Ash Garden [School & Library Binding]

D. Bock (Author)

Book Description

ISBN-10: 0613683153 | ISBN-13: 978-0613683159 | Publication Date: January 2003

'One morning, towards the end of the summer they burned away my face.' This is the way Emiko Amai recalls August 6th, 1945 - the day she survived the Hiroshima bomb. Emiko was six years old, her parents killed, her younger brother hanging on to life by a thread. Only her grandfather remained unscathed. Now the Americans, who had perpetrated this terrible deed, came to the victim's bedsides with notepads and cameras, even sketchbooks, to record what they had done. They were as mystified by the radiation sores as were the Japanese. A decade later Emiko was among the twenty-five scarred but treatable Hiroshima 'maidens' brought for reconstructive surgery to the United States. For Anton Boll and his colleagues at Los Alamos, New Mexico, news of the explosion was confirmation of a dream, though as he would concede in lectures for the next fifty years, 'dreams sometimes become nightmares'. Boll was a refugee of conscience from Germany, a recruit to Oppenheimer's Manhattan Project who believed the sooner they cracked these nuclear equations, the sooner people would stop dying worldwide. His attitude to the war was 'Get this damn thing over.' What would happen if a half century after the event, Emiko and Anton - the reconstructed Hiroshima survivor and the nuclear scientist - should meet? This is what unfolds in Dennis Bock's extraordinary novel. Anton's Jewish wife Sophie, with her own legacy of wartime drama to relate, now struggles with a disfiguring terminal illness. She is glad that the Japanese filmmaker Emiko has come to interview her husband. Perhaps at last he will find some peace.

--This text refers to the Paperback edition.

Editorial Reviews

Amazon.com Review

The unprecedented impact, ideology, and geographic scope of the Second World War continue to attract new novelists who hammer the history out a little thinner each time, highlighting lesser-known massacres or sifting through minor characters to discover a representative but undiscovered guide. Dennis Bock's poignant book The Ash Garden personalizes the epic bombing of Hiroshima through Anton Böll, a German émigré physicist, and Emiko, a Japanese victim of the bomb. Bombmaker and bombed, they balance this incisive, symmetrical novel and its sustained inquiry into remorse and forgiveness.

One of 25 Hiroshima Maidens relocated from post-war Japan to America for corrective plastic surgery, Emiko remains in the U.S. as a student, then as a filmmaker. The novel is at its best with her, from the heavy losses that surround her recovery in Japan to the awkwardness of immigrating to the nation that is both her tormentor and her savior. Meanwhile, Anton, her opposite number, doesn't just return home from war, he returns having irrevocably changed war. Stubbornly proud of his work and estranged from his isolated, ailing wife, Anton offers no home to remorse, and his conflicted legacy takes a lifetime to heal. Heal it does, though, just as Anton and Emiko meet and begin to discuss their roles in the bombing. The climax may be too much for readers impatient with a Dickensian full-cast ending: like those of John Irving, Bock's symmetries are delightful to discover at the halfway point but disappointingly conspicuous by the novel's close. --Darryl Whetter --This text refers to the Hardcover edition.

From Publishers Weekly

No matter how far they travel from Hiroshima, the protagonists of Canadian author Bock's roomy, thoughtful novel are marked by the effects of the atomic bomb. For Emiko Amai, the imprint lingers on her face, in the form of burn scars from the heat of the bomb's detonation in 1945, when she was six. For Anton B”ll, a refugee German scientist who helped build the bomb, the scars are emotional, though he tried to transform his feelings into images in a series of secret films shot among Hiroshima's ruined buildings. For Sophie, Anton's wife herself a half-Jewish refugee from Austria there is the pain of exile, a debilitating illness and the heavy shadow of her husband's guilt. Though Anton claims that the bomb was dropped "to save lives," he remains acutely aware of the human cost, both to its victims and himself: "I know the world requires a certain payment from us... for the freedoms we enjoy. We have all paid." When Emiko confronts Anton in 1995 at a lecture in New York, he surprises himself by agreeing to participate in a documentary she's filming. He invites Emiko to the quiet house he shares with Sophie in Ontario, and as Sophie declines toward death, Anton tells Emiko all the ways he has influenced her life since Hiroshima. In his attempt to obliquely represent the overwhelming horrors of Hiroshima's destruction, Bock (Olympia) has created a group of characters with closely guarded emotional lives. When they reveal themselves, it's in flashes as brilliant as the splitting of the atom. (Sept. 11)Forecast: Though his novel cannot touch a nonfiction classic like John Hersey's Hiroshima, and may be overlooked in the crowded ranks of WWII-inspired fiction, Bock acquits himself well. A first printing of 60,000 copies and a six-city author tour attest to Knopf's faith in this sophomore effort.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

