Never did the reign of any European sovereign present so many and such varying phases. A contest for empire, a captive monarch, a female regency, and a religious war; the poisoned bowl and the burning pile alike doing their work of death amid scenes of uncalculating splendor and unbridled dissipation; the atrocities of bigotry and intolerance, blent with the most unblushing licentiousness and the most undisguised profligacy - such are the materials offered to the reader by the times of Francis I.
The period thus characterized is that in which the scene of the present romance is laid, and although the plot is mainly concerned with the fortunes of others than subjects of the Roi Chevalier, we are treated to a succession of vivid pictures of life and manners at the French court and in the French capital.
By universal consent Alexandre Dumas (1802-1870), Pere is now acknowledged the most entertaining of the writers of romance. For variety of incidents, sprightliness of dialogue, and vividness of narrative no tales of adventure can compete with such works as The Three Musketeers or The Count of Monte Cristo. It is doubtful also, whether the life of any novelist comes as near as the life of Alexandre Dumas to what is expected of an entertaining work of fiction. Viewed as a hero of romance, the great novelist is almost as striking a figure as his picturesque and fascinating D'Artagnan, so that his memoirs and the numerous volumes in which he relates the story of his travels seem to differ from his other narrative works only in the use, for the hero, of the first instead of the third person of the verb.
