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ASTAIRE & ROGERS ULTIMATE(11DI
The Astaire-Rogers films mix light romantic comedy (usually centered around mistaken identities and ending, inevitably, in blissful wedding promises) with elegant dinner wear and surreal sets intended to transport '30s audiences away from the Depression to such locales as Rio, Paris, and Venice. The two stars are also aided by a recurring stable of RKO players such as Edward Everett Horton (master of the double-take), Eric Blore, and Helen Broderick. And then there's that sensational dancing set to great songs by the likes of Irving Berlin, George and Ira Gershwin, and Jerome Kern, numbers that are not merely entertaining but also innovative for their time in that they reveal character and advance the plot. Add it all up, and you have a recipe for an irrepressible joie de vivre that practically defines the movie musical.
Flying Down to Rio (1933) headlined Dolores Del Rio and Gene Raymond, but it was the fourth- and fifth-billed stars who would rewrite cinematic history. Astaire and Rogers had limited screen time, but were still able to establish many of the trademarks of their later films. The heart of the film is "The Carioca," a company dance extravaganza in which they take the floor together for the first time; their eyes meet and their foreheads touch. Their dance lasts only a few minutes, but it was the highlight of the film and audiences wanted more. The Gay Divorcee (1934) is their best early picture, a loose adaptation of Astaire's stage show, 'The Gay Divorce.' The only song retained for the movie is Cole Porter's smash hit "Night and Day," which is the setting for a sublime pas de deux between Fred and Ginger. The closer is the sprawling 17-minute ensemble number "The Continental." Roberta (1935) was a step backward, with too much time spent on 1930s Parisian fashion and the romance between top-billed Irene Dunne (who gets the best Jerome Kern ballads, "Yesterdays" and "Smoke Gets in Your Eyes") and Randolph Scott. But as the second-banana couple Astaire and Rogers still get a tap battle, a romantic duet, and plenty of comic banter.
With a score by Irving Berlin, Top Hat (1935) is most famous for two numbers, Astaire's definitive tuxedo setting "Top Hat, White Tie, and Tails" and the feathery duet "Cheek to Cheek." But other joys include Astaire's "Fancy Free" declaration, "Isn't It a Lovely Day," and the grand finale "The Piccolino." Follow the Fleet (1936) changes the pace a bit, with Astaire playing a sailor, and it suffers from making him and Rogers the second-banana couple to the dull Randolph Scott and Harriet Hilliard. But it still has plenty of laughs and some classic Irving Berlin numbers, including "Let Yourself Go," which Rogers sings before she and Astaire compete in a dance contest; a Rogers solo tap number; "I'm Putting All My Eggs in One Basket," their best comic dance. The pièce de résistance is "Let's Face the Music and Dance," a show within a show in which the pair dons their customary evening formals. Effortlessly flowing from pantomime to song to dance, this sublime piece of storytelling is one of the series' defining moments. Maybe their most enjoyable picture, Swing Time (1936) features the set-piece "Pick Yourself Up," in which Rogers "teaches" Astaire to dance before they break into a spectacular number; the farewell ode "Never Gonna Dance," and the Oscar-winning "Just the Way You Look Tonight," from the team of Jerome Kern and Dorothy Fields.
Shall We Dance (1937) has a complex plot that has Astaire and Rogers actually getting married before the final credits roll, and turns George and Ira Gershwin's brilliant "They Can't Take That Away from Me" into a heartbreaking ode. Other great songs include "Slap That Bass," "They All Laughed," and "Let's Call the Whole Thing Off," unforgettably performed on roller skates. The eighth and ninth entries in the series tried some different approaches, with the underrated Carefree (1938) more of a comedy vehicle for Ginger (yet still including some fine dances and Irving Berlin songs as well as their first onscreen kiss) and The Story of Vernon and Irene Castle (1939) portraying the pair as historical dancing stars and using a score of turn-of-the-century standards. The Barkleys of Broadway (1949) is the oddity, reuniting the stars 10 years after their last RKO picture when Judy Garland had to be replaced due to health problems. It's trademark MGM: splashy colors, Fred in a gimmicky solo number (playing sorcerer's apprentice to a line of unoccupied shoes), Oscar Levant providing his usual dynamic pianism and acerbic personality, and a score that is at its best when it borrows songs from a previous generation (including the big ballroom number set to "They Can't Take That Away from Me"). The film falls short of their best work, but serves as a fond remembrance of the most glorious partnership in film history. --David Horiuchi
For All Fred and Ginger fans -this is a must.Really nice packaging also.Published 7 months ago by Intime
Again a gift for my husband. He has always been a fan of Ginger Rogers!!Published 7 months ago by S Jean Faust
Bought this as a Christmas gift for my daughter. While the DVDs themselves appear new and perform without issue, the cases are in very poor condition, severely cracked with many... Read morePublished 7 months ago by P. Nash
Love Fred Astaire and Ginger Rogers movie! Funny and light-hearted movies for the family.Published 10 months ago by Shaza Amalina Binte Shaari
All discs were great except for Story of Vernon and Irene Castle which had some blank spots but overall was happy with product. Great collection.Published 11 months ago by Marilyn Thomas
|Topic||From this Discussion|
|Ultimate Astaire Rogers collector's edition release in October 2010||
I just received mine and all 11 discs are there.
Jun 3, 2011 by Warren J. Dew | See all 2 posts
|Ultimate Collection minus five||
Sounds great .. I've ordered. I think your listing though could also make it clear that this partial collection includes the bonus doco disc .. so far that's unlisted.
Aug 10, 2006 by Anthony Clarke | See all 6 posts
|ultimate collection for europe?||
I would like to know this too. Even though my DVD player will play NTSC DVD's, I would rather wait before buying the American version if they are releasing it in Europe.
Oct 24, 2006 by Nicola | See all 2 posts
|collector's edition pack||
It's not in the Amazon catalog for pre-order yet, but it should be in a short while. I'll post an update in this space when it is.
Jul 30, 2006 by David Horiuchi | See all 3 posts
|astaire-rogers ultimate collection||
Sorry George, but 'Vol 2' is just the final five movies to make up the compilation. It's not the special 'Ultimate' pack Warners promised, with blank spaces, for people who had bought 'Vol 1'. We still await more news on that one.
Aug 8, 2006 by Anthony Clarke | See all 2 posts
|Is there Italian audio?||Be the first to reply|