem entirely.
Actually, this is not Sony's fault - RCA did the censoring back in the 80's when the work was prepared for VHS release.
GOOD NEWS: The complete, uncensored "Hymn of the Nations" is available on DVD.
It was a production of the U.S. Government Department of War Information, so its in the public domain.
If you want to see as well as hear Toscanini conducting the Soviet National Anthem, do a google search for "Berkshire Record Outlet".
Click on "Search Catalog". Under "Keywords" enter "Toscanini", then check the box next to "DVD", then click "Search".
If you're lucky, you will find a 2 DVD-R set on the PDVD label (#PDVD2) titled "Great Conductors" selling for $14.95.
On DVD2, at 13:26 of track 8, you will both see and hear Arturo Toscanini conducting the Soviet National Anthem (Internationale).
I was never a fan of the Soviet Union, but they had a nice anthem. **
BAD NEWS: I completely missed this the first time. The Overture to L'Italiana in Algeri on CD 47 has a truncated openning.
Rossini wrote 21 soft pizzicatti in three groups of six and one group of three: 1-2-3..4-5-6.....1-2-3..4-5-6.....1-2-3..4-5-6.....1-2-3...Orchestra tutti!
CD 47 omitts the first 6 pizzicatti: 1-2-3..4-5-6.....1-2-3..4-5-6.....1-2-3...Orchestra tutti!
The old CD from 1992 is OK; the problem came with the 1999 remastering. I'm surprised no one noticed it until now.
Actually, the abbreviated opening doesn't sound as "wrong" as one might think.
I doubt if Sony will remaster CD 47, but if they do, I'd appreciate it if someone would post a notice in the comments at the end of this review.
DISAPPOINTING NEWS: In their original press release, Sony promised that they would include 2 CDs of previously unreleased Toscanini performances with the BBC Symphony.
That is not the case: These are the same BBC recordings that Biddulph and Naxos have already issued (still nice to have).
ANNOYING NEWS: The 2CD and 3 CD sets are hard to open. Hard to describe the problem, but you'll know what I mean when you handle one.
I have found a drastic solution which works quite well: I used a paper cutter to trim 1/16 of an inch off the two sealed ends.
So long as you have a nice straight cut, it looks totally professional (don't use scissors).
IN SUMMATION: Despite some real problems (especially in the UK), you really should get this set. Especially at the insanely low price.
* It is the majority critical opinion that the new transfers are an improvement over 1992.
I am not going to express an opinion.
I just remembered that I am 63 years old (I try to forget).
I think my hearing is just fine, but that is probably not the case.
After age 50, people gradually loose their ability to hear high frequencies.
Even so, it sounds good to me - always remembering that the originals are 58-92 years old.
** The 2 DVD set also contains videos of other famous conductors. Including the only known existing footage of Leo Borchard.
If you don't know the name, he was Music Director of the Berlin Philharmonic for six weeks in 1945 (until he was accidently shot by an American soldier). He succeeded Furtwangler and was succeeded by Celibidache, who was succeeded by Furtwangler (again).
OK, the American soldier didn't "accidently" shoot Leo Borchard.
Borchard was a passenger in a car that ran a roadblock in occupied Berlin.
Moral: Always stop for roadblocks.