Everett ranges widely in his sometimes realistic, sometimes hallucinogenic fiction, drawing on a deep understanding of literary tradition. . . to examine social issues in limpid, muscular prose. . . . I'd encourage anyone with a taste in good, thought-provoking writing to investigate. (Barbara Hoffert, Prepub Alert, Library Journal)
Everett, who has put his uniquely wacky spin on genres from Greek myths to westerns, does the same for crime fiction in his effective follow-up to I Am Not Sidney Poitier. . . . [A] shocking tale. (Publishers Weekly)
The most sidesplitting dialogue this side of Catch-22. . . . Not only is the novel smart and without a trace of pretentiousness, it shows Everett as a novelist at the height of his narrative and satirical powers. (Publishers Weekly on I Am Not Sidney Poitier)
The writing is so sharp it will make you wince and laugh at the same time. . . . Everett's storytelling can't be oversold; this is superbly written, crisp and quick-paced, punctuated with pools of simply gorgeous prose. Above all, it's damn funny. (Bookslut on I Am Not Sidney Poitier)
About the Author
Percival Everett is Distinguished Professor of English at the University of Southern California and the author of eighteen novels, including I Am Not Sidney Poitier, The Water Cure, Wounded, Erasure, and Glyph.