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Product Details

• School & Library Binding
• Publisher: San Val (January 2003)
• Language: English
• ISBN-10: 0613683153
• ISBN-13: 978-0613683159
• Product Dimensions: 7.6 x 5.1 x 1 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #9,876,168 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

10 of 11 people found the following review helpful:

5.0 out of 5 stars A MOVING VIEW FROM DIFFERENT ANGLES..., October 9, 2002

By 

Larry L. Looney (Austin, Texas USA) - See all my reviews
(REAL NAME)   

This review is from: The Ash Garden: A Novel (Hardcover)

Many books - fiction as well as non-fiction - have been written around the events of August 6, 1945. When the atomic bomb was dropped on Hiroshima, the world changed forever - and such an occurrence will be chronicled in many ways, for it touched and altered the lives of everyone on the planet. John Hersey's remarkable HIROSHIMA comes to mind, along with many other that have appeared since. Dennis Bock's novel THE ASH GARDEN is an astonishing, deeply moving look at the lives of three people - a German scientist who immigrated to America in order to work on the Manhattan Project; a young Austrian girl, sent away from the horrors to come by her parents, never to see them again; and a Japanese girl, just seven years old at the time, playing with her little brother on a riverbank, watching as a single plane approaches her city.

Bock's literary gifts are stunning. His descriptive abilities are deep and varied - I found myself reading passages over again when I realized that he had, obliquely rather than obviously, made a scene appear in my mind as clearly as if I were seeing it with my eyes. He applies this amazing talent to his characterizations as well - there are aspects of each character that are addressed directly, but many facets of their personalities and psyches are revealed more subtly, by conversations, thoughts and actions. I found the characters portrayed here - and this is, for me, the heart of all great writing - completely fleshed-out and whole. Each one has their strengths and weaknesses, with good and bad intentions vying within for dominance - and each one comes to know themselves as they come to know the ones with whom their lives are intertwined. Preconceptions exist and are seen to crumble - it's a fascinating process, and one that occurs within all of us as we live our lives and interact with others. To see it so subtly and completely reproduced on the printed page is a marvel.

Besides chronicling the events connected with the bombing of Hiroshima, and their consequences in the lives of these characters, the book deals very adeptly and thoroughly with the voyage of discovery that each one of them makes. Anton Böll, the émigré scientist, leaves his native Germany because he sees that the German atomic program is headed down a dead end - he knows that his talents and abilities will be put to much more fruitful use in America. He knows the horrible power that the weapon on which he is working will unleash - and he truly sees it as a necessary thing: a way to end the war. He also hopes, along with several of his fellows, that, once the power of this weapon is seen, there will never again be temptation to actually use it. He hopes against hope that the US government will choose to use it on a military target - but he also knows that they will most likely pick a civilian one. As the years pass after the war, he attends the annual rallies commemorating the event - not so much to ease his conscience as to make sure that the world knows the terrible power that the bomb carries.

Böll meets Sophie in a camp for refugees in Canada - he is immediately taken with her beauty and her spirit, and he marries her, getting her out of the camp. They move to New York City and begin their lives together - and then he is transferred to New Mexico to work on the Manhattan Project. Their hopes for their marriage carry him through this separation, and through the time after the war, when he is sent to Japan as a scientific observer of the bomb's results. Sophie has a more difficult time with this separation, and she deals with it - and with the pain of knowing she will never see her family in Europe again - by clinging to a new-found determination that she will live her life for herself, regardless of what those around her choose, or are compelled, to do.

It is while Anton is in Japan that he is moved beyond his own belief by the destruction he sees - destruction in the physical sense, to be sure, but mainly in the human sense. He sees the burned survivors - the adults as well as the children - and he comes to know an elderly doctor, and spends much of his spare time working with the old man in the hospitals, caring for those fighting to survive. Anton wrestles constantly - both consciously and subconsciously - with what he sees, trying to reconcile it with what he has believed about his work. It is a struggle that will remain with him.

Emiko and her little brother survive the blast, although they are badly burned. Just before the bomb detonated, she had painted a picture on the back of his white shirt, with mud, of the face of their grandfather. The flash and heat of the bomb burned this image into his back - and many other such `tattoos' are recounted on other victims, the patterns of the clothing they were wearing marking them for life. Emiko's brother eventually dies, but she survives, and is chosen to be one of a select few girls to be taken to American to undergo newly developed surgical techniques to restore her badly burned and scarred face. She becomes a documentary filmmaker as an adult, and through her work and self-education about the events leading up to the destruction of her city, she comes to know about Anton Böll and his role in those events. She manages to meet him at a commemoration event in New York City, and arranges to interview him.

When the lives of these three people begin to intertwine, it is a classic case of `the whole being greater than the sum of the parts' - there are dynamics that rise up and come into play that none of the three could have imagined. All three of them have believed that they have come to know fully the events of their lives - it is only after these versions meet and cross that they each realize that they still have things to learn and consider. Bock's research into the history of the bomb, his appreciation of the human personality and spirit, his respect of history, and the hopes he holds for humanity - both collectively and as individuals - are bound together here by his immense skills as a writer. THE ASH GARDEN is a book that everyone should read who wants to understand the power man has unleashed, along with its implications - and it does so without damning the bombs or the men who brought it to fruition, in an intelligent and moving way. This book is a modern masterpiece.

3 of 3 people found the following review helpful:

4.0 out of 5 stars Touching and Thought Provoking, July 27, 2006

By 

Jennifer Lichtenfeld (Silver Spring, Maryland USA) - See all my reviews
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This review is from: The Ash Garden: A Novel (Hardcover)

The Ash Garden, told from two different perspectives, tells the very personal story of a scientist that helped build the atomic bomb, and that of a young Japanese girl who was only six years old when the bomb was detonated on her home town of Hiroshima. The novel switches between the two viewpoints and traces how the bomb affected each of them and how their lives became intertwined.

Anton is an Austrian scientist who escaped Europe during WWII to pursue science in a manner that the Germans were not. He found himself a part of the Manhattan Project and built the atomic bomb that was ultimately dropped on Japan bringing an end to the war. While he continues to contend that the bomb saved lives by showing the world what America was prepared to do he is not without regret. He saw first hand what the bomb did to the innocent civilians and the lives that it took. Much to his wife's disappointment, he is never the same again and spends his career after the war educating college students and reliving his role in the devastation.

Emiko was six when the bomb was dropped on her hometown. She lost her parents and younger brother and suffered severe scarring herself, making her an outcast among the other children of Hiroshima. As a young teenager she is chosen to travel to America as one of 25 other young girls where doctors believe that they can fix their damaged and scarred skin. She finds a life of filmmaking develop from the opportunities provided her in the United States and ultimately seeks out Anton to be a part of the documentary she is making on this part of WWII that is so significant to them both.

Anton and Emiko's lives parallel in many ways that the two do not initially realize. Throughout this novel we learn of the devastation and tragedy that both suffer as a result of the dropping of the bomb. At the same time, we also learn of the good that comes out of the event that shapes their lives.

Considered by some to be the modern counterpart of Mary Shelly's Frankenstein, the book can definately be considered a commentary on the negative aspects of scientific development and how mankind does not always benefit from our cutting edge progress. Wound throughout the science and historical narrative is a deeply touching story. Human vulnerability is at it's height with these characters and Bock has written them in such a way that the reader can see straight into their hearts. Despite jumping around from one perspective to the other a bit incoherently at times, this book is highly recommended.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Confronting the shadows, December 27, 2005

By 

Friederike Knabe (Ottawa, Ontario Canada) - See all my reviews
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This review is from: The Ash Garden (Paperback)

Sometimes, chance encounters with books lead to discoveries you wouldn't want to miss. Finding "The Ash Garden" has been one such experience. It is a superbly written, subtle, yet complex human interest story placed against the backdrop of historical events. Hiroshima on August 6, 1945, the atom bomb's devastating short term impacts reverberate through the story. The lingering long term effects, politically and emotionally, connect the three protagonists: the German scientist, having left Europe to participate in the bomb's development, the documentary film journalist who survived the attack as a child, seriously scarred, and the scientist's wife, a refugee from the Nazi regime. Bock succeeds in creating a deeply moving portrait of the three people whose lives are dramatically connected through these events. They also draw them to each other, almost despite themselves.

Each section is written in the distinct voice of one of the protagonists, thereby allowing each to express his or her perspective on the events over a period of fifty years. The narrative moves between present and past, each episode providing another building block for us to understand their lives' complexities. We are exposed to their emotional conflicts and follow the often detached scrutiny of their respective behaviours and attitudes. Their recollections of the historical events naturally differ, so do their assessments of their human emotions, whether love, betrayal, guilt, shame, selfishness or atonement. Yet, the story builds gently and none of what is shared overwhelms the reader. Bock writes with great empathy for the characters, exploring their personalities without passing judgement on their action or inaction at the different stages of their lives.

Bock has described his interest in writing fiction as "raising big questions" of human society. Major topics that escape clear black and white answers. For example, the scientist joined the Los Alamos team because building the atom bomb " was the only way to end the war". Yet, during his research mission to Hiroshima to "scientifically assess the bomb's impact", he is exposed to the human suffering of innocent civilians. In "The Ash Garden", Bock proves himself a master in exploring the grey zones between right and wrong, innocence and responsibility. The narrative moves towards the anticipated and necessary confrontation between the victim and the scientist, in her view co-responsible for her suffering. The outcome is everything but clear-cut or obvious, but consistent within the story and the intentions of the author. A deeply moving and beautiful book with important messages for us all. [Friederike Knabe